Flat Earth; Enclosed Creationism; Conspiracy (Theory), Intuition and Imagination – Part Eight

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Act Three: The creation of Adam and the ensuing flood thereafter [Originally posted on 6th March 2020]: Depending on which teaching you follow, you will inevitably realise there are two distinct approaches concerning the esoteric teachings of the creator God. And that it either leans towards a wonderful and all-loving God, as depicted in the Bagghavita and Plato writings. Or a creator-God that is Satanic, as described in the Apocryphon of John. That’s not to say God is Satan, but merely pointing out interpretations and the study of individual authors alongside the techniques used and the stories they find meaningful. And within those interpretations, notably, the documents of the Hebrew Bible depict the creator God (the God of the Hebrew Bible) as inferior or even evil – many of the ideas start to build up around a personified evil figure, sometimes called Satan, that gets attached to the creator God. So, you get a very satanic creator god in the Apocryphon of John.  

The notion of Theodicy calls upon why a good God allows evil to exist – yet, in response, He sends the flood to distinguish evil from the very same evil he allowed. So then, it’s less about evil existing and more about evil emerging due to the characteristic of a creator-God who is always doing things incompatible with knowledge. The Old Testament gods are neither wise nor ethically good, even though they are supposed to have created a morally superior system. Gnostics were aware of their imperfection by first acknowledging that it’s not through dismissing evil but rather by making aware that something went wrong. Upon creation of the planes (universe), the material substance of vast energies, power and impulse that came from supernal goodness does not ensure that certain elements may not go wrong through its course of divine creation. Omnipotence doesn’t explain this away. Gods did peculiar things which contradicted the ethical system they created.    

He can create this world because he came from the spiritual world through the mistake of Sophia emanating from him. He can do this because he still preserves those spiritual elements in him. On the other hand, Yaldabaoth makes a simulated world (our reality) modelled on the spiritual realm with the help of his archons; this ignorance is his primary characteristic, which effectively causes evil to emerge.   

There is a plan by the spiritual realm to trick Yaldabaoth, and it is based on Sophia’s repentance and the notion of salvation. The spiritual realm implemented a strategy to bring back perfection because imperfection had emerged from Sophia’s mistake with Yaldabaoth. They formulated a plan to bring back the element of the spiritual realm, and humans would play a role in bringing back that perfection – by returning the power and light to the perfect spiritual realm through the souls of human beings. It must gain knowledge that will ultimately take the spiritual element trapped in the material realm that came via the creator God without him knowing it. And that it will eventually return to the oneness where it belongs.        

It fails when Yaldabaoth tries to create an Adam based on the first Adam that emanated in the spiritual realm. It was inactive and motionless for a long time. Again, the creator-God attempts to create without foreknowledge – he has some image in his mind of what Adam is but doesn’t know, though he imitates it anyway. This is where Sophia’s strategy for correcting her error starts to take place – through Yaldabaoth’s mistake in creating humans. Sophia (the Mother) wanted to retrieve the power she had given to the chief Archon; she partitions the Mother-Father of the All. So he sent the whole decree of the Five Lights upon the place of the angels of the Chief Archon. They advised him that they should bring forth the power of the Mother. And they said to Yaldabaoth, blow into his face something of your spirit, and his body will rise, and he blew into his face the spirit, which is the power. [The inactive body of Adam so that the spirit left the spiritual realm because of his mistake will now be in Adam].

And a voice came forth from the exalted Aeon – having the Man exist, and the son of Man and the chief Archon Yaldabaoth heard it and thought the voice had come from his Mother. And he did not know where it came from. It did come from the perfect spiritual realm, [and this is part of the plan of tricking the thief] and he taught them the holy perfect Mother Father the complete foreknowledge – the image of the invisible one. Who is the Father of all, and through him, everything came into being the first Man, for he revealed his likeness in human form. [So there is a revelation to the creator God as part of the strategy of the perfect realm to get things back to normal. There is an image of the perfect man from heaven – the Adamas; Yaldabaoth catches a glimpse off], And the whole Aeon of the chief archon trembled, and the foundation of the Abyss shook, and the waters which are above matter – the underside was illuminated by the appearance of his image which had been revealed. And he said through the authorities who attended him; let us create a Man according to the image of God into our likeness – which his image may become a light for us. [And low and behold, we have a replication of that perfect emanation that was Adamas in the spiritual realm now being created. Partly because Aeons are actively trying to reverse the error that has taken place].

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Yaldabaoth becomes jealous of Adam, and so do the rest of the Archons because it would seem Adam is Luminous and superior. For this reason, he rips out a rib from Adam and creates Eve. Eve then plays a role in the Spiritual realm. When Yaldabaoth takes out the Rib from Eve, who is personified as intelligent, Adam sees himself in his light form and confirms that he is from a place of light. Eve turns out to be life; she is Sophia in another form. Yaldabaoth mates with Eve and has offspring known as Canon and Abel – Yaldabaoth continues to have sexual relations with Eve. He produces through intercourse copies of the bodies and inspires them with his counterfeit spirit. And this is due to a creator, God, who is jealous.      

And the two Archons he sent over principalities that they might rule over the tomb, and when Adam recognised the likeness of his foreknowledge. He begot the likeness of the Son of Man. He called them Seth in the way of the race in the Aeons. Likewise, the mother also sent down her spirit, which is in her likeness and a copy of those who are on the Pleroma or Fullness, for she will prepare a dwelling plate for the Aeons, which will come down. And he made them drink the water of forgetfulness of the chief archon so that they might not know from where they came. Thus, the seed remains for a moment, insisting so that when the spirit comes forth, the holy Aeons. He may rise and heal him from the deficiency that whole Pleroma (Fullness) may again become holy and faultless.

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So it’s through Adam, and in this document, Seth plays a fundamental role – as the line of humanity that possesses the power that was breathed accidentally from Yaldabaoth that belongs in the spiritual realm. And it’s the Seths and the descendants of Seths who, through gaining knowledge, will be able to have the spiritual spark in them to return to the perfect spiritual realm. They’re also known as the immovable race of Seth, which will return and be one with the realm. They also have different categories of humans mentioned in this section. They have Seth, like humans, but some don’t know and never come to know. They discuss beings bound by chains, cast down to prison, and consort with it until it’s liberated from forgetfulness and acquired knowledge. In this, it becomes perfect and is saved – there is a whole idea that the Seths who recognise who they are, whose souls return to fullness, Then, some forget, and they go to a place like Hades, where they wait until they might gain knowledge in the future. And Yaldabaoth, the chief Archon, repented for everything his cometh to be through him. He realised this whole thing was a sham and not working well. Adam turned out to be superior and more intelligent, the same intelligence Yaldabaoth tried to get out of Adam but couldn’t get it.

Therefore, the flood is a bad activity (or an evil act) on the creator’s part, God, which is different from the traditional interpretation, in which God is right to send the flood because evil has spread among humanity. In the Apocryphon (or Gnostic) version, the creator-God known as Yaldabaoth repented because he realised the other Aeons tricked him; realising that his creation was all for naught, he sent the flood. However, the greatness of the light foreknowledge informed Noah; the Spiritual realm knows what’s going on and informs Noah. In Genesis, it’s God that tells Noah what to do. The author splits the figure into two; one: the creator sends the flood, and the other (Spiritual Realm) sends a warning to try to preserve the offspring of Seth so that it will preserve the power within the progeny of Seth through the generations of Noah – and so when the time of Christ comes via all this knowledge. The offspring of Seth will gain this knowledge and return and be on with the spiritual realm.

The source of evil is interpreted as a part of a plan from the creator God, who sends angels to take daughters of men and raise offspring. The first attempt did not succeed, so they gathered to create another. A similar plan of creating a counterfeit spirit that resembles the human spirit is to pollute human souls. These Archons mating with these women would put the counter spirit into some human beings’ bodies and souls. And the angels change their likeness to the likeness of daughter’s men and fill them with the spirit of darkness, which they have mixed for them and evil. So the source of evil is Yaldabaoth rulers trying to screw things up again. 

This is opposed (or different) to the standard Christian telling of Genesis, of Angels, the sons of God descending to human women and mating with them, which occurs just before the flood. Another Judean author of contemporary times, 200 BC, Interpret angels coming down and breeding with humanity as the source of evil that leads to the flood. Some apocalyptic Judeans believed the source of evil in humanity that led God to send the flood was that angels came down and mated with humans and gave humans secret knowledge that they should not have revealed. These fallen angels developed into Satan and demons in the Judean and Christian apocalyptic thinking.

Act Three: Containing light creation in a simulation of infinite cosmology: Now, take what you just read, notably the creation of Adam, which can be archetypal and endless. Now, repackage it in the background of a hyperreal space simulation and simulacra. You get mythology that forces itself onto materialism, not through valid interpretations of nature through science but through its antithesis, scientism, which gets imbued with validity. And this makes both modes similar but ideologically different. It’s worth mentioning that science (or Alchemy as it once was known) would not have had its ascendancy if it weren’t for Catholicism. So it’s no surprise that any form of Christianity that views Christianity as an institution that’s in decline because of science is really by their doing.

The distinction between these two ideologies is that one promotes a hyperreal space theoretical hyperreal-space that is perceived as absolute and rational with varying hints of cosmological infinite certainties and uncertainties. The common understanding is to assume hyperreal space is fundamental in a cosmological sense when, in reality, it’s incomprehensible in a material way. The other is archetypal, which is interpreted through symbols and dreams. And this is natural and is also a quality given to us as a byproduct of the original light creation. That can harness that through the dream-like structure of the waters of the infinite collective unconscious – and its versions of certainties and uncertainties.

Both use imagination, although the striking difference is that one places imagination outside oneself and puts it inside a simulation. Having done that, it adopts the fictional modes to make something symmetrical work like something asymmetrical. And this is a simulation of archetypes to change the internal to the external. And this ambitious endeavour would take five centuries for it to work, and they succeeded. The other aspect is not because it’s that light or spark inherent in everyone. Thoughts and archetypes are internal, and they start within. As Gerald Massey says, thinking is, in essence, a process of “thinking” since thoughts must rest on the nature of things. And things are themselves God’s thoughts in material form.

The concept of a hyperreal space is seen as a symbol, which is also a symbol of the imagination. There is a fundamental contention in this approach, which assumes that the false space simulation is real when it’s an illusion; being an illusion makes hyperreal-space as a stage no longer possible. In other words, space is merely a blank canvas, and you must not mistake the canvas for the stage, given that what’s inside the stage has to be empirical, rational, or real – and you can only theorise anything outside that. Moreover, the canvas invites the imagination but has its foundation in a false reality. At the same time, it can be as real as anything else, given the final product of the canvas, which can now be a painting. The power of imagination is the power to create.

In parallel, Catholicism acts out Nietzsche’s notion of “God is dead” by re-painting the canvas with its hyperreal cosmological mambo jumbo, wiping out centuries of traditional knowledge, which kept technology stagnating for centuries. Perhaps it was purposely planned that way in fear that people in the eightieth century might sincerely wake up to the truth (the true spirit of Christianity). In fear of that, they embarked on a conspiracy to hide the truth. Catholicism’s paranoia doesn’t come from altruism but through the control of narratives. The fear was never really about God being dead, but through the revelation that ‘God is dead in so much as we don’t know about the structure of experience and reality. And can only grasp it with minimal articulation – this is what Nietzsche meant when he said, ‘God is dead.’  

We’ve established the confusion of planes regarding the inability to pass 120,000 feet along with a horizontal line that stays at eye level. These are observable facts, not simulations. This cosmological wall is also signified in the mind and is another source that confuses the planes. The wall garners itself as the mind that must first adhere to empiricism and rationality – but only if it can explain the reduction before considering any other forms of spiritual structure that we are still to understand. This is clever reasoning; however, this form isn’t entirely immovable because empiricism can be incorrect if the structure of that reasoning is based on an illusion or a simulation, i.e. the hyperreal space. The confusion of the planes is to create an open world in which imagination is not bounded – but it gestates from a lie, so the cosmological stage is no longer possible. The confusion lies in pretending it’s an open system, while at the same time, managers of perception create a closed philosophy in the mind when, in reality, it’s open. Just imagine if they switched the focus. To not confuse the plane is to know that we can pass these walls in a spiritual sense.

Symbolism, alchemy, and astrology were once considered discredited disciplines of science. Although astrology is experiencing a revival, it is still mainly viewed with suspicion. This scepticism is rooted in the illusion of astronomy, especially as we create the basis for a hyperreal-space simulation. However, the symbolic theology of astrology is essential for explaining cosmic operations. Understanding the twelve zodiac constellations and the thirty-six or more stellar configurations reveals the cosmic significance of these symbols. It is necessary to distinguish astrology from astronomy and return to a gnostic perspective. Humankind constructed a new body of spiritual glory “after the pattern of things in the heavens,” referring to the heavenly or Zodiacal man. Our physical bodies are replicas of this divine body, created in its image and likeness—glory “after the pattern of things in the heavens,” the heavenly or Zodiacal man. Man’s own small body is a replica of this body of God, made in its image and likeness.

Passing through the planes means understanding man’s two natures: the spiritual and the sensual, the divine and the human, the mortal and the immortal – the spirit (fire) and the water conjoined in a mutual relationship in the organic body of flesh. Says Heraclitus: “Man is a portion of cosmic fire, imprisoned in a body of earth and water.” Speaking of man, Plato affirms: “Through body, it is an animal; through intellect, it is a god.” To create man, God incarnated the fiery spiritual principle of his life in the watery confines of material bodies. That is the most accurate introductory description of man that anthropology can present. We are man akin to animals and also angelic or godlike in combination. Life is spiritually conceived and materially born. Or, a man may be said to be born as a natural creature from spirit into matter and born later as a spiritual god when he emerges from his baptism in the water of the body and re-enters the bosom of his Father. Or, finally, he is born first as man, by water, and reborn later as God, by fire. (Kuhn, A, B, the Lost Light)

So we have the two states of man, the natural and spiritual bodies, which also have two states of matter that consist of the invisible and visible forms. The physical body houses the soul for regenerative purposes, one for death and one for rebirth. It must pass through darkness or incarnation, in which a new birth will rise or through resurrection on the opposite side of the cycle. A significant passage from the Book of the Dead recites: “Who cometh forth from the dusk, and whose birth is in the house of death”, referring to the incarnating soul. In a spiritual sense, the soul “dies” on entering the body in incarnation but has a new birth in it as it later resurrects from it. The body is, therefore, the house of his death and rebirth or the place of his crucifixion and resurrection. Fire can represent the spirit in man, which is a fragment of God’s indestructible, mighty spirit, this tiny spark of cosmic Intelligence and Love that we call the Mind of God. (Kuhn, A, B, the Lost Light)  

So, the body of water is known as the house of death and rebirth; it is also symbolically linked or represented to the city of the sun, Heliopolis, in Egyptian, ANU. A city that once worshipped the rites of death, burial and resurrection of Osiris or Horus was enacted each year. NU is known as the mother heaven or abyss of nothingness, making A-nu a world of concrete actuality and substantial physical manifestation. A-nu is then the physical body of man on earth. The soul descends out of the waters of the NUN (none) abyss or space into its negative unity. To become positive, it must differentiate itself into duality. [Paraphrased from – lost light] – (Kuhn, A, B, the Lost Light) 

Entropy soon kills biological matter, and so the body of man dies – although there is no fundamental definitive notion of death, death is just a transition from state to state – a morphing of form to what is and cannot cease to be. The spirit is resurrected in the body of water; we can theoretically pass the cosmic wall in this spiritual state. The waters are also known as matter; all things are generated in the womb of primordial matter – the matter that is seen to exist in two states; these two states then become the mother of life at two different levels. These are known as two mothers (or two divine sisters), which the goddess and her sister represent. The primordial matter, the seas of empty space, is the first mother, and the second is the parent of the spiritual mind. The primordial matter is also known as the “abyss of the waters” in Genesis.   

Earth is known as Tuat, which means physical matter or organic matter. It is a physical world not floating in Copernican/Galielio space but rather the only original organic body of substantial matter transfixed. The rest of the Logoi, or celestial bodies, are not indicative of a solar system but rather dimensional planes of different orders from matter represented through their Celestial symbology and the Christos in man.

New-Age-Flat-Earth-Cults, inspired by The Matrix, believes in these two states adamantly, with a slight deviation. And that is, our bodies are like Avatars that must shed their mortal coil, which they will re-awake in their true body in Paradise – acknowledged to find the centre of it all and to plunge themselves into it. So, the concept is predicated on the spirit body resurrecting into another spirit body somewhere else; this is different from the spirit body resurrecting into spirit water. And this is far from the Etheric double concept laid out in Theosophy. This New-Age-Flat-Earth-Cult concept is essentially an inverse idea of Transhumanism, which raises contentions because it follows the same simulation propaganda of space travel. Considering that man and his body, and in this instance, the body is the planet – it can hyperreal space travel to another earth (lie) like planet – another body/planet for man to flourish. Which we know is a fictional telling to kidnap your imagination.

A more fitting assumption is that the body of man, which is matter, dies (and the soul is left to travel), and his other state, the spirit, is awakened again in the body of water. The spirit is closely related to the mind (the soul/psyche), and the reason is a vehicle for thought; thought outside the mind is said to be housed elsewhere. This may be why the mind is being managed or guided by confident thinkers who deny intuition only to a point that suits them. [Research more]  

Conservative intellectuals ask you to view the philosophical mind towards empiricism and rationality first and then any other modes. When those modes can’t determine an answer, you can look for answers in the unknown. And if you find the answers come from the unknown, they dispense with that unknown – and build a buffer between the known and unknown, so this buffer gets the credit. This buffer is the enclosed wall that acts as an intermediary between what is real and what is unknown. Still, it’s there to coax certain philosophical assumptions that they disagree with politically. It begs the question that the fire in which we speak, the light that was breathed into us, can be measured empirically; those modes cannot measure such endeavours because those modes are not the right fit. They make aware that no one is educated enough to discuss the psychological significance of the Biblical story, a notion mirrored among fundamentalist Christians – that no one is allowed to make theological assertions beyond their exclusive analysis.

Modern psychology loudly asserts that the failure of the mind to know the answers to life’s riddles breaks down its integrity and racks even the body. Philosophy, reduced now to tedious and jejune speculation, is the bread of life for which we starve. It was once a body of positive truth. To it, the mind could anchor. Only intelligence can save motivation from rank exuberance of eccentricity. Despoiled of the early truth, later ages have been in the position of a person trying to think without true premises. It is the function of science and philosophy to furnish the mind with true premises. The practical service of philosophy is the proper direction of effort. Its function is to furnish guiding intellectual light. (Kuhn, A, B, the Lost Light) 

Intuition is denied in psychology and promoted through philosophy; psychology rarely thinks outside its norms or DSM manual. There is a bridge between the two; however, an open and closed wall of empiricism sits on the bridge; at least, there is an option for flexibility, but often regulated to philosophy. Intuition seeps into psychology, the psychosomatic and the acceptance of archetypes. The denial is a cause for concern here, a dehumanizing aspect towards highly narcissistic people. It’s a label that’s well deserved, as they make people’s lives a living hell – is labelling them non-human fair? – are we to claim they are without intuition or spirit? – Or are they just infants waiting to be struck by the light of transcendence, perhaps not in this lifetime, but the next? I’m not qualified to answer these questions, but only to inform you.

If we are to hold science and philosophy as the beacon of light for which the mind can garner true insight or premise. We mustn’t forget that ‘man is a functioning god in the body of a human animal ‘(Kuhn, A, B, the Lost Light), relatable to other existing life and central to understanding the grander synchronistic whole. Its potential, however, appoints empiricism and rationality, which is fine until it semantically veers off and adopts a simulated narrative. To something like scientism and fundamentalism are like ideologies that act like viruses. Flat Earth philosophy [if there is such a thing] shines a light on these simulated narratives – in pointing it out. However, it is met with the personage of naïve credulity and is the bearer of parody because its goal is too ambitious. And at the same time, it can be an innocuous matter. However, it challenges the Illuminati council, which laid out cosmology and anthropology systems that are universally revered. The question is where the differentiation veered off and whether truth can reassemble itself from when it was cut.

The psychological significance of the Biblical story is that one needs a bridge for the mind to accept magic, but the contention is to convince you not to walk over that bridge. Religion’s objective function was to be a place or a thing [explanation, articulation, definition, etc.] for man to understand the divine elements and to go beyond or transcend average human capacity. He will then be brought back down to earth from which he is naturally connected. These elements are the supernatural, the miraculous, and the magical. The supernatural permeates transcendence; the miraculous imbues cosmic love, and the magical is intuition.  

[In no way do I declare I’m an expert in Biblical or historical myths. I notice specific arguments being made that other authorities have already answered – also specific patterns, semiotics, and synchronicities that are constantly emerging]. Anyone who advocates for you to cease such attempts because you don’t qualify for theological study denies gnosis or knowledge. Gnosis itself has an intuitive aspect as it defines the natural element of the mind. Understanding that actual knowledge is pre-symbolic is like saying you know things at one level without being able to speak what you know at another. So, thoughts (or gnosis) come from somewhere, and we can’t describe where empirically, but we can describe the process; let’s call this process intuition. In defining the process, it should be viewed as something external rather than bringing it back to the body; therefore, the mind is merely the receiver.  

C.G. Jung was instrumental in calling attention to the Nag-Hammadi library of Gnostic writings in the 1950s. He understood the importance of the psychological relevance of Gnostic insights. He considered them the virtual discoveries of ‘depth psychology’—ancient Gnosis. Gnostic scriptures possess psychological relevance and applicability. For instance, the blind and arrogant creator-demiurge resembles the alienated human ego that has lost contact with the ontological Self.

Jung understood our reality: The primary function of intuition, he said, “is to transmit mere images or perceptions of relations and conditions which could not be transmitted by other means or only in very roundabout ways.” (Jung, G, C,). However, these are not mere images or perceptions. They are the fruit of our imaginations. And the roundabout way is the best if reality permits. It will adopt imagination and reason with common sense and ethics to produce policies, products and theories, paintings, and music. (Saul, R, J). “Intuition seeks to discover possibilities in objective situations. It is also the instrument which, in the presence of a hopelessly blocked situation, works automatically towards the issue, which no other function could discover.” (Jung, G, C). So, it is the instrument of need and of limited time. (Saul, R, J).

There was a time when the birth of the arts reinforced the intuitive underpinnings of creativity over thousands of years. This artistic revolution has been around longer than the hyperreal-space-simulation. However, it’s more of a tool to convey an idea, as opposed to an idea that is expressed to be falsely empirical. This may be due to a simulated education system bound to linearity. John Ralston Saul states, “Our education structures are obsessed with linear progress, and this is presented as a function of knowledge, proof, understanding, and verifiable truth. Yet, how could anything so complete be reasonable, commonsensical, even rational? It is the approach which misses the non-linear nature of progress.” “While we have integrated intuition into our civilisation in a self-evident manner, it remains technically excluded from how we run affairs.” (Saul, R, J,)

Parallel to Jung, Joseph Campbell also understood the Gnostics and what the Nag-Hammadi stood for on a mythical level. Joseph Campbell theorizes where you can go with mythology beyond the genre of mere scholarship by using myths to find meaning. You can take myths and interpret them in life; this is why you will find more truth in fiction than non-fiction.

Act Three: Adam, Horus, Jesus (Logos): The subjects focused on often gleaned different interpretations, notably specific details on the same story. In other analyses of the same study, Sophia blew the spark into Adam, giving Adam its complete form. Although this thesis focuses on the Apocryphon of John, which is a better fit, considering Sophia is also known as a trickster deity. She tricked the creator God with the utility of voice (sound), which would create a perfect model of Man emerging from heaven. This perfect Man is modelled after the first Anthropos (or the first Adam), part of the Trinity, the one parent in the cosmic Pleroma. Yaldabaoth exists in the highest dimensional order of the material world (which is supernatural, a dimension with its own physical rules) and sees the model of supernal Man. In other words, a celestial cosmic firmament wall exists between Sophia and Yaldabaoth, in which the creator God is beneath. 

He is essentially a celestial God in a virginal place filled with untapped matter ready to be conjured by thought and imagination. In the secret book of John, the creator God has three names: Yaltabaoth (Yaldabaoth), Saklas and Sammael. In his arrogance, he described himself as an originator: “I am God, and there is no other God beside me,” In hypostasis of the Archons describes his nature: 

	“Opening his eyes he saw a vast quantity of matter without limit; and he became arrogant, saying, `It is I who am God, and there is none other apart from me.’
	“When he said this, he sinned against the entirety. And a voice came forth from above the realm of absolute power, saying, `You are mistaken, Samael’ – which is, ‘god of the blind.’”

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In this analysis, we know Sophia had a hand in creating the cosmic wall, after which she places the Halfmaker inside or within it. Therefore, it’s easy to conclude she can also place a true celestial model of the Christos Man inside this cosmic plane. Sometimes described as a cosmic egg, and positioned in the sky for Yaldabaoth to see. With the help of other light deities from the spiritual realm, Sophia missioned this plan to trick the creator, God, because He was already creating Man using his intuition but was failing. And this opened an opportunity for repentance and salvation for Sophia. Still settled in arrogance, Yaldabaoth was assured that the voice and supernal image of Man was from his Mother, and in some sense it was; convinced in this, Yaldabaoth blew into Adam. And this is the prototype Man that he modelled, which in previous attempts failed to bring to life. Again, he blew into his face, but this time had the power of the Mother and the spark with it. The spark represents the spirit leaving the spiritual realm. To be placed into Adam as a gift for Man and repent for Sophia for the mistake she made.

In this analysis, we know Sophia had a hand in creating the cosmic wall, after which she places the Halfmaker inside or within it. Therefore, it’s easy to conclude she can also set an accurate celestial model of the Christos Man inside this cosmic plane. Sometimes described as a cosmic egg, and positioned in the sky for Yaldabaoth to see. With the help of other light deities from the spiritual realm, Sophia missioned this plan to trick the creator, God, because He was already creating Man using his intuition but was failing. This opened an opportunity for Sophia to repent, thereby being saved. Still settled in arrogance, Yaldabaoth was sure of Himself that the voice and supernal image of Man was from his Mother, and in some sense it was; convinced in this, Yaldabaoth blew into Adam. This is the prototype Man that he modelled, which, in previous attempts, he failed to bring to life. Again, he blew into his face, but this time had the power of the Mother and the spark with it. The spark represents the spirit leaving the spiritual realm. To be placed into Adam as a gift for Man and repent for Sophia for the mistake she made.

Mentioning the perfect image of Man from heaven—the Adamas (thought thinking itself Christ) placed in the skies of heaven glowing with celestial light—is such a potent image that it can beckon a deep-seated memory from the depths of the collective unconscious—imprinted as a biological truth.

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We’ve established that a hyperreal-space cosmology, in general terms, is like a blank canvas for the imagination to prosper. But at the same time (the imagination) is managed by the many ideas that a hyperreal space is real. It’s a way of mitigating the infinite possibilities of truth. In some ways, it plays on the aspect of August Strindberg’s quote: “Kindly control your imagination …That is what makes men beasts” in the assumption that imagination can be organised and controlled. That somehow it can be troublesome and dangerous. Perhaps it can be those things, but only if viewed as unquantifiable, deep within a pool of uncertainty, ready to strike at any given time. Watchmen’s doomsday clock springs to mind. The doomsday clock is a symbolic representation of uncertainty for nuclear annihilation. Throughout history, we must first imagine creating a monstrous weapon to stop a never-ending war. And through some means of the rational process, you keep imagining until it becomes a process of reimagining certain forms as you progress. Until, in a final moment, it comes to fruition, a weapon of mass destruction has emerged.

The creative process itself suggests imagination isn’t a means of destruction. Still, it’s the uncertainty for the reason that can make it so – however, it’s uncertainty amidst an intuitive swirl that makes these progresses possible. So, how does one recognise or reconcile this conundrum by simultaneously accepting that both are inclusive and inconclusive? The uncertainty reminds us that our imagination without context can decline into fantasy without other qualities. Imagination propels itself not through a mystical way but by the habit of imagining. If so, how does one explain imagination as a spiritual spark given to us as a gift? – If it is not through the mystical way. Is this another way of giving credit to the body and leaving the spiritual aspect behind? John Ralston Saul describes intuition as having two forms, active and passive, applied imagination and applied animism.

	Applied imagination is about acting on intuition, drawing up swirls of movement while also imagining the other. This swirl will mutate to one form and another, and then you will be able to conceive of your place within the whole. Applied animism is less about decision and action and more about living in a larger reality, the synchronistic whole in which our lives are tied to the great sweep of time, people, and place.
	These two forms, however, can’t stand on their own. Deny the application of the imagination. You deny the existence of a synchronistic timeless whole, even though the evidence of its existence is all around you. Intuition is one of our most practical qualities. Deny its function, and you set yourself up for utilitarian mysticism and hero worship. Deny the animist, and you deny the roots of imagination and its application. In fact, you deny the very idea of swirling uncertainty as human strength. (Saul, R, J, n.d)

Nothing is more poignant than the divine spark and its process through awakening; in this spiritual gnosis, it’s both applied animism and applied imagination. There are levels between the spiritualistic and materialistic. Non-spiritual (pneumatics) is ready for gnosis but not stepping through the door. Then there are the earthbound materialistic (hyletics) in nature; they can only recognise the physical reality. And then there is the psyche (psychics); they often mistake the Demiurge for the True God. There is a distinction between applied animism and spiritual gnosis; one can be observed, and the other has to be felt; applied animism is a facet of spiritual gnosis. Spiritual gnosis goes beyond applied imagination.

As an adult with post-awakening natures, you would undoubtedly be aware of any simulated scenarios because of a solid intuitional feeling from a spiritual awakening. For example, you looked at the sky while your crown chakra was in love and bliss. Upon your eyes at the sky, you realise clouds manifested images you conveyed in thought. In a way, this is the synchronistic whole, applied animism with spiritual Gnosis.

There is a tendency to leap into romanticism concerning the creation-light myths, perceived as a superstition that hinders scientific progress. If such is the case, one would determine materialism as a low form of superstition, but given its paradox, materialism is dominant yet an enemy of applied animism. The simulation fantasy is to believe imagination and intuition allowed us to progress beyond where self-interest and materialism and the managers of the day were only happy to stay. It’s a one-sided point of view; both suggest self-interest and the burning desire to answer the question of who the Man in the sky is. Yes, we grew out of self-interest, built rockets and satellites, and watched and believed in the hyperreal notion of Man walking on the moon. We matured out of our self-structure, repressed our self-interest, and expressed our imagination and intuition, resulting in the invention of concepts outside our realm of possibility. However, the motive is not about maturing through self-interest because it needs a component. Memories taken are returned, indicating an archetypal myth that’s been around from the beginning. It would then be about balancing or layering out the self from the selfish ego nature with the mystical or animist side and resolving the shadow aspect of society and its conspiracies. That appears at disastrous events that indicate a manufactured tone purely for self-interest. The hyperreal notion of Man walking on the moon is Man’s way of answering the question when it’s unanswerable, so instead, they swapped the Man in the sky for a Man on the moon.

Adding components of conspiracy theory to the imagination of uncertainty alludes to a manufactured reason in the assertion that the military-industrial complex and its subsidiary NASA and their varied secret missions. All wars are banker wars but cannot be definitive given militarism, and warring nations are hallmarks of modern myths. This leads back to its primal reason, which is that, with all these uncertainties and indeterminate conspiracy theories, such as secret space programs, manufactured wars, and simulated conception of space races, That only reaffirms its failings but confirms their intuitive question and archetypal intrigue that a primeval space God must exist, and humanity must attempt to reach it. Once I realized there was no way to pass through this cosmic wall via a nuts-and-bolts approach, they approached this single endeavour differently. Besides them, it’s been played out before in history, a metafractal game that repeats itself throughout time. 

Sophia’s mission to trick Yaldabaoth with the actual image of the supernal Man is copied by the elite’s compulsion to lord over their fellow humans to be godlike. They test this resolve with the same trick. For example, by creating a holographic supernal, Jesus beamed in the sky through a project blue beam program to manipulate people into believing the second coming was coming. Other repeated incidents come from gene manipulations of humans run by corporations who worship Archons. Programs such as cloning, chimera tests, and alien-human hybrids are all for the purpose so a creator-God can gain access to the Pleroma through some cosmic loophole. The Man in the Sky and the holographic Jesus can parallel myth; their purpose, however, is vastly different – one aspect is so minuscule in its reasoning that it’s driven by a single idea while being agenda-driven for self-interest and the worship of the Demiurge. The other is cosmological, a remnant of the original light creation of Adam that is solely based on the Highest Supreme Adam.

Hyperreal space was once known as primeval space, and primeval space was once known as Nun or the Waters of the Nun. A familiar phrase from the Bible is “Joshua, Son of Nun,” and most know that Joshua is a variant name for Jesus; in other documents, it’s written as “Jesus, Son of Nun.” In the Hebrew alphabet, the letter “M” is called and spelled “Mem”, which means “water,” and “N” is called and spelled “Nun,” which means all things “Fish.” In this find, Jesus is described as the son of Pisces. In other comparative evidence, Horus is known as the Egyptian Christ, identical to the Jesus of the Gospels. [Paraphrased from Kuhn, A, B, the Lost Light] 

According to theosophical study, there are four Adams, the first being the Highest or Supreme. The second is protoplastic androgyne, and the third is pre-terrestrial “or innocent,” a prototype of the fourth. The fourth is the terrestrial Adam of Genesis. They say Adam’s luminosity is dulled down everyone-quarter as its reflection passes through each succeeding Adam. Moreover, they conclude that Adam-Supreme is not the origin of all things. That title goes to the Cosmic Powers – the Creative Dhvan-Chonans, I suspect Yaldabaoth’s many emanations. Adam-Supreme is not viewed as their originator of lower worlds but as their transmitter of ancient yet ever-evolving powers-to-be. The Supreme Adam, the celestial Logos, the “Heavenly Man” evolved out of the Compound Unit [I gather the Trinity – the one parent] during a praylayic sleep – Adam became separate from the one. And Adam is neither male nor female. This transformation did not occur on Earth but from the spatial depths of the first differentiation of eternal root matter. [Paraphrased from – Secret Doctrine 1:246]. This supernal model of Christ’s Logos imbues the material plane or the skies of material heaven that intrigued or, more precisely, the creator-God witnesses a cosmic revelation.

The concept of the Christos Man and its symbolic representation of the crucifix are undoubtedly archetypal elements embedded in our DNA. These archetypes function similarly to the subconscious, influencing the conscious self and allowing for their expression through reasoning. They represent ancient memories that have long been forgotten but are now being unlocked, becoming evident through the consciousness of dreams. Memory presents a significant challenge for reductionist philologists and geneticists, as they need help to fully explain why the body replaces its material structure throughout a person’s life while retaining its neural DNA. This concept is often explored in fictional storytelling, where a character in a spiritual awakening must assure a friend or partner that what they experienced was not merely a dream but a memory envisioned in a dream. This moment becomes pivotal as it is prophetic and propels the narrative forward. The key lies in distinguishing the correct articulated understanding from that we do not yet comprehend without confusing it with what we already know.

Let’s say a person has two different dreams of the same archetype; one of those dreams/visions was a bioluminescent blue cross in the night sky, and the other was Jesus Christ portrayed in his most common imagery: white, blue eyes, and so on. One of these archetypal enunciations is that knowledge is out of sync with the dream. And the other is prophetic, given that the typical image of Jesus Christ is a simulacrum or an imitation. For example, past images depicting the Messiah with dark skin – had been made new [less dark] to adhere to Anglo-Saxon sensibilities. Another component changed from a hanging man in a tree depicted in tarot and scripture to a man hanging on a crucifix cross. In its most accurate meaning and variance, the Ankh, the Cross, is meant to signify good luck and good fortune. The word Christ comes from Christos (the anointed one) or Chrestos, a name used in reverence to Osiris. Chrestos can be traced back to Mithraism, which was around before Christianity. So, now we know the image (and the image alone) of Jesus Christ is a simulacrum; we can, therefore, identify what we know to what is out of synch in a dream.

In a time where these archetypal axioms are made clear, fundamentalists reciprocate in typical rigidity while holding validation in naïve certainties and literalism. The whole structure of Christian belief is laid out in idolatry given the built-in simulacrum – so people are duped into believing true knowledge when it’s misrepresented. Besides, any evidence for a historical Jesus seems non-existent; this further misaligns our dream, thereby bringing forth internal disassociation, which sickens the spirit. In this argument, some fundamentalists who have come to terms with their common sense can’t deny what other comparative religions have to say about Jesus Christ and its antecedent to other world saviours. In response, some fundamentalists now deny the image of Jesus Christ and firmly call him YAHUSHUA or, in short, YAHUAH, which means salvation. In clearing out its distinction, they also deny its significant astrological marker from December to September B.C. during the trumpet feast described in scripture. And this makes no sense, considering they acknowledge that YAHUAH is just another name for Joshua. However, it will not grant the same recognition for Joshua as Jesus, given that Joshua was the prototype name for Jesus; it’s like they’re almost there, but not completely. Were they hoping people might not realise this? Any attempt to relegate the saviour without his astrological significance to a person who just performed miracles [a far more accepted terminology than magic] leaves the saviour without his myths and potency.

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In Gnostic theology, the Messiah’s role was to awaken the human soul to its true nature—a purely spiritual and intuitive view of Christ, as opposed to the orthodox view, which instils faith and obedience. Hope is offered through the salvation of the human soul from the fires of hell. Through faith in this reverence, hope can move the masses to their governing political ideologies.    

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A gnostic view or, more precisely, a focused view on intuition is met with speculation, especially regarding the view of Christ. The dismissal of intuition would be like denying one’s heart and power. Faith would have you exalt Jesus to unique magnificence as an external beacon as a way to look outside ourselves for the source of power and grace. As an effect of this cause, however, people inevitably ignore the divinity in every man’s heart, the spark, as it were.

The Zeitgeist documentary antagonised a lot of fundamentalist Christians; in doing so, they responded with a debunked version of the documentary, but it only resulted in someone else debunking their debunk. Some accepted that the Gospel narrative matched the archetypal narrative of other world saviours, but only to a certain point that “Joshua” must not flow back to Jesus. A group of YAHUAH followers believe more in the personal YAHUAH that is different from the image of Jesus. It only fits the same supposed evidence that matches traditional fundamentalist Christians’ absolute belief in a personal Jesus alongside the supposed proof. Suppose the apostles’ testimony supported by archaeological findings is credible enough to conclude that historical Jesus did exist. This is fair enough; however, as I said before, it leaves the saviour without his potency, and you can’t have both. You either have a personal Jesus (stripped of his mythical potency), a man matched by other extraordinary men in history, or a Jesus interpolated into the spiritual drama.      

Edgar Cayce, a proven clairvoyant with high intuition, hinted at the idea that Christ and Jesus were separate entities. Cayce taught that Jesus and Christ are distinct entities: “Christ is not a man! Jesus was the man! Christ was the Messenger! Christ in all ages!” Jesus was a man who had been reincarnated as “Amilius, as Adam, as Melchizedek, as Zend, as Ur, as Asaph, as Jeshuah—Joseph—(Joshua) — Jesus. – Edgar Cayce. An important aspect of his assertion is that it absolves the previous problem. Moreover, it’s in his affirmation that Adam plays a part, reincarnated or not; Adam itself was modelled on the first Anthropos – the Son – “thought” thinking itself Christ (1st Adam). And these myths become timeless through the son/sun solar deity archetypes.  

Historical Solar Deities	Dionysus, Osiris, Sabazius, Tammuz, Adonis, Atys, Orpheus, Mithras, Zoroaster, Krishna, Bala-Rama, Vyasa, Buddha, Hercules, Sargon, Serpis, Horus, Marduk, Izdubar, Witoba, Apollonius of Tyana, and Yehoshua ben Pandira.
Modern Solar – Superhero (Heru) Deities	Adam Warlock, Neo, Superman, Silver Surfer, Hancock, John Murdock (Dark City), Dr. Manhattan, Phoenix, Captain Marvel, Thor, Luke (Lucius) Skywalker, Leeloo, Wonder Women, Eric Draven (the Crow) and so on.

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Fundamentalist Christians refute these archetypal similarities and rationalise this opposing view on the contention that those archetypes just died and not returned (as in resurrected); most were rescued from destruction. Rising saviours from multiple cultures seldom have much in common; Isis, Osiris, and Dionysus were just “good Daimons” elevated to the rank of gods. This is about an inability to comprehend the difference between resurrection and reincarnation, and it all boils down to the incarnation process. Let’s say the cosmic resurrection aspect of Jesus is a hypothetical fractal simulation and simulacrum update of Horus. The actual resurrection meaning would be akin to the myth found in the exegeses of the soul outlining the bridal chamber story – coupled with the two states of man with the added simulacrum update component, which makes a lot of sense. Those myths can be traced back to Egypt’s gods and their stellar cosmic play, of which Christianity is a by-product.  

Osiris, Isis, and Dionysus are archetypal deities based on the Trinity, and the Trinity is embedded in biological creation itself. The distinction is specifically unique but only partially original. Each deity in the Trinity has made its journey to the nether earth. Osiris, the Father God, comes down to earth and gets cut to pieces by Sut (Satan) and the pieces of his body are scattered. Isis, the Mother, descends towards the earthward plane and retrieves Osiris’s body fragments. Horus, the Son, also descends to earth, which parallels the Christian Jesus’ character as the bringer of peace. Jesus descends into hell (Apostles’ Creed); in comparison, Horus descends into Amenta, the dark underworld (our earth).    

The concept of the Trinity is often denied by fundamentalists because it is not explicitly mentioned in the Bible. This reflects a literal interpretation and an inability to grasp the idea of the Father, the Son, and the Holy Spirit as a unified Christian doctrine. It’s important to note that, in more specific terms, the fundamentalists only recognise two of the three entities, as they do not fully acknowledge the Holy Spirit as distinct from the Son. This perspective demonstrates a need for more imagination and common sense. In many ancient languages, words have gender associations; in Greek, the soul is regarded as feminine. Consequently, the Holy Spirit can be understood in a feminine context. Being conceived in a sacred source implies an androgynous nature, embodying potentiality within the undivided wholeness of the divine. This idea is illustrated by the crucified image of Jesus, who can be seen as androgynous. Jesus is also referred to as the divine Anthropos—a wise figure who comes from afar to rescue the sparks of life that have fallen into darkness. In this light, one can draw parallels between Jesus and the concept of Sophia, representing divine wisdom.

The resurrection from the dead aspect of Jesus’s resurrection is based on the Twin Angels left in heaven on our journey downward but resumed in the state of the union in the upward path. This myth is repeated in the story of the hymn of the robe/pearl. The idea is that the soul comes down and splits. The masculine remains in the spirit in fullness; the feminine part comes down. The notion of virginity was only meant to exemplify an untouched soul by any other external forces while she was still with the Father. She descends to the lower plane of existence and gets trapped in a body. The lack of fullness from which we suffer is metaphorically expressed in splitting apart from unity into two. The feminine comes into the world and is androgynous and feminine; the other remains in the higher world. The soul and the over-soul are also known as the divine Twin – and are known by many as the holy guardian angel and the Jungian self. This is the higher transcendental origin of the spiritual angel or the spiritual counterpart – the higher being that remained in the divine concealment – it stays in touch and makes contact. Wholeness comes about when the two come together; therefore, the soul’s plight is remedied when the higher aspect of life is reunited with it.

The dramatization of the Bridal Groom is the metaphorical spiritual essence of the exegesis of the soul. The soul will reject herself like a woman in labour who rages in the hour of delivery, but being female, she is powerless to beget a child altogether by herself. So the Father sends her twin. The bride-groom comes down to his pride. She renewed herself so she could be the bride. She adorns herself in the bridal chamber as she sits in waiting. She doesn’t remember what he looks like, so she dreams of him as to know. According to the Father, the bride-groom will come down to her in the Bridal Chamber, which was prepared for her. He decorated the bridal chamber, and since that marriage is not like a carnal marriage, those who have intercourse with one another will be satisfied with that. If it were a burden, they would leave behind their physical desires and turn their faces from each other, but once they unite, they would become a single life. The prophets said the first man and first woman would become a single flesh. For they were originally joined to one another when they were with the Father – this marriage will bring them back together again, and the soul is joined to her through love, her real master. And this is the union of the higher self, the Bridal Groom and the psyche or soul of the lower self.

Logos is a word, the logo is a symbol, and geometry is embedded in symbolism, which means numbers and mathematics. The first originating language of the universe, and when we break down numbers through ciphers and mirroring coupled with gematria, the numbers will lead back to PI (God), and what is the first number of PI … Three. Unlike the Word, which has room to change, mathematics cannot, given that it’s the first originating abstraction.

The Word is not the written Bible, nor the Logos; attempts to understand divine ideation are merely clarities of thought (intuition) trying to capture deific utterance on paper. Let’s not forget that these attempts at understanding have a reactionary component to mind and must be met cautiously. This cautionary tale of doubt parallels the magical Monastic warning; in Jung’s case, exploring symbolism turned him slightly mad towards his later years. Jung didn’t fully understand the Gnostic development of the self, the proper integration of the soul – rather than the soul leaving the earth and going to fullness. Jung interpreted the Bride Groom as the self; the soul centred on the ego moves towards the ego rather than fullness. In this interpretation, the internal marriage that must take place is correct. Otherwise, it’s impossible to move to the ultimate Aeon. The contention lies within the union of the ego and self – that its objective is in itself and for itself. This little distinction gave intellectuals and humanists a way to bring it back to the body but is merely a prerequisite for the ultimate. That integration or individuation is like having a password to stay there once you have passed through the door.

Bridal Chamber’s premise is to prepare for the internal union or fulfil the union with the ultimate source. As she adorns herself, she remembers her disgrace from her other former widowed and adulterers; she turns her face in disregard of that. For reasons of admiration for her beloved, for now, in his presence, she weeps. In her devotion to the king, the actual ward, she forgets the house of the earthly Father when things go badly for her. However, remember her Father who is in heaven, and the prophets said in the song, “Here my daughter and see and incline your ear for your people and your father’s house for the king has desired your duty and is your ward.” And this is the preparation, after which the Father delivers his son to the soul to unite with her. So they can be reunited or fused into one so they might ascend to the Father’s presence. Comparatively, this myth mimics the hymn of the robe/pearl story. When the son meets his twin, the Robe or the Pearl represents the other twin left in the higher world. When it comes back, the robe rushes toward the traveller, falls upon him, and covers him completely; it shivers and shines – and upon it can see the light of the holly gnosis. Something is left and then resumed upon return. The soul then moves of her own accord, and then she receives the divine nature from the Father for her rejuvenation so that she might be restored.

The specific uniqueness of Christ’s resurrection as a simulacrum update to purposely misalign the incarnation process and to incarnate and resurrect the Christos spirit twice; in the first approach, he is the incarnation of the spirit God, the sole epiphany of a deity on earth. The simulation is to deny any other higher evolutionary deific expression unless brought forth from infancy to maturity. And in return, the God lodged in the human psyche now has a paragon in the image of Jesus. And if you deny your spirit in the psyche, you deny it completely. You can see this in fundamentalists when they say they don’t believe in reincarnation but believe in resurrection instead. In the second approach, the final simulation updates to make the heru stand out from the crowd. Would then be crucified then be resurrected again to the same body. Such a spiritual miracle was only allowed for the Messiah and not for any other gods of resurrection because this semantic detail is specific to stand him apart. Fundamentalists not believing in reincarnation meant Adam’s children (humans/man) go to oblivion, but Christians or followers of Christ go to heaven.    

Most Christians believe the pictured image of Jesus is accurate, equal to thinking there is a God with a white robe and beard who resides in the clouds in the sky. This pictured image or simulacrum, coupled with the historical Jesus, would be held as a supreme spiritual icon – which inspires the hearts of millions of devotees and, through cosmic excellence, would work a miracle of uplift. Strangely, however, this only proves the effectiveness of psychology and has less to do with history itself. Psychology interlaced with ecclesiastical propaganda led to hysteria exemplified in the Crusades and the Inquisition.

Now that we have a paragon image of Jesus, humanity no longer needs to seek out its own inner divinity. To further reinforce this, he is made incomparable and unapproachable. The higher he is, the further the gulf between the ideal and the adorer. [To approach him, to match his purity, is to reduce his stature. He must be kept beyond compare, the ever-receding ideal. – Kuhn, A, B, the Lost Light] … [Ancient psychology of religion worked on a different principle. The motive for zeal was an ever-present possibility of attainment. Numbers of the sages were men who had gained the sunlit summit. They thought it not robbery to be equal with the god, for he was sent to call them into the mount of fellowship. – Kuhn, A, B, the Lost Light]

This unapproachable method of Jesus matches the modern intellectual elitist paradigm, meaning that to understand the psychological significance of the Bible or the Logos, you must first have excess practical knowledge. You must have an encyclopedia brain, and this is prevalent in all intellectual disciplines, from religion to esotericism. And this is a fallacy, given that the human brain’s capacity to hold memory as information is limited. Moreover, it’s more of an interior process (intuition) rather than biological storage of data – a process in which certain aspects of external stimuli work their way through the body. Religious insight makes us aware that those themes parallel other interior processes. A better way to motivate people would be to design education levels. For example, to understand the Logos doctrine, you must first understand the principles of Platonic theology, and then you can proceed onward. This endeavour, while practical, can get trapped in linearity. Even amongst those who glimpse knowledge through cliff notes and loaded synopses, intuition will fill in the gaps.      

Act Three: The unbearable likeness of Eldarin (Alien) beings: Fundamentalist Flat Earth Christians tend to act as damage controllers for Traditional fundamentalist Christians, who always seem to convey a bigger conspiracy but are always pro-state and deeply heliocentric in their viewpoint. Their topographical viewpoint for the stage is entirely different, whether it’s a planet in one of the Galaxy’s arms or a dimensional flat plane within a cosmic egg. It stands to reason that the common consensus of ideology among both groups is that you must be Christian. There is no genuine dispute about being Christian or Catholic; it’s okay for the most part as people live virtuously every day in their lives; however, fundamentalism is always lurking behind Christian’s notion of the good and their faith.

These old and new movements got a new boost in the post-9/11 era. Then damage controllers Flat Earth Christians came about tangentially alongside that newly controlled apocalyptic rollout of Flat Earth, which emerged around 2011. Other than being Heliocentric, traditional Christians, precisely the Theistic sect, are macro-evolutionists and hyperreal space believers, but only to assert that only God brought it to manifest. That is to say that if the universe had a beginning Vis a vee ‘The Big Bang Theory’ but had to have a supernatural designer behind it …God. Specific reasons for the existence of God through theism are explained through the borrowed concept of cosmological science, but contrary to its current belief of absolute, it is science fiction.  

The New Age Flat Earth Cults are doing the same for the group that came before them. This New Age group promoted humans to be ready for Ascension or Transition; in this respect, they can be viewed as adjacent followers of Zechariah Sitchin’s works. His works outline the differences in Human blood types throughout history that link back to Sumerians. I have a focused belief in the hyperreal-space gods that reside on a hidden planet [called X / Nibiru / Nine] with a massive solar rotation that nears Earth every 3600 years. The notions of space gods in a panspermia sense have well been debunked. However, a truth that is derived from the concept of fallen beings coming from above, but of a different order from that of a hyperreal space cosmology perspective (or alien Cargo Cult aspect) cannot be denied – as well as the importance of tracing human biology and history through blood types. According to scholars, the Genesis myth is an abridged version of the Sumerian creation story. They proclaim Genesis Six and Sitchin’s Anunnaki narratives make more sense.

Sitchin believed that the Anunnaki weren’t gods or emissaries of a god but space-faring extraterrestrials of incredibly advanced and infinitely old civilisation – which came to Earth to mine for gold as it held the secrets of immortality – and in doing so, needed workers, so they commissioned their head scientist Enki and half-sister Ninhursag to create a genetically manipulated being as workers. Stemming from the combination of an already established being called Homo-habilis, they mixed their DNA with theirs and crafted a being called Adama (he of the red blood). Fast forward through our timeline, and humans are now established and flourishing. Enki, however, was attracted by human women and their form and would impregnate one of them – the offspring is speculated to be the first Cro-magnum being called Zia Zutra or Noah. This was an important revelation for the Anunnaki as this particular being manifested naturally instead of something created in a test tube. They theorised to be the first Homosapien in which the blood type is assumed to be RH negative, with fair skin and eyes that are blue.        

This is where the concept of “kindly control your imagination …That is what makes men beasts” has merit because it’s without context, so it falls into fantasy. Biblically, we have already had Noah and Methuselah living for 900 years; this is an abstraction that’s already difficult to comprehend. Why not add speculation of the imagination by claiming they know Noah’s blood type? There is a push to romanticise RH-negative blood types as alien while superior to other blood types. While the RH negative types can be or are indeed alien in many ways – the implication is the suggestion that all the lines of Seth from its origination to current modernity are RH negative. Currently, in contemporary times, the distinction is furthered through various exclusive components like their interests in the paranormal and having higher-than-average psychic abilities besides physical attributes such as an extra vertebra, low body temperature, and low blood pressure. And this all seems to be a weak argument in its reasoning – and to proclaim that these unique traits have validity to the suggestion that they must come from Seth’s line. This exclusive genetic marker can prove they belong to those ancestors, the first original children of light creation. Psychic abilities are not paramount to unique blood types but are equal to those who hear her call. The focus on blood is equally important to also focus on DNA and its Codons, as well as melanin; these are the factors with which supernatural powers can resonate.

The traits of fair skin, blue eyes and the RH negative blood component were some of the determining factors in concluding a superior race – are without parallel and confusion. And this component was used [at least on the surface] as a reason for a war with the world based on race. The Aryans race is not about a particular ethnic group; it was only meant to describe the fifth root race we are currently in. And this is a race that is firmly embedded in materiality, and we will be followed by two more Root Races, who will again become less material and more spiritual in substance. Eventually, we will reach the Dhyan-Chohans stage.        

In Anunnaki’s creation mythology, there were two simultaneous stories of the origin of human development, one in the Middle East and the other in Africa. There may be more that we don’t know about it. All were vying for the ultimate copy of the Man in the Sky to be contrived. The Genesis creation story of Man and how he came to exist was laid out in a few sentences, leaving out how the process of Man came to fruition – a vital component seemingly left out on purpose. Some fill this gap with presumptions about Darwin’s evolution. Sitchen and theosophist followers adhere to cosmological hyperrealism. They also believe in the wrong aspect of evolution. To gain merit among Freemasonic Heliocentrics, they are better off dispensing with it altogether. Either that or it is viewed only as a symbolic representation of the imagination.    

Sitchin’s narrative concept is creation myth stories repackaged to adhere to hyperreal cosmological rationalists. It pampers specific intellectual demographics who believe that after the post-alien intervention moment, existence had to proceed towards evolution and would have proceeded even without the intervention. Some of these assumptions are narrative-based, like the presumption Noah was RH negative in blood type; it’s an implied notion that treads on dangerous ground. It’s specific to conspiracy theorists that follow right-wing groups like Red Ice Radio – who promote guests that push for a conspiracy agenda, and that there is a program to reduce the population of white people through various means. The same radio podcasters that advocate holocaust deniers theory, it’s either that or inability to differentiate certain particular events that may not follow supposed facts, but denying it whole seems inept.

I theorised that RH negatives are alien because they’re a remanence of past root races or the first few human development attempts on a downward path. Supernatural traits are already embedded but out of sync with the rest of the population, which doesn’t make it superior; it makes it Archon-like. These unique abilities are not isolated to them. The rest of the population also has it to certain degrees. It’s just that most of the population has forgotten. In a sense, they’ve drunk the water of forgetfulness, a quality attributed to Man’s creation, and must regain it to uphold his natural mission of light. Is it no coincidence that this water of forgetfulness coincides with our DNA Codons being cut off? They call it junk DNA. Therefore, the original Man’s mission is to go through trials to regain those Amino Acids through human evolutional development and consciousness on an upward path.  

It’s not about superiority through bloodlines but has more to do with the genetic disposition of having an innate fear of not being able to survive. This confusion is analogous to the internal struggle of society’s Pagan self and their civilized self (Christendom). Paganism is known to be seen in a negative light but was only really about nature. The civilized world instead manages the world rather than having a complementary animist relationship with it. The genetic disposition concerning fair skin is only relevant to not having a strong enough melanin (light receivers), a component needed to acquire evolutional growth. Hence, the supernatural element was already embedded. However, the downside was being too alien to integrate with the rest of the population – in retrospect, the darker the melanin, the stronger the receiver of light. Light in this perspective is both Man and his evolution process alongside a relationship with the source, called many things: nature / magnetic field / etheric plane / akashic records – which is natural and has no qualities or human notions of prejudice.        

Currently, the fair skin aspect in the bloodline argument is so amorphous that data to differentiate cannot find its fixture as current estimates show that 85 per cent of Caucasians, 90 per cent of African Americans, and roughly 98 per cent of Asian Americans are RH positive those with typical blood types. This indicates RH negatives; those missing antigen proteins are common in other races. With a propensity towards fair-skinned people, these numbers are correct given the Melanin argument. The least people with abnormal blood tend towards darker skin, but what is the discrepancy between African Americans and Asian Americans? Shouldn’t these numbers be reversed, given Asian Americans have lighter melanin? Conspiracy theory will fill in the blanks [or you can watch the film ‘Get Out’]. There is also the logical assertion that’s implied that all white people must be RH negative, and given the data that only 15 per cent of Caucasians are Rh negative, it makes those implications null and void. It should also be mentioned that the highest group of RH-negative people reside in Basque, between Spain and France; these are groups of people who aren’t inherently white.

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In the “Star Trek: Enterprise” series, there is a two-part episode titled “Demons” and “Terra Prime” that revolves around a group of xenophobic terrorists trying to undermine a Federation summit. The storyline includes an underlying theme of genetic compatibility between Vulcans and Humans. Vulcans can be likened to a hyperreal cosmic version of the elves from Midgard mythology—beings that represent the sky, are known to live for centuries, and possess remarkable power and spirituality. These elves are thought to have been mythologized through the alien race known as the Lang, which resides in distant constellations. This comparison is quite a stretch and lacks validity, except for the concept of sky beings. Throughout the Star Trek series, there has been no mention of genetic discrepancies between Vulcans and Humans. This is illustrated through the character of Spock. However, in this particular series, there seems to be a suggestion of incompatibility.

This is a subtle nod to the unique bloodline of RH-negative people represented through the green-blooded Vulcans. The episode centres on the cloned baby girl between two Starfleet officers, Tpal and Chip; the baby represents utopian progress, and the child’s name is Elizabeth. The child, however, is dying. Specific cloning techniques made the two DNAs incompatible for the child to survive (elevated white blood cells). Cleverly is described through the antagonist when he describes two halves of alien beings at war.

A similar conflict arises with a pregnant RH-negative woman with a partner from an RH-positive person – although she produces antibodies in the blood that attack the baby. Her immune system sees the Rh positive as something hostile, known as hemolytic anemia. Fortunately, thanks to medical science, there are ways around this: “Rh immune globulin is a blood product that is injected (via a muscle) into the mother and that prevents her body from developing the very type of antibodies that are designed to attack the fetus—providing, that is, she is not already sensitized to the Rh factor. If she isn’t, the chances are extremely high that the pregnancy will proceed in a regular fashion, and the fetus will develop into a normal, healthy baby.” [Nick Redfern, Bloodline of the Gods] 

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Given how superfluous and surface layer skin colour is – We have Pharrell Williams, an African American descendant, a cosmic egg resonator – a man who sees sounds, and a laser gun-carrying Milky Way master. Morphing one of his ears into an Eldarin being (elder beings / Elves)    

Elder beings are similar in their symbolic suggestion or a parallel with Enochian angelic magic, which is about making contact with Angels. It began in early Christian traditions, with John Dee popularising the concept.

Most people intuitively know they share their spirits with Elder spirits, and there doesn’t seem to be a conspiracy to it. Most of these Elder spirits, often having reptilian characteristics, are spirits that jump from host to host without the host knowing about it.     

An example can be attained through the popularisation of selfies. Given the population statistics, some might capture a picture of themselves with reptilian-like eyes, and further in their own paranormal, saving the image on their phone is denied somehow. Furthermore, these people are not excluded from abnormal blood types and skin colour. Eldarin [it could be fallen angel spirits also] spirits aren’t specific in their choice and are universal, but it’s not something to wish for.

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Flat Earth; Enclosed Creationism; Conspiracy (Theory), Intuition and Imagination – Part Seven

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Act Two: Sophia’s Incarnations and Counterparts [Originally posted on 01 December 2019]: The Sophia of the Epinoia of the thought being an Aeon conceived a thought from herself and the conception of the invisible spirit foreknowledge. She wanted to bring forth a likeness out of herself without the consent of the spirit (the Father and The Mother). In other words, no Aeon can do anything without the consent of the spirit. So Sophia decides to have a likeness without the consent of her Father, without her consort and his consideration, and without her maleness not approved. Yet, she brought forth – because of the invisible power within her. Her thoughts did not remain idle, and something came out of her that was imperfect. The birth of the creator God, and when she saw the consequence of her desire, it changed into a Lion face Serpent – and its eyes were like lightning with fires. She cast it away from her – outside that place that no one of the immortal ones might see it, for she had created it in ignorance – [Sophia makes a mistake and created something imperfect; she hides it away]. She surrounded it with a luminous cloud, and she placed the throne in the middle of the cloud so that no one might see it except the Holy Spirit, who is called the mother of eleven, and she called this Yaldabaoth (this is the God of the Hebrew Bible). Yaldabaoth creates the material world. The fall has nothing to do with Adam and Eve and everything to do with one of the emanation’s falls. Sophia’s mistake is an error in one of the emanations as the source of evil, the ultimate fall.

Sophia, being the Aeon goddess, has been known by many other names throughout cultural myth, one, in particular, the goddess Eurynome, who was once called the goddess of all things. Her first job was to separate the water from the sky; when she accomplished this, she danced across the lands and sea. She paces above the waters in other goddess myths because she is ashamed. Previously, I speculated that when Sophia realised she had created a mistake in the form of Yaldabaoth, she hid Him away among the luminous cloud. And that this luminous cloud is the Firmament underneath or above the waters – or within the Pleroma or outside the Pleroma, depending on your perspective. It’s structured alongside what seems to be an open or closed Flat Plane. Sophia places a throne in the middle of the cloud for Him. Yaldabaoth then starts to create our material world on the model of the spiritual world, even though He has never known it. Because He came from the spiritual realm through the mistake of Sophia emanating from him, He still preserves His spiritual elements, thus creating the material realm. So you can summarise that Yaldabaoth uses his intuition and imagination to conjure a world that He has never seen, which the potential of a heavenly Pleroma is. 

On a cosmic level, Dragons, a.k.a Lion Face Serpent, are symbolic archetypes so potent it’s almost engrained into human consciousness) as symbolic imprints because they have ties to the world’s creation. What’s fascinating is that dragons, a.k.a drakon, draconata and the Latin Draco, hinder necessary water flow into our world. [In Hindu myths, Seas-Ananta is the thousand-headed dragon older than creation – in between vast cycles of creation called Pralaya (in the West, Flood or Deluge), Vishnu (the Hindu gods, Slays Vrtra, another form of the cosmic dragon withholding the Waters of Life. – Encyclopedia of Earth Myths]. These eastern myths suggest that the earth’s cycles have had more than one flood compared to these long cycles. In Norse myths, dragons are called Midgard Serpent and lay in a reservoir of cosmic energy (much like the withheld “waters” the Vrtra released), known as kundalini. It is said that above the North Pole exists Draco, the constellation in which He asymmetrically coils Himself. Athena is said to have hurled Draco from Earth to Heaven, where He continued his life as a constellation. This seems to be an inverse play on the Sophia myth, Athena being her association; she cast away the dragon from the earth. It’s slightly different in the details about the plane’s position and the world, instead of the Pleroma, to fit a more heroic model and outline the importance of humanity’s part in the cosmic play.

An underlying constant of action comes from the Pagan streams of research, and that constant is that Sophia is always travelling to the underworld in some form. The underworld can be psychological and literal – the ‘as above and so below’ law; in the psychological sense, it’s the collective unconscious. In this state, it can be dark and bleak but also reveal insight. In a literal sense, what can be found in the body and its functions can match the external world and its natural processes.

Sophia is the first thought of God; in this case, God is The Trinity – The one Parent. She embodies wisdom, but in ancient times, it was represented as a consolidation of different processes of the mind, logic, experience, intuition, premonitions, prophecies, etc. – all working together to understand the world better. Wisdom deities are mainly female, and Wisdom and Logos were interchangeable then. We can highlight one such example in the case of the twin incarnations of Simon Magus and Helen of Tire; the story goes: When Sophia, the fallen wisdom of the Alien-God, was separated from the other Aeons – the Archons stole her and brought her down to Earth, and they cast her into material form, and she reincarnates through the time as a way for the Archons to hide her from the Alien-God (the Trinity). She was once Helen of Troy, and the last incarnation was Helen of Tire – Helen would meet Simon Magus, the incarnation of the alien God who came down to Earth. It’s suggestive that these twin incarnations are spiritually seeking each other, and when they do find each other, they travel throughout the lands to spread the good news. 

The Siren seeks her consort

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The film Heaven or Vegas synopsis is based on a hustler and a naïve call girl running away together. The film imbues the twin incarnate archetype. The soundtrack called ‘Strangest Angel’ plays like a siren call throughout the film – the disenchanting song to the siren ‘space age love song’ makes an appearance [watch the trailer here] … the film’s title borrows from Cocteau Twins’ Heaven or Las Vegas. The song lyrics have a connection: 

Heaven or Las Vegas Singing of a famous street I want to love, I’ve all the wrong glory But is it Heaven or Las Vegas? But you’re much more brighter than the sun is to me He’s a hustler It’s a role he’ll never make suit Hang on to this Stay and stay and fail and fail

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The discussion about incarnations of spirit needs to be entertained among Fundamentalist Christians. It’s in their nature not to believe in (re)incarnation but resurrection instead. Of course, both interpretations have faith in the study, but this dialectic notion has a habit of sparking fundamentalist ideals to the motto of; “our ideas are right, and everyone else’s is wrong,” which can be disrespectful to the integrity of others [more on that later].

There are many dialectic polarities about the Whore of Babylon; Fundamentalists and their reference to the Whore of Babylon are seen as very dark. In history, however, they swapped over the king’s idea of winning the favour of the Goddess of love and war to rule city-states to world domination. Prostitution was a sacred ritual back then. Ishtar, the Akkadian version of Inanna, symbolising Androgyny, fertility, desire, and so on, can also be likened to Aphrodite. Still, it’s Ishtar who bore that worship. These practices reached their height in Babylon, which would later be transcribed in Christian mythology as the Whore of Babylon. More precise recognition of the Whore of Babylon as a darkened entity, which many Christians prescribe too, would probably be the Goddess’s counterpart, the scarlet women or Babalon. A dark goddess draped in red while drunk on the blood of saints rides a beast with several heads. The Whore of Babylon is a fractal title throughout many incarnations of the Goddess, which doesn’t mean it’s the Goddess itself.  

The distinction can be further elaborated in the myth of Lilith, who is considered a precursor to Eve. According to the Zohar, written around the 13th century, when God created Adam, He also created Lilith from the earth as his companion. However, as Adam’s first wife, Lilith was created as his equal. Adam expected Lilith to be subservient, but she refused to accept this role. In a moment of defiance, she pronounced the divine name of God in Hebrew, which empowered her, allowing her to fly away into the heavens. In response, God sent three angels to bring Lilith back, delivering a message that if she did not return, she must allow one hundred of her children to die each day. Despite this threat, she chose to remain free. Consequently, God created Eve from the ground and Adam’s rib. As punishment for her defiance, Lilith was cast out and cursed. This curse would affect many of Eve’s descendants, bringing afflictions to pregnant women and their newborns.

Historical texts are inconsistent in determining whether Adam’s first wife was a darkened entity because scholars don’t know. After the fact, they only made Lilith a demonic archetype – as it matched some demon mentioned in Isaiah. So, they created a text to connect the two. After that, she would be known as a Succubus, shadow-terror, and seducer of the night. And will always blame her for atavistic terrors such as infant deaths in the womb or the cradle. If you think about it, she became something like a scapegoat as all life’s tragedies, predominately women’s fears became hers and not God’s will.  

Inanna is often associated with the Aeon Goddess Sophia and is known as the Sumerian goddess of heaven, war, sex, love, and death. Her archetypes vary widely, ranging from the shy virgin to the sensual mistress. She is also depicted as a fierce warrior who rode a chariot pulled by lions, her sacred animals. The Sumerians experienced rapid technological advancement, transitioning from huts to ziggurats in a relatively short period. Inanna was believed to have played a significant role in this progress, as the advancements were said to be gifts from the Sky Gods or Goddesses. The Sumerians grew to cherish the concept of civilisations, and the notion of a Kingdom of Heaven on Earth profoundly impacted their culture.

Inanna, conversely, compliments Lucifer’s / Promethean tale of taking light or the fire of enlightenment from the gods to give to the humans. In Inanna’s case, it’s the Holy Torch. She made a deal with Enki(du) to rule Eridu – Inanna brought forth the idea of priest and priestess, the sacred marriage, metal workings, fire, the art of the Hero, etc. Eridu is known as the city of kingship and the birthplace of organized religion. The city predated the Egyptian Empire, and the life spans of humans were longer due to the mixing of humans with king-gods and demi-gods. Enki was believed to have come from the deep ocean – a temple called E-Abzu was built for him, also known as the house of cosmic waters. 

The Goddess and all its incarnations have all travelled to the underworld in one aspect. Persephone also travels to the underworld and gets crucified. So we have the Solar-redeemer archetype starting to emerge, and a more finalized version of this emergence comes in the form of Christ. However, there is still a fundamental difference because the redeemer concerns the Christ/Adam Anthropos, making these modes separate but similar enough to convey an understanding. Sophia has many incarnations and potentialities, and it is fascinating when it’s also presented with the third act of the creation story, a supreme being embedded in the body of a human woman with the divine Spark. She did bring forth the art of the hero. Think of Leeloo of the Fifth Element. 

Given this insight, Sophia’s incarnations are counterparts to the Demiurge’s goddesses and King God’s (Apollo) oracles, Sibyls and Sirens. Witches and artist-prophets are messengers of the divine. The key is to discern the goddess’s wisdom call from her darkened counterpart, whatever form that takes. The Goddess of Wisdom is also Minerva (a.k.a. Athena). Chino from the Deftones sings a song to Minerva:

Minerva I get all, numb When she sings it’s over Such a strange numb And it brings my knees to the earth So God bless you all For the song you saved us, oh For the hearts you break, every time you moan I get all, numb We’re the same numb And it brings our knees to the earth

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Chino is well known for doing a cover of Fraser’s ‘Wax and Wane, and Elizabeth Fraser is a well-known artist-prophet who has a Siren mysteries about her. Her romantic attachment to her shepherd boy consort, Jeff Buckley, is fascinating. As if she’s an incarnate spirit of Sophia seeking her soul twin, there is also a probable chance she’s channelling some other goddess – as if she’s a siren wielder of spells as an emissary for the goddess that devours souls. Chino’s Prayers/Triangles song and imagery encapsulate paranoia as he looks back, symbolically running from the siren call. And this is a far cry from his song in which he is worshipping Minerva.     

Run Chino Run

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I’ve speculated that Sophia had a hand in the material world’s creation alongside her unintended offspring, Yaldabaoth – she did separate the waters. She went down from Chokhmah to Binah (from the Zodiac / Firmament to Saturn), where she Chanted at the Crystal Sea.

Hindu creation is based on periodic cycles of creation – the universal (cosmic) plane we live in is one of many innumerable universes. Our Universe starts in a vast ocean, and the Serpent floats at its surface. Vishnu is asleep in its coils – a lotus sprouts in his naval. On top of Lotus is the four-headed god Brahma – Vishni encourages Brahma to create a world from the material he has provided. After eons of meditation, Brahma hears a sound from the ocean’s depths, a humming that increases in volume, the sacred “Om” – Brahma would then create the cosmic/watery heaven, sky heaven, and the earthly plane.  

I summarized that this humming/chanting is the Word or the sound directed in all directions and that Yaldabaoth, with the help of his Archons, has repurposed King Gods and their oracles, has repurposed it to create a simulacrum of His design. It would be up to the artist-prophets to discern between traps and straightforward design emanating from the original sound. Or maybe I’m just seeking better notions of the good.  

The spiralling caduceus stairway to Sirius leads to a sea of Sirius, perhaps a place for mutants, mystics, and artist-prophets. Deftones’s imaginal song Sextape showcases a psychedelic bioluminescent sea, with sea spirits floating in psychedelic water of wonders. 

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As an idea, the underworld depends on which plane is being observed – the highest is the Heavenly Pleroma. From this perspective, the material world is the underworld in a sense, but its truer form is the Middle Plane. In Norse mythology, our material world is Midgard; in pop culture, it’s Middle Earth (Lord of the Rings). What makes the middle plane strangely unique is that all otherworldly existence from either direction is making attempts through varied forms, such as prophecies to alien abductions, to convey their intent as a way to pierce through the middle plane. On the reasoning borrowed from the Christian-fundamentalist-conspiracy-theorists perspective [both traditional and new] of a spiritual war, the possible outcome of this spiritual war depends on humanity’s spiritual belief.

Suppose we break down spiritual war through general semantics. In that case, it first leads into the natural law of dualism, which has a natural spiritual base, which is fine because it’s part of the natural quality in which we live. Semantically, however, it will eventually lead to a spiritual-war / cultural-war scenario – predominately by a fundamentalist who has demoralized mainstream Christians to follow political interests for decades. So, as a result, it created a division in society between those who have ‘faith’ and those who don’t – still, statistical surveys have consistently indicated that most Christians are biblically illiterate and only have an inclusive understanding. Therefore, it becomes about tribal divisions – to be an Evangelical Christian in America, you need to vote Republican, loathe secularists and liberals, and refrain from (openly) gay sex.  

Faith encompasses various meanings but can ultimately be categorised into the spiritual and the dogmatic. Dogmatic individuals often hold conservative views, typically aligning with Evangelical beliefs. In contrast, those who identify as spiritual tend to have a more liberal perspective. However, religion as a whole transcends these classifications. Its foundation is the ethical imperative, which advocates for the sovereignty of the individual and the state—a concept rooted in Judeo-Christian values that establish standards for proper behaviour. This perspective views religion not merely as an institutional framework but as a dynamic entity engaged in a continual exchange of ideas between the spiritual and the dogmatic. When one aspect overshadows the other, it can lead to destructive outcomes.

If the spiritual aspect dominates, religion loses its structure; if the dogmatic aspect prevails, statism ensues out of the institution. This assumes that religion is flexible enough to engage in a dialectical process. If that is the case, would religions change due to these discussions? We are led to believe they would, especially since we are told that the Church and State are separate. Given that this blog site explores conspiracy theories, it is reasonable to assume that the Church and State are distinct entities.

Act Two: The Goddess and the Lion’s Gate: There is a parallel between the historical city of Babylon and Hollywood-Babylon (Los Angeles), both cities representing the centre of culture; it’s also fitting to introduce Las Vegas in the group as the city has a spiritual significance. Babylon was a city famous for mystery teaching and religion, the name of which means the gates of the gods – and Hollywood is renowned for being the centre of popular culture. Babylon also added to their reputation as a mystical city by introducing the rights and rituals of worshipping Inanna and King through the sacred marriage ritual. Then, the patron god, Marduk, would come and gain the power of the gods to become the chief god of Babylon. He would also represent the organization of the material world and be viewed as the representation of the Tree of Life.

The entrance to Babylon was called the Ishtar Gate or Lion’s Gate. Hollywood studios have used the Lion’s Gate motif as their logo brand; it’s striking that the Lion King films synched with the astrological Lion’s gateway alignment.

August of this year was the Lions Gate month, an astrological marker specifically from July 26th to August 12th. Every year, on and around the 8th day of the 8th month of the year (August 8th), there is a cosmic alignment called “the Lion’s Gateway”. The Lions Gate is a time of increased cosmic energy flowing between the physical and spiritual realms. An alignment between the Earth and the star Sirius marks this gateway. As Sirius rises in the sky, Orion’s Belt directly aligns with the Pyramid of Giza, and from our perspective on Earth, it appears that Sirius (the brightest star we can see) comes closer to the Earth. It’s called the Lions Gate or Lions Gateway because it occurs in the astrological sign of Leo (the Lion). As a Zodiac Sign, Leo is associated with the heart centre and represents the individualized expression of the Divine.

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Inanna is associated with the Lion and Ishtar; in the Sumerian seal, she is taming the lion with her feet, perhaps a symbolic suggestion of the second act of creation.

The Lion has an astrological marker; moreover, it’s a symbolic representation of the Demiurge, the Lion’s face in the Lion Face Serpent motif. And we’ve established the Lion controls the water’s entrance. The Lion is also a gateway. The illustrative description of the concentric circle gateway in the Lion’s mind suggests that the Lion Gate is through God’s mind, but before you get there, you must go through the heart (of Christ).

The concentric symbols suggest a cosmic map to showcase where to go symbolically. And this is the ultimate question: Where? In hyperreal, space simulation and a simulacra mindset lead you nowhere because they’re an infinite cage. There needs to be a truer definition of the cosmic that can make room for the waters. There is also a need to eliminate the hyperreal space notion of the solar concept and introduce the synchronistic whole instead. That has more room for infinite amounts of potentialities.

The 93 current between the earth (the flat plane ground) and the Sun (the solar Sun that moves on concentric circulations; perhaps in a Mobius circulation)—the Sun being closer than 93 million miles—is an embodiment of the synchronistic whole much like a flower is a connection to the concentric circles, the earth, and us. So, the 93 current is a solar energy current that can channel through or into the synchronistic whole.

The critical point towards the synchronistic whole is the Tree of Life or the Sephirot passing through the abyss or the portal. Then, pass through DATT and KETER into a new universe, the hidden portal behind the Sun (also known as the Black Sun), which has no liking as a Sun in hyperreal space but is Sirius (mutated waters) instead. And this is not the final journey to oneness but a layover before you make your way back through the stairway of Sirius. This place is the emergence of a universal synchronistic whole – the universal cosmic consciousness – the force, and so on.

Act Two: Confusion of the Planes:  The spiritual apparatus of religion no longer functions due to a well-organized Priest-like political structure that has taken place, which then acts as the Prime intermediary between the material and the divine. So, in our contemporary reality, there exists a great forgetting, a type of complacent ignorance, which is like seeds for evil to grow. Through Sophia’s ignorance, imperfection came to light, described as one of the emanations that fall, resulting in the creation of something imperfect. And this outcome is seen as an error where the source of evil resides. In psychological terms, the very act of alienation or alienation that is beset upon anyone, the person always comes back monstrous or demonic. It is not the alienation associated with isolation or the outsider archetype, but something rejected or disconnected from the family. In this case, the person becomes jealous, vengeful, and hateful. This act of alienation that’s beset upon any progeny happened as the second act of Wisdom by the Aeon God Sophia. This assertion has a habit of creating a lot of philosophical potencies, like being wise – it would also mean being filled with error. This seemingly aligns with the philosophy of Taoism, which is the only question you should ask. Is Taoism a product of divine and spiritual intervention given to a prophet, and from what spiritual source did it come?

Many other cultures always perceive the God of this world as good; Christianity would later view it as all good and brought this about only through the appropriation and the silencing of the gnostic sect. They believed the God of this world to be the Demiurge (Yaldabaoth) – in Religious terminology, He is called Yahweh or Jehovah, known as the Father God of Judaism, Christianity, and Islam. The Gnostics recognized that the Demiurge wasn’t a God but an imposter, a lower-level supernatural entity likened to a demon. He seeks to be worshipped and adored, which gives reason for thought that can explain away such atrocities in His name through theodicy. In the Vedic traditions, the Father God is known as Brahman, and He is neither good nor evil because He is beyond such categories as dualism. According to Crowley, the distinction between good and evil depends on the operation; he states: “The only question that arises is that of convenience and respect of any proposed operations.” I think he’s alluding to the notion of choice and that the operation from which it stems may not be confused. It’s like saying the Ouija board is neither good nor evil because it is just a board, but the choices of the operator it yields can go either way.

Gnosticism re-evaluates this notion not on the disagreement of good and evil because it’s inherently part of the stage but because the progeny was manifested through ignorance. As a result (or to be more precise), the default setting of the manifested deity is inherently jealous, which often contributes to a lot of evil. Moreover, the existence of the manifested deity is a progeny of thought from an Aeon of Wisdom who couldn’t keep her thought idle – is an error in intuition but is still structured through wisdom – can you be wrong about intuition? If you deny your intuition, you become regretful because you didn’t follow it. Intuition can neither be right nor wrong because it works from the non-rational – so, how can we reconcile this inconceivable notion?

Flat Earth shines a light on the confusion of planes, however, not through aspects of inconceivability but observations and intuition. Independent observations concerning the Earth’s horizon indicate it stays at the same level even at 120,000 thousand feet high – not only does it remain at the same level, but it should also indicate a curve at that height, but it does not. According to the supposed scientific empirical measurements, it should indicate so, but it doesn’t. Therefore, the plane’s confusion is not in observable truths but through managers of perception that adopt the antithesis to rationality (the anti-rational). The notion of Flat Earth is inherently innocuous, to begin with, and I once described it as a background in a play. The actors (if actors represent humanity’s sociological and civilisational structures) have more importance than the shape of the stage. However, one could argue that the truth is sacred. Still, that potential should be focused on the play, not the stage, because anti-rationality is used to explain materialism and the many forms of the no-God policy idealism. The truth is steered towards anti-rationality absolutism, which is similar to fundamentalism. We have observable truths that are both rational and irrational juxtaposed against a secular cosmology. Still, we try to convince these observable truths to the guardians of the so-called rational idealists: atheism, scientism, and their followers.

The anti-rational [when rationality is misused to mislead] has a great deal of persuasion regarding managing perception. At the end of World War II, the ensuing cold war was to follow, coupled with air travel technology. North America was paranoid because enemies might fly over the Polar North region over the United States. In combating this paranoia, they built an early radar warning line stretching from the Arctic Circle’s north end. The warning line started in Alaska and encompassed the northern end of Canada. It stretched 3000 miles from Alaska to Baffin Island opposite Greenland; they called it the Distant Early Warning Line – DEW line for short. You can believe the public relations story of paranoia, but it sounds like they found that Concentric Arctic Polar Vortex – and made sure no commercial aircraft stumbles upon it. It fits the DEW line title, matching with [X-marks the spot, or] Pearly Dew Drop’s Drop. Flat Earth reveals these inconsistencies among the ant-rational groups who, by omission, believe the Stage is designed, but only through a cosmic fluke, upon after that causality and evolution – but cannot fathom a godlike designer who encompasses the synchronistic whole.  

Pearl’s Dream & the Dew Line

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Traditional fundamentalists acknowledge a God exists, but the bases of those beliefs are structured through a manufactured Evangelical cosmic map brought about by a Protestant experiment – the hyperreal space cosmology. Their historical disassociation with the Catholic Church brought about a revolution called Protestantism. However, the core belief is still predominately Catholic. You could say that hyperreal space cosmology is Catholicism’s Ace in the Hole. So you can understand why the emergence of the new fundamentalist groups came to light – for the probable reason to cut off all ties with the Catholic Church. This is impossible because some of their other aspects are indelible, including Pagan. There is also no need to convince them that reaching God’s realm or passing through the planes through material means is impossible. All notions of space rockets are merely a modern representation of the Tower of Babel. However, there still exists a confusion of planes regarding a God that is all good vs a God that is jealous – and the acknowledgment of a higher hierarchy that a God of this world only resides at the highest dimensional order of this plane, which is intrinsic to the material – which the throne can symbolise.

The planes of existence as a macro understanding have always matched the micro understanding in a complementary way, like the human body’s notions of Chakras. This is why perception managers inherently create space simulacrum images that stem from the micro-universe. Meaning-inspired imaginal images intuitively reflect the human body because they have nothing else to draw from.

The New Agers and some Astrological groups convey these images to validate themselves because they promote Chakra teachings. However, the planes’ confusion relates to the body and, therefore, the external. The assumption is that eating meat as part of your diet has moral and spiritual implications that somehow stifle your enlightenment—even going as far as to say it’s Satanic. This is a misrepresentation of the planes; therefore, any discrimination towards them is in error.

Act Two: Symbols, Sacrifices, and Magic (k): In the previous post, we explored some of the symbolic similarities with the Trinity and the first act of creation alongside the uncanny Meta-mirror fractal play associated with it. We examined the concentric symbol and its many other symbolic associations, notably the TV show’s Roswell symbol of Purification, which is not solely singular to that particular show but also different TV shows and films.

These symbols are prevalent because we know archetypes work their way through varied means. One, in particular, is through images and symbols, and we know archetypes are like patterns of behaviour grounded in biology, and so it’s the behaviour itself. It works as both the instinct and the manifestation of that instinct and the representation of that pattern. For example, our superhero stories are based on mythological stories, and imagined images are formulated through those mythical stories. These images are typical patterns of behaviour, and it’s through them that make us human.

We see in the bottom panel an image from Star Wars – Rogue One as the Death Star looms over the city of Jedha about to be destroyed to showcase the Empire’s power and to exemplify their superweapon’s destructive wrath. The imagery or symbol shown as the Death Star covers the Sun has a symbolic similarity. Besides, its real purpose is to eradicate a city; this act is a seemingly collective blood sacrifice of mammoth proportions. It is a way to showcase the authoritarian aspect of society symbolically through the lens of science-fiction. These are archetypical traits that seem inherent in most civilizations.

The Avenger’s film explores the fundamental problem of finite resources within an overpopulated societal structure that spans cities worldwide. Thanos’s remedy is to kill off half the population worldwide and universally on a cosmic level. Because the premise is in a fantastical setting, we throw away the message as merely fictional or imaginative. All the fanboys and girls probably missed the very subtle message in the film’s promotion of the villain, which is about embellishing tyranny and advocating an anti-human/anti-life ideology. They saw the depiction as a fictional example of real-world problems and recognized Thanos’s motive as wrong because of his detestable approach. Thanos’s mission to get rid of half of life on earth is less despicable than the Masonic mission to rid the population of several billion. It was carved out in stone as a mission statement with sacrificial blood intent – located in the state of Georgia in Sierra Sky Ranch.

Empirically, catastrophes, wars, revolutions, and epidemics improved the quality of life back then. The conspiracy- (theory) aspect is missing in this supposed empirical fact concerning wars and revolutions, is the conspiracy-(theory) aspect, and not the kind of conspiracy-(theory) that can be argued away by right-centred intellects. Who may rearticulate conspiracy subjects in a way that doesn’t adopt the word conspiracy theory, which is impressive. Still, it’s just the rational and irrationality in the triad model, and we know it’s complete with intuition. Maybe that’s the only way to debate against the rational atheists and their antithesis fundamentalist [religion] groups. They align with the state or sympathise with the elite’s corporate and capitalistic structure because we are part of the economic structure that people need. Surprisingly, most of the middle class already realise this and consider these types of utilitarianism suitable. However, that same view is not recognised mutually by those who manage corporate and governmental hierarchies; they are hell-bent on destroying the world. Often, the middle class is combating capitalistic programs that have a criminal aspect to their agenda – that frequently peel away at the fabric of freedom, and when it comes to events – it usually involves deaths. Maybe this is part of the spiritual war / cultural war aspect.

In a post-9/11 world, we have passed the debate aspect regarding its conspiracy to the point that it’s already empirical. Suppose you’ve broken away from your demoralisation. I agree with the empirical evidence towards a conspiracy of power and oil. Then that’s due to the conspiracy-(theory) aspect. Stating that 9/11 was an inside job is as detrimental as saying the earth is flat because conspiracy-(theory) is centred on the marginal. The focus should be on the vast, demoralised mainstream. The conspiracy-(theory) aspect is missing in the intellectual debate arena. Having stepped away from your demoralisation, you can surmise that the disenfranchised and middle-class portions of the population are always beacons or a metaphor for Star Wars the Death Star’s destructive super beam. Star Wars prequels outline the “problem, reaction and solution” that mirror the power elite’s deceit to society.

The whole religious crux of the Star Wars saga is about a universal consciousness alongside a hidden field called the force, a dual concept of light and dark. Fundamentalist Christians find the Star Wars tale a portrayal of the occult – and the occult, in their incorrect definition of the word, is something nefarious instead of something hidden. This viewpoint, in their definition of the word occult, has an underlining conspiracy, and that is the conspiratorial notion that all religions, especially their Christian one, are slowly being abolished. What is being replaced is the adoption of a universal religion that is more in tune with a Luciferian doctrine. There is merit to the conspiracy, but the universal religion is not of Luciferian making [because its inference is wrong] but of an oligarchy, which is Christian. This replacement conspiracy is brought about in many ways; one such example is through a covert type of initiation through narrative media. Maybe it’s true, or perhaps it’s part of the schema of the synchronistic whole. Nevertheless, you can often tell one of the clear designs and ones that manifest naturally.

Incidentally, those who make these claims of conspiracy, whether true or not, are doing the same thing by first implicating the wrong definition of the word occult – or, more precisely, putting a different label on it yet keeping its actual meaning. This is essentially a covert manipulation and, therefore, a quality of narcissism, which is a quality of fundamentalism; it’s more confusing when fundamentalists deny their aspect of ideology and claim to be outside of it. They would deny describing themselves as Christian fundamentalist and instead proclaim they are just (Christian) intellectual researchers and yet mirror fundamentalist ideology.

The same is being done in the intellectual scenes (from esoteric history to philosophy) that seem to project their knowledge above conspiracy-theory claims, often laughing at various conspiracy-theory notions. One, in particular, the existence of a Reptilian race, is bizarre, considering there is an archetypal dominance of otherworldly beings vis-à-vis Archons. And just like fundamentalism, some aspects of liberalism (which most intellects are) tend to act as modern-day witch hunters at the same time, be a beacon for free speech while trying to change the hearts and minds of the (anti)-rational atheist groups.

Intellects cleverly depict conspiracy theories through various types of articulation, therefore being immune from embarrassment. Still, within this hidden embracement, they prop it up only to deny certain things as absolute. The denial is usually absolute only if it threatens or concerns their delusional view of a utopian State; they encourage the public to be aware of a hidden agenda stemming from the radical left concerning an insidious Marxist takeover of educational institutions. The supposed conspiracy has merit, but a more profound concern is equal to protecting freedom of speech, which is the notion of the good. If the state of democracy doesn’t know how to give, and if the good has been corrupted. Where does that leave the good? It has no real base. Suppose socialist think tanks always attach themselves like parasites to anything that promotes good intentions, like the New Age and the Greens, who wish to protect the environment. If this is the case, everything will be feudal because everything has been set up to fail. The confusion is in assuming the good is the culprit. Therefore, the solution lies in memory and imagination [more on this later].

Operation Paper Clip was based on migrating Nazi scientists to the United States to combat a Soviet threat. It also introduced awareness of how a country is run by policy managers instead of actual governance – and can easily be persuaded by other agencies through easily falsifying incriminating records to be granted permission to run a program like Operation Paper Clip. It shows you how fragile democracy can be. Decades later, we have NASA. They help promote hyperreal space cosmology, which is more about keeping public relations intact. While the actual space program or potentiality of space is being rolled out secretly, this is a double-edged sword of manipulation. The brainwashing aspect, much like other brainwashing mechanisms, is what the Soviet scientist came to cure. A soviet researcher claims most of the KGB involvement in the spy game is to heal people from demoralization.

During this time, the Soviet Union had their hand in secret projects in the paranormal, which went against their Marxist materialism ideology. They did experiments in PSI, telekinesis, remote viewing, and telepathy between subjects thousands of miles away with success. They discovered something crucial: if an electromagnetic field holds an organism together, it was possible to manipulate the entire organism through electric-magnetic harmonies and templates, in other words, sound. Considering this insight, make your conclusion regarding who is really behind the Marxist agenda in the educational system in North America and Canada. It all seems too well designed for something like this to emerge.

There is an attempt to label the map covertly, and any attempt to commune with it is even worse. If we view the map as a force of the universal collective consciousness, and if you view this map or stage further back in its entirety. You would see a marriage of the material and the ethereal. Humanity’s capacity to determine its weakness against nature has essentially evolved from it, and to deny it is a defeatist perspective. There is an intellectual de-evolution at play here. There is a puritanical right-wing Christian perspective underneath an overt commonality veneer, and in this commonality, attempts to agree with the status quo but is really against it – because if you are spiritually awake, it can break the spell – the spell of demoralization that institutions engineer. These institutions vary from the Church to the Media and the government.

Fundamentalist disdain is not necessarily towards researchers of the occult but actual practitioners of the occult as a magical craft. So, it’s more about communion with the universal collective consciousness through divination rather than so much in gaining knowledge through historical, philosophical texts, and that’s because they’re also researching it. They cannot condemn themselves if they’re doing a similar act. However, denying magic is essentially denying intuition and history – because ritual and natural acts are of the same order or two sides of the same coin. We’ve already established how magic is closely inherent to intuition – this can be exemplified by many examples, such as:

	*	The kind of communion that is (naturally) intuitive or applied-animism in some sense – an example of this is thus musicians often use improvisation and usually get into a zone/trance in which the musician is not playing the music, but the music is playing the musician. [This similar notion is mentioned in Aleister Crowley’s Psycho-Spiritual Aspect of Yoga Demystified – in which he describes ‘Yoga is Union’]
	*	The unacknowledged relationships with deities that fundamentalists are aware of but refuse to recognise are reminiscent of having a bouncer stationed at the gates. This dynamic serves as the foundation of magic, stemming from an unspoken communion with the universal collective consciousness or the absolute—an entity that is ultimately unnamable. This relationship is rooted in the concept of ‘sin,’ suggesting that Christ can redeem you. In this framework, any individual’s past deeds are forgiven, but only if they follow Him.

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Crowley’s – Psycho-Spiritual Aspect of Yoga describes methods of mantra yoga, a branch of Pranayama. This communion (the relationship between you and universal collective consciousness) is natural, but fundamentalists won’t let you acknowledge it because of specific verses in the Bible, Deuteronomy 18:10-14 [NKJV]

		10	There shall not be found among you anyone who makes his son or his daughter pass through the fire, or one who practices witchcraft, or a soothsayer, or one who interprets omens, or a sorcerer
		11	Or one who conjures spells, or a medium, or a spiritist, or one who calls up the dead.
		12	For all who do these things are an abomination to the Lord, and because of these abominations the Lord your God drives them out from before you.
		13	You shall be blameless before the Lord your God.
		14	For these nations which you will dispossess listened to soothsayers and diviners; but as for you, the Lord your God has not appointed such for you.

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These verses act as a warning or guideline brought about by the Church to slow down the practice of magic, which seemed to run rampant during that time. Exorcisms practised by priests seem to be the norm, the standard that a doctor treats their patients with a cold today. It was prevalent because people didn’t know what they were doing.

You must realise that people back then didn’t think the way we do now, apart from a particular Bible Belt area. Back then, people thought that church and state were reflections of heavenly power and that if you go against the church, you go against God. When the Orthodox and Protestant Church schism away from the Catholic Church, they were regarded as Satanists. The church and state were once viewed as reflections of heaven; their divine right as King was God ordained them, and they were the Vicar of Christ. And that they are the representation of the Heavenly Kingdom on Earth, and if you question that, you are a Satanist.

Christians, who are suffering from Lucifer’s-effect always, if not the majority, support the church. Even though it’s what Christ came here to abolish. The church is in the heart of Christ as opposed to a church as the Vicar of Christ. Deuteronomy 18:10–14 is usually the go-to verse for fundamentalist Christians to control the thinking faculty and downplay human history and its associations with ancient mystery cults. They took most of the stuff written in the Bible from the libraries of Babylon; included in that library were the Tarots. Evangelism academics ignore this entirely; otherwise, they would have no reason to dismiss vital information if not for their reductionist agenda.

Early Christians were Gnostic and practised magic; it was when Catholicism adopted Christianity that they did away with it – and when Protestantism broke away from Catholicism and veered off and divided into many fundamentalist denominations. It gave new meaning to occultism, thereby giving Biblical verses the label of absolutism. This, in turn, gives it an exclusive quality, making notions like Yoga, meditation, and spirituality something to be feared. Again, due to probable reasons, one being to stifle intuition, thereby denying other practices that are open to it.

New/traditional fundamentalists proclaim that they are just warning people that such practices as yoga can bring forth undesirable spirits. These warnings are just proclamations similar to the Monastic teachings. What you find in some Church Fathers’ spiritual teachings proclaim that humans have psychic abilities that are proper to nature. Still, because of the fall, you must be careful when using it because it’s also a way for evil spiritual influences to enter the individual and, therefore, the cosmos at large.

And this is also a defence quality of intuition and has nothing to do with empathetic responsibility. Still, more with a combination of moralism and sociological responsibilities – this is more in policy and governance. There is also the assumption that spiritual masters don’t know what they’re doing, which is absurd. These spiritual practices take lifetimes to master; they acquire knowledge to move or bypass such dark forces through those journeys. This quality of moralism and sociological responsibilities doesn’t progress civilization and its spiritual nature. Intuition naturally associates itself with mortality and timelessness; therefore, their denial of intuition is a possible attempt to keep modernity in the Middle Ages. Intuition’s defence quality is naturally flexible. It acts as a preventive device when faced with moral absolutism, which has an underlining option because it is restrained by a sense of uncertainty and a need to choose.

So before considering any absolute notions, one must consider magic as having many modes. One is intuition, an intuition that has two sets of intuitional acts. One is natural, and the second is practical, but both are philosophically natural. These acts are likened to the music and musicians regarding improvisation. To further explain magic as a natural act, Crowley described how this process is akin to rhythmic form and is an excellent cure for irregularity. He describes: “Once it’s established, no interference will prevent it; its natural tendency is to slow down like a pendulum until it stops – and the sequence of that impression, which constitutes our intellectual apprehension of the universe, is replaced by that form of consciousness. Or unconsciousness if you prefer it not that either would give the slightest idea of what you meant, which is without the condition of any kind presence in perfection the consummation of yoga” [Aliester Crowley’s Psycho-Spiritual Aspect of Yoga Demystified]. Think about Crowley’s conception of yoga, which is informative – take the good from the bad, as it were. There are variations of these natural acts, like tribal drum beats accompanied by a tribal dance in which one becomes entranced in a kind of natural entheogen. This can vary into binaural beats focusing on different sound frequencies alongside dream experiences such as astral travel, visions, premonition, prophecy, etc. 

In a lecture about the magic comic book, writer Grant Morrison describes absolutism in Orthodoxy [religious or otherwise] or any sense of Binary extremes as an attempt to prop up individualism to separate man and his nature. Man needs to control nature as opposed to having a give-and-take relationship with nature through types of animism. He says there is nothing in this reality that is not nature; nature made men, who invented things or materials that we think are separate from nature. “You either believe in nature, or you don’t, and I believe in nature.” He’s correct in recognizing the natural aspect [minus the human evolution implication] – given the natural element relates to my argument about magic. Still, he’s wrong in his view of individualism as a cause to separate man from nature.

There is an incorrect inference to his approach; it’s not through his idealistic approach of monism [unintentional or otherwise] to approach individualism as conspiratorial because individualism has more to do with sociological movements and less with the spirit. These sociological movements often have their discourse on absolutism; like religion, it’s stuck on a perpetual dialectic argument. It has less to do with the spirit and more with the mind. The rational and irrational mind in these two modes is the only thing valued in the West. What needs to be added and what is required in order to complete the triad is either intuition or imagination. To deny the individual, you’re only left with some offshoot of collectivism; one mind, one hive mentality is a Reptilian way of thinking. The solution may be about strengthening the individual instead.

A more straightforward way to describe our relationship with nature and, by extension, magic can influence the intricate connections across our habitual existence and time, suggesting that we are interconnected with this whole. This influence originates from the realm of spirit but must be articulated through reason. Something spiritual is gradually infusing into the material world. This infusion is not random; instead, it aligns with the intuitive, natural, and ceremonial aspects associated with magic.

Magic and its intuitive nature regarding magical practices or divination need a conduit or a symbolic medium. This usually takes the form of Circles and Triangles. The Triangle is a Trinity symbol that can corrupt, losing its original meaning when corrupted. The Triangle’s corruption is Magic that’s been taken and set in its place dark energies, which is then inverted and is not inherently for the established order. It’s more akin to consciousness (or the Force in Star Wars), and often, the Order (or the First Order) takes it to unimaginable and dark situations. For example, Nancy from The Craft takes it to a dark place. Crowley defined this type of Magic – as magick. Neil Kramer explains clearly the foundation of Magic through the analogy of the dream:

	Corruption often takes form in being able to take something, or someone out of context of what is real, to do this to a person requires instilling a sort of amnesia into the human mind. This makes the person forget their linage and their infinite spirit. In every age people, civilizations, ideologies, cities changes, and in those times people are switched into a setting that requires them to live within their time, a default setting of mind and spirit. So people have their own unique individual and group realty tunnels, some of these groups require belief vis-à-vis Christian, Muslim, Atheist, Scientism, Naturalists or Determinist whatever it maybe. The control system creates false absolutes for our reality, which gives rise to their conscious thought form that is derived from the sentient design; like a signal that broadcasts within the stage. This signal through time gains amplitude becomes strong as it’s helped by billions of augmented nodes (human collective), this is what gives matter solidity. This is evident in Vedic and Hindu philosophy and also quantum physics. (Neil Kramer- occult of personality interview 2010)
	However, not all the human collective share the same platform, in the dream that we show up in, is actually a construct that can be both be both physical and literal. However, it’s fundamentally more of a meta-physical construct of ideas, notions and sound. What makes our realty different, (while still much like a dream) is its consistency; this consistency is held in place by consciousness. In the pre-Neolithic age the mystics tried to convey this to us; that we are in a dream, in an illusion, a matrix, and this is not inherently a bad thing we need an infrastructure or a stage for our consciences vessel to move around in. This is your default setting, and in order to change that, according to the mystics you must acknowledge that this is a dream, this is Maya or the matrix. When this achieved the dream the matrix changes relatively to where you are in your consciousness level, and so you start to affect it; subtly then as you progress through time; literally. In the occult, this is called magic – the process to bring change according to will, you are both dreamer and the dreamt simultaneously. Knowing this not just on intellectual level, but gnosis as experience can change current society fundamentally flawed mindset. (Neil Kramer- occult of personality interview 2010)

The stage and our collective psyches are manifestations of thought and inherently magic. Hidden knowledge of how to manipulate the stage to support current ages was the way of the initiated mystics/priests. While at the time, they did it on isolated occasions, now it’s grander through secret societies that over-power governing states with their developing technologies (ties to UFO contact) and interlocked corporate hierarchies and economic (federal banks) power.

The mind and the higher conscious self or aspects of intuition can coincide through the analogous of myth. For example, Satan is often associated with your subconscious mind (the shadow). At the same time, God is the higher-conscious self (this is not a dismissal of any form of anthropomorphic tangibility for the godhead because, for Christians, it’s an absolute. However, there is no mention of the name of Lucifer as Satan in Biblical verses; Satan was attached to Lucifer after the fact. Lucifer is mentioned in Isa. 14:12-14 NKJV – and even in this verse, it could be the name for the morning star; then placed into having a sort of symbolic association with the fallen one). Metaphorical association to God and godhead aside, it’s almost certain that it’s all shadow and light play, and often, there are a lot of light beings, entities, and angels that are not all good and benevolent.

According to ancient mystery cults, ‘the magic triangle’ correlates to electricity, magnetic energy and the forces that bind them together. In Christianity, the ‘Magic Triangle’ stems from the tradition of King Solomon. In an essay titled ‘The Magic Triangle,’ the occultist and teacher of occult studies Franz Bardon states:

	“A magician would never be able to get a certain power or a certain being into a circle without the help of the magic triangle, for the circle is, as we now know, the symbol of the infinite and not the symbol of manifestation. No magician should ever forget this fact.”
	“The magician must make sure that the being or power he has called into the triangle is under his full control, and that he himself, while standing in the centre of the circle, is thus representing a superior power, a universal, a divine idea.”

While Bardon’s first statement seems ominous, it merely outlines the processes of such a craft (however, staying clear of any practice ensures an unencumbered life).

The Cathars knew the use of such magic; they were the last Gnostic group Mary Magdalene taught; they knew the truth. The Spanish Inquisition came to simulate the Gnostic set to Catholicism, and if they refused, witch-burning ensued, and most of them walked into the fire (as they knew the Holy Spirit was with them). The Cathars were healing the sick through magic, and their sacred symbol was the five-pointed star symbol, the symbol for the Father (and also for protection). Who else uses the five-pointed star? While it’s not an equilateral triangle, the Wiccans are the dichotomy of practice I’m referring to. Bardon’s last quote refers to two set processes: one is about controlling the supernatural action, and two is about taking charge of your destiny, being consciously aware of divine ideas and habitual thoughts. I suspect the two overlap somehow, knowingly and unknowingly. Intuition and imagination are magic at an unconscious level and are, therefore, an act of divination inherent in most of us.

True magic is neither black nor white. It’s both because nature is both. Loving and cruel, all at the same time. The only good or bad is in the heart of the witch. Life keeps a balance on its own. – Craft

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It’s a natural quality of humans to associate with many deities if they’re similar or have the same traits as one specific deity; perhaps it’s easier to manage that way. Maybe that’s why materialism and monotheism became so prevalent, which could also be one of the fundamental problems of the degradation of our world and its sociological structures. From its basis, it applies the wrong notion of the synchronistic whole by consolidating beliefs, which leaves out specific individual and cultural reasoning. The theoretical assumption is that all matter originated in a small ball of matter that exploded into chaos. And randomness and then through chemical processes that gave life – is a framework of monotheism, a subject raised earlier.

However, if you think of the universe as part of a transcendent reason and that it’s not solely about chaos through randomness and accidents through chemical processes, you will find a structure and a language to it. Just like the Monastic warning, you enter the structure at your peril. The structure is the analogical process, and just like the force it binds us, it connects us – much in the way information works, which can be gathered or manipulated. And this is how we think; we move towards known knowledge content by drawing analogies from things we know and don’t know. The Bhagavad Gita writes about a field and the knower of the field. This can relate to the quantum implication of the observer cosmos and our uncertainty principle. The implication is that it puts man as the observer at the centre of the universe. So, any manipulation technique of the observer’s mind will have a cosmological effect.

The observer cosmos is a natural quality of magic. Wiccans act out those natural qualities as practical qualities with rituals, spells, sigils, and intentions. Wiccans worship the Great One-(Parent) and the goddess to an extent. According to fundamentalists, the goddess is the Whore of Babylon because the Bible details the Whore of Babylon. However, it doesn’t distinguish itself from other goddess deities because that’s a natural quality of man that inherently follows a monotheistic framework, which at times is filled with speculations that leave it open to endless interpretation. And I’ve already outlined the distinction.

One of the fundamentalist groups is Protestants (Seventh-day-Adventist), who claim the Whore of Babylon is worshipped by the Catholic Church. Catholics, in a response, describe the Whore of Babylon as the city of Jerusalem, citing the Jewish power which has risen in recent times. Jehovah’s Witness declares that all other forms of Christendom are part of the apostate religion of Babylon the Great. And this is fitting, considering their ideology is based on denying the Trinity (the one-Parent). However, if you look at the classical doctrines of the fall of man, they’re always expressed in cosmological terms because they’re fractal and mirror what has happened among the gods in the Pleroma. This ignorance approach is shared among the many fundamentalist denominations. However, those involved in natural magic like Wicca / Neo-Pagans can acknowledge biblical traditions but choose not to because biblical traditions themselves are systematic – and unlike a fundamentalist version of ignorance, the Neo-Pagans aren’t Narcissistic.

The ancients always viewed the world as an organism, which changed around the 17th century to a more mechanistic view – and then permeated throughout the 19th century, not only through the scientific area but also the arts. What’s interesting towards the ancient view is that man itself was a microcosm of the macrocosm; in other words, man was at the exact centre of the cosmos – not in a solipsistic way, but rather man was at the centre of the cosmos because the man was the bridge between the material and spiritual (heavens).

Wiccans, artist-prophets, oracles, seers, an incarnate spirit of Sophia, and so forth are the bridge or mediums for the material and the spiritual world beyond secret societies and hierarchies because it’s more tribal – the real elite, as it were. So, there is a sense of responsibility to embody the synchronistic whole consciously. But, on the other hand, it’s also a random phenomenon, and those who can surrender themselves to the impersonal and the archetypal can allow it to move through them/us. By this surrender, you/we become chosen; we become the elect.

Act Two: The stage is not to blame: The last two Avengers films showcased a topographical image copy of Manly P. Hall’s book cover, ‘The Secret Teachings of All’. Manly P. Hall was a known Freemason, and being a Mason was a prerequisite for studying esoteric subjects then. It tends to be the norm throughout history. What is new? More precisely, the symbol of purification is added to the film’s symbol, which outlines concepts of soul sacrifice, death and rebirth, destruction, and magic. The symbol also acts as a guide or a direction – and it also invokes a friendlier (or a PG/Disney version) concept of the Pagan sacrifice ritual: a soul for a stone, which is akin to the alchemical fermentation process, but it’s also the magical notion of blood for intent – also known as ceremonial magic that involves spilling blood, known as Paganism. It is a European term, but it is a universal ritual among other early cultures – these dark and evil acts of ritualized sacrifices during that time were genuine; in early Europe, they sacrificed to Odin.

To understand Pagan Sacrificial rituals, we must first understand those groups that would generalize them and then blend their ideology into them. After that, differentiate conspiratorial notions that could be assumptions with evidence while filtering it through history. For example, mainstream Christians should be ambivalent about Biblical Literalism now that Flat Earth Christians rely on the literal aspect of the Bible. However, putting all your beliefs in one group’s perspective in antiquity still tends to be projected into one’s worldview, which is essentially corrupt, making those people have a quality of fundamentalism, which in turn becomes a quality of narcissism.

The majority of Conspiratorial thinking comes from the American South, and the American South is intertwined with Evangelicalism regarding their worldview. Evangelical Christianity polarizes, and they see things in black and white. This point of view skews people’s thought processes of significant events because it’s always focused on that frame of reference. For example, when it comes to sacrifices such as the modern Moloch worship that depicts sacrifices of children – whether you believe in it or not, it has the propensity to be true because sacrifices to Pagan deities are mentioned in the Bible. Therefore, Israel sets itself apart from its neighbours – as it doesn’t do that because, as it’s written in the Bible, Abraham sacrificing Isaac to God was halted by God advocating Abraham that he doesn’t have to, as He will provide a substitute. So, from here on, sacrificing people as a concept no longer exists, and they have differentiated themselves from the Phoenician gods. And when this became apparent, all Jewish history from that point on is now slander against their neighbours to set themselves apart. The Romans did the same thing to Carthaginians.

There is a quote from the film Matrix-reloaded: “We can never see past the choices we don’t understand” Of course, it is in the context of Neo having sight, meaning he can look into the world without time. However, certain aspects of his self-intuition are blocked by something he cannot understand: the possibility of Trinity’s death. I’m mentioning this because there are real-world evils, particularly on the subjects of Mind Control involving Children – and certain conspiracy subjects adjacent to it. But, again, it’s something I cannot understand. So I’m hesitant to even research, except maybe for subjects that aren’t too heavy on understanding because they’re filtered down through pop culture like MK-Ultra. However, praise those that do. And so perhaps such goings have certainties, at least on sync level to a particular aspect of history. Even then, it’s heavily mythologized, so conveying it as evidence isn’t practical because it’s the realm of myth.

Sometimes, the archetype on screen doesn’t match what is confirmed on a Meta level. A shadow hides behind every good and madness behind every bad.

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On a synch level, it stems from religious history, a think tank experiment by the Church Fathers to proclaim anything that is not Christian is Satanic, and any other gods [good or bad] are demons or satanic entities. The Church Fathers also interpreted the ancient Daemons (benevolent bringers of knowledge, similar to angels) into evil “demons,” identical to the evil spirits of Babylonian folk magic.

And this would trickle down to current modernity, which branched out to certain fundamentalist groups, particularly Calvinism. A group that proclaims they are the elect pre-destined by God, and in the realm of manifestation, people realise that by becoming Christians [whatever that means], they would become elect. And if they elect, they go to heaven, and if not, they go to hell. There was a response to Calvinism’s pre-destination philosophy by a movement called Arminianism, which argues that it’s not about pre-destination but more about choice.

This seemingly explains the many fallacies that Christian fundamentalism has, namely Calvinism’s inherent narcissistic quality, which can often provoke a response – any reaction among anyone outside their circle is usually always disagreeable. It’s in these reactions that they know they’ve got you. However, it doesn’t indicate that they’re wrong in their conspiracy theory; it merely outlines qualities that point towards self-interest and the need to consolidate all deities (demonic or angelic) into one figurehead. It’s important not to deny all conspiracy theories outright because many have come true.

English literature significantly impacted the faculties of mind, especially the Lucifer and Satan mythos. Milton’s epic poem Paradise Lost would be the first step towards changing people’s minds. It leaned into fundamentalism from something traditional and seemingly safe to something solipsistic. In Paradise Lost:

Moloch has been used figuratively in English literature from John Milton’s Paradise Lost (1667) to Allen Ginsberg’s “Howl” (1955), to refer to a person or thing demanding or requiring a very costly sacrifice. – Wikipedia

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Milton’s epic poem Paradise Lost influenced the Lucifer-as-Satan mythos at that time and, in turn, only validated the imaginations of readers in Europe. Moreover, during that time, anti-papal propaganda was set in place by various means, notably documents written about the troubled time in Europe. Milton’s work romantically captured a piece of that time, and this literature, through extension, would inspire the same paranoia in the American South – the kind of paranoia that would inspire conspiracy theory in ways that are fantastically imagined.

This conspiracy theory is not theoretical, considering it’s an agreed shared knowledge among conspiracy-theory researchers – those of a conspiracy theory in which the elite have created their reality. Outside ordinary consensus reality, there are many layers of power or hierarchies within their reality. They’re attempting to make their reality while keeping us locked into the reality they created. And this is how they achieve total control over our thoughts and perception. Again, this is an agreed-upon shared knowledge or common sense. New/traditional fundamentalists stand out because they implore within the conspiracy a Luciferin doctrine and a denial of the Christian faith, which is a mistranslation of who Lucifer is.

Lucifer is the bringer of light, and if the elites are using Lucifer as their archetype, then their understanding is not necessarily our understanding or vice versa. As a Satan archetype, Lucifer would be an archetype that doesn’t facilitate self-empowerment; it doesn’t allow individuation. Also, according to Rudolf Steiner, Lucifer is more of a force that presides over the human imagination. Lucifer is a necessary empowering agent for humanity; once humanity’s eyes were blinded to the divine, as in the fall, Lucifer blinded man according to the myth. It was done to provide man with free will as part of the divine plan – Lucifer was merely the agent of that blinding and that of liberation. Steiner describes the only way for man to have free will or the illusion of free will. He was to be blinded to his place in the divine scheme of things because if a man could see or witness the workings of the divine, the gods, and forces of the cosmos and creation, he would only see himself as part of that intrinsic design. In which man would realise he had no free will within that divine scheme – man would only act under the forces. Through the blindness of Lucifer’s intervention, man could function as a free individual being. Hence, he was cast out of the garden. As compensation for the blindness, Lucifer gave the power of the imagination (potentiality of the light) – hence the power to imagine the forces of the divine, the gods, and the invisible spirit.

The revelation of method encourages the illusion that we are uncovering things [conspiracies] through our ingenuity. To some extent, this is true, but these discoveries are often planted for us as clues to discover. The independent researcher has no method of engagement with the authority of power. The only way is through the power of imagination, meditation, dreams, sorcery, and altered states of consciousness. However, for fundamentalist-Christian-conspiracy-theorists, the imagination is often intertwined with false memory, and when it comes to history, there is no formal method of identifying it. These false memories are symmetrical, akin to Northrop Frye’s demolition: “Symmetry, in any narrative, always means that historical content is being subordinated to mythical demands of design and form.” This differs from mythology, which is fictionally based and tends to be more accurate because it’s naturally asymmetrical.

The symmetrical aspect of false memory divulges into aspects of what memory isn’t – within the last two centuries, apologists’ thinkers for utilitarian power insist on getting past the worst in history we must forget. This blocked memory, first mentioned in Freud’s teachings of the unconscious, would later be enhanced by French thinkers like Ernest Renan, who shaped public perception with his arguments for the need to forget. In many ways, this is a memory manipulation; a wish for forgetting can lead to fantasy rather than classic racism. The isolation of past tragedies to set up false pure roots for passive, harmless pride can turn into xenophobia.

The misconception of what it is to be Luciferian is a way of ensuring those false memories are true when they’re not, or through ignorance as a way of staying clear from that archetype. These are the only archetypes we have, and the fact they’ve been used to distort perception by the elites as a way of enslavement is no reason to reject them. We must take them back and reintroduce their more accurate meaning to avoid that misperception. Suppose we associate the controller’s perception of Lucifer, which fundamentalists are all too happy to agree upon. In that case, people empower them by thinking of them as being illuminated or having allegiance with Lucifer. We feed their narrative every time certain occult clues are rolled out purposely – then they use our imagination to empower them. We are also allowing Lucifer to be distorted and influenced by the idea of illumination.

In modern times, manipulated memories are now propaganda that can be found in media; you can also find it in public relations concerning politics and commerce. New and traditional fundamentalist-Christian-conspiracy types have a likeness to the documentary approach. And this non-fiction form falls into this category, taking the most valuable fragments from a tidal wave of facts to match their ideology. The commonality among them is that they all use art images from the Renaissance to hold some historical legitimacy. The outcome depends on the intent, not the facts – if it’s for purpose, it’s magic or sorcery, which they’re trying to eliminate. Given sorcery is in the realm of the imaginal, a subjective realm, it’s where the psyche overlaps with our environment, a non-consensual reality that hasn’t been agreed upon because we can’t access it with our everyday conscious mind.

It’s easy to assume that during the times of our lost civilizations (the kind of civilizations ancient alien theorists discuss), a vast worldwide spiritual system existed in a place that may have originated from the centre – of the centre was Atlantis. This distribution focused on developing the spiritual aspect of human existence and its nature and less on the material. These were expressed in various ways; one example is through metaphors that express the sacrifice of the body. These metaphorical notions were never meant to be taken literally. It was just a way to convey the body, and its importance shouldn’t be the main focus because it would distract us from the spiritual quest that we and our bodies are here for. These notions were taken up by tribal cultures to kill the bodies or sacrifice the bodies literally – this would then become part of the ritual – human sacrifices became a notion of pleasing the gods.

Blood sacrifices are usually a form of Masonic magic(k) from Masonic sorceresses, yielders of that magic, and a form of worship, a left-brain intellectual form of control through worship and the instigation of that worship. Their practices of occult magic rituals are set in place to uphold a power structure. Their techniques are derived from Masonic occult methods that are sacrificial based (blood rituals). Being Masonic means building something, literally and figuratively, a power structure; their sorcerers attempt to create power using our imagination and blood. It’s the blood, faith, and cements the Trinity of the Nazis. [Look up the conspiracy theory surrounding this; it’s more than the war-time totalitarian narrative].

They understood that blood has energetic properties and contains DNA. Its vibrational structure depends on the individual spiritual essence; if an individual’s vibration during the enlightenment process is high, then the DNA in the blood matches it. Dark Energies are attracted to the blood, so during any ritualistic blood magick, demons will most likely follow. Only demons seem to respond to these dark magical rituals, not the forces of light or angels. These contracts made in the blood are also permanent up until death. Many names know the Demiurge [the God of this world]. One, in particular, is YHWH, who incidentally has a likeness for the shedding of blood. New Age Flat Earth Cults has summarized that the blood is the proponent that changes the Matrix or Holographic structure of the Stage in which we exist.

New-Age-Flat-Earth-Cults intend to reach the centre of the earth. Vortex is based on a motive to kill yourselves – to reach another dimension, one of Paradise akin to the show’s Westworld example I wrote about in part one of this thesis collection. This is a fundamentalist notion that has ties to gnostic-Satanism, which is focused, cultic, and Grimoire-based, which is an inversion of the Nag-Hammadi that you might find in Saint Irenaeus’ works. These types of teachings are based on suicide (or self-sacrifice) based on the premise of reaching the height of your strength and then killing yourself to escape the Demiurge. To get back into the Pleroma of chaos filled with darkness and nothingness, which is the True God, not the false Demiurge. So new-Age-Flat-Earth-Cults just swapped nothingness and darkness with Paradise, immortal waters, and so forth.

Act Two: A Game of Theodicy: The Gnostics were a group of theologians who thought about the true nature of reality. At that time, people had an overwhelming religious and mystic worldview of how reality worked. The Gnostics concluded rationally that maybe God (the God of the Old Testament and the New) isn’t necessarily the real God but is spawned from the Ultimate Aeon. Resulting in a Creator-God responsible for the creation of our world (the architect) – this creator-God is pulling the strings but maybe isn’t necessarily the ultimate creator.

During that time, one of the major issues they had with the current Christian belief system was theodicy. Theodicy calls upon the question of why a good God is willing to accept the existence of evil, the logic being how a true emanate God or good God with omniscience create something like childhood Cancer or let a being like Satan exist, and so forth. Fundamentalist Christians answer theodicy by proclaiming God controls the circumstances of life – He chooses to bless people, discipline them, or allow evil to affect their lives – and uses Ezek. 12-14 to explain God’s defence.

Ezek. 12-14

The word of the Lord came again to me, saying: ‘Son of man, when a land sins against Me by persistent unfaithfulness, I will stretch out My hand against it; I will cut off its supply of bread, send famine on it, and cut off man and beast from it.’

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The notion of God not needing to justify his actions because God is the ultimate reality and what he does is right. When applied to humans, this is a horrifying thought, so they suggest using it only for the benevolent creator rather than mere common sense. However, it’s his benevolence that is in question. Can we assume that those notions are only for himself and his angels? This doesn’t make sense, and it seems like an attempt to answer a fundamental question with a circular argument, leaving out the leading proponent of the cosmic game, humans.

These notions have implications concerning how we live our lives – meaning for any fundamentalist who follows these types of reasoning and also to grasp its meaning literally and, by doing so, invite a warped view concerning common sense – and the denial of free will. For example where, any given individual who follows a fundamentalist ideology concerning the question of theodicy that it’s God’s will suddenly happen to get sick with a life-threatening disease; however, this disease is curable. The irrational fundamentalist approach is to deny that cure, thus refusing to get better, but instead rather die because God controls the circumstances of life. Sounds ridiculous, right? Firsthand, we assume it’s a question of faith, fate, and philosophy, but when you cut to the grassroots of it. It follows the same pattern as someone charismatic enough to lead a cult. The cult leader acts as a stand-in for God’s will or steward that people follow willingly, and evidence has shown that whoever plays that role has the commonality of a sociopath.

Moreover, there is an attempt to deny specific universal orders or laws that proceed after giving away your common sense and the will to think for oneself. That particular universal law is causality. It can also parallel the law of cause and effect with the concepts of duality, time, and entropy, which are all part of the creator god’s design. Fundamentalists insinuate the law of cause and effect aligns itself with the occult. Therefore, it lacks legitimacy in the eyes of God; this is bizarre reasoning, considering they’re God’s universal laws in the first place. Causality merely considers responsibility as a cause; negative traits in others also reflect on the self, similar to Jung’s concept of the shadow. Changing the mind and how one thinks the self can impact other people’s thinking.

This is entirely different among people who refuse flu vaccines. These people are now labelled as anti-vaxers; these groups have become victims of a witch-hunt from those who act as God’s will – the label can lean into any group because ideologies are not biased. They are labelled the same way as alt-right fundamentalists, but it’s not necessarily a correct paring; the narrative has just been put that way to make you think it is. However, this is not about groups but a fundamental issue concerning truth; this argument is as poignant as the argument for Chemtrails’ existence. While some might be fundamentalists and traditional Christians who make these issues relevant to the public, they are just one particular group who are vocal about it. God’s will is beyond classification and labels; it’s inclusive to everyone; it’s those who speak on his behalf to create specific agendas that raise questions. These issues that have a conspiracy are universal and concern everyone. Therefore, it stems from a far-reaching conspiracy pointing to the same culprits. The NWO groups have many potentialities, like those who advocate a heliocentric world religion.

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Flat Earth; Enclosed Creationism; Conspiracy (Theory), Intuition and Imagination – Part Six:

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The stage [Originally posted on 01 July 2019]: One of the many contentions that underline a fundamentalist approach to that of a Gnostic is that spirituality and mysticism are opposed to religion, which is dogma. They feel spirituality and mysticism teach greater truths using analogies. Moreover, it’s through analogies or, to be more precise, the analogies of myths – and the use of those myths in a practical sense. It can be used outside of scholarship while finding meaning in it, alongside its interpretation that can coincide with life. The whole Gnostic view can be based on knowledge and in that knowledge through analogies – which have been around for centuries. During those early times, it often carried through different traditions from Christianity, Kabballah, Judaism, Sufiism, etc. Within those traditions is a shared idea that reality is an illusion. It has made its disassociation with religion similar to the New Age’s ‘spiritual but not religious concept. The traditions of various faiths best describe their historical facets or contextual background.

In modern times, the concepts of tradition and religion are redefining, as they no longer exist in a traditional sense. The gathering of people at religious churches to worship a cross at the altar is becoming less popular. Instead, individuals find new forms of worship in entertainment and social media. Their deities are often represented by archetypes that may ironically inspire them or incidentally take on those roles, similar to Neil Gaiman’s idea of New Gods. Old and new gods share a common aspect: worship serves as currency, acting as their elixir for longevity and immortality.

The analogies of myth and its methodology are varied. Still, there isn’t any that is as cool as the Greek model of heroic nature, which parallels the notion of incarnation and spiritual evolution much in the way of enlightenment, knowledge, psychic abilities, etc. Within this mode exist archetypes of those myths, and Joseph Campbell dissects these archetypal myths. He mentions “Four functions of Myth,” through the second and third functions; we question the truth about our existence and our relation to the cosmos. The second and third functions are:

The second function of mythology is to present an image of the cosmos, an image of the universe round about, that will maintain and elicit this experience of awe. [or] …to present an image of the cosmos that will maintain your sense of mystical awe and explain everything that you come into contact with in the universe around you. (Campbell, J)   The third function of a mythological order is to validate and maintain a certain sociological system: a shared set of rights and wrongs, proprieties or improprieties, on which your particular social unit depends for its existence.  (Campbell, J)

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The second functions imply a cosmological ambiguity. In this uncertainty is the question of seeking its true nature. The hyperreal-space-cosmology given to us as a reality is not as absolute as we thought, indicating that it might be a false real instead. This illusion is sustained by the secular (scientism) groups who work to keep its space cosmology simulation intact and, through those endeavours, label a science that’s been around longer, like astrology, as pseudoscience. Astrology, when it hasn’t adopted a hyperreal-space-cosmology, is fascinating and more faithful to the ancient source. Science’s main goal works similarly to Campbell’s second function in a theoretical sense. That science, which is yet to be absolute, works through a hypothesis based on the truth that has yet to be found. In other words, science works on facts that may change through time, and theories that arise from the present may become obsolete. The more they try to figure out the answers, the more they find their answers have already been found through religious traditions. Additionally, the older the spiritual traditions, the more accurate they are.

Campbell’s second and third functions have a sense of flexibility, meaning they latch onto a universe (or stage) assigned to them because they ask you to draw an image of the universe. To present an image would mean embracing the imagination and using intuition as its driving force. And this is challenging when perception managers endeavour to marginalize our intuition. It’s also more difficult when the stage has already been set for you – and that stage is also its religion. Driven by two sets of perception managers, the scientism order and the entertainment studios, both are vehicles for propaganda through different means of narrative entertainment. One is supposed to be real, the other fantasy, but both stem from a simulation of sorts, meaning both come from the perspective of the unreal. Incidentally, both answer each other’s questions when given problematic questions because they are the vehicles of projection, funded for production, and driven by imagination (sometimes managed and sometimes unbound).                     

The third function is validating the stage and universe and keeping its sociological system in functional order. Often, the third function gives the second function less importance given how civilization and democracy work (meaning the argument for a flat earth worldview can be trivial) – is the city more important than the land the city dwells in? In Battlestar Galactica, a central theme to the science fiction show is about a fleet of Ships travelling in outer space hoping to find a mythological place called Earth. In the show, civilization and democracy are maintained even though they’re not firmly fixed on land. In Doom Patrol, a small town named ‘Danny’ can project people’s positivity and altruism and teleports when a threat is imminent – a transient working town unbound by the Earth. However, it’s through Netflix’s show Black Mirror’s – USS Callister that showcases the meaning of the third function. [The episode itself deserves its separate analysis because it touches upon so many things: Narcissism, Simulation, Sci-Fi concepts, Fandom and so forth – it’s inherently multilayered, Meta and Gnostic as well]. A scene in which Daly (Jesse Plemons) describes Space Fleet’s purpose: “What is Space Fleet? I’ll tell you what it is; it is a belief system founded on the very best of human nature. It is a goal for us to strive towards – for the betterment of the universe – for the betterment of life itself.”

The more I watch it, the more I realise he discusses the importance of maintaining a hyperreal space cosmology or a heliocentric worldview. It’s not so much about Space Fleet itself since, in the show, space exists only as a computer simulation created by Daly. This is a meta-commentary on how truth, conspiracy, esotericism, and high weirdness researchers engage in debate. Since space is presented as a simulation resembling a psychological operation, its validation relies on the imagination curated in hyperreal space fiction, similar to science fiction. Both ultimately aim to sustain a false heliocentric worldview; therefore, it’s a kind of simulation within a simulation.

Act one: the expansion of the first principle into the spiritual realm, the development of that unified Pleroma, fullness, and perfect spiritual realm. Emanations from the good and perfect principle, the platonic idea. This perfection, however, leads to imperfection. Act two: Is a consequence of that first snippet of that first act – the imperfection, and somehow that imperfection is responsible for creating the universe. That imperfection somehow brings about a creator God who creates the material. This is the creator of the Judean Bible. Act three: Focuses on the creation of human beings specifically, and there is a deception relating to the creator God involved. So that the imperfection that originated can be eliminated and perfection restored. There is a strategy that spiritual realms have to bring back perfection that imperfection had emerged, a way to bring back the element to the spiritual realm. So, it’s about having humans play a role in returning to perfection. Through returning the power and light to the perfect spiritual realm, and it’s through the souls of human beings. Act Four: Is the subsequent history of humanity and the gradual recovery of the elements that have left it. In other words, souls that possess within them elements of the perfect light of the spiritual realm gradually return to become one where they belong. The final story is that everything returns to the one (source), and the imperfect mistake would disappear with it.

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Act one: The Spiritual Realm: Christ is presented as the character who is telling us about the first main act. John asks these questions, and then Christ appears; the questions John asks lead into a whole dialogue. When John heard these things in my debate with the Pharisees – I turned away from the temple to a desert place. John is unsure where his leader (Jesus) went – and I grieved greatly in my heart saying how the saviour was appointed and why he was sent to the world by his Father. And who is his Father, and by what sort is the Aeon to which shall go? [Aeon can be an eternity, eternal realm, eternal being, eternal time, etc.] What did he mean when he said to us – this Aeon to which he will go as to the type of the imperishable Aeon, but he did teach us concerning the ladder of what sort it is. 

Behold the heavens opened, the whole of creation, below heaven, was shown, and the world was shaken. I was afraid, and behold, I saw in the light a youth who stood by me; while I looked at him, he became like an older man. And he changed his likeness again, becoming like a servant. There was not a polarity before me, but there was a likeness with multiple forms in the light, and the likeness appeared through each other, and the likeness had three forms. [Christ appears as a light to share the knowledge you need for John’s salvation. The knowledge of where the saviour came from and who the Father is – and the knowledge of that spiritual realm and the understanding of the need for salvation because of the creation of the material realm].

Act one: the One-Three Figures: A united perfect spiritual realm is a triad central to the spiritual realm: Monad, Barbelo, and the Child, or the Father, The Mother, and the Child. Monad, for He is total perfection. He had everything that may be completed by it. Instead, he is completely perfect in the light; he is un-limitable since no one is before him. He is unsearchable since no one exists before him to be examined. He is immeasurable since there is no one before him to be measured. Extensions through emanations, the Fathers thought, performed a deed, and she came forth. Namely, she who appeared before him in the shine of his light is the first power before all of them came forth from his mind – she is the forethought of the all. [The forethought is one of the emanations or one of the thoughts in the mind of the Father. The glory of Barbelo glorified the virginal spirit, and she praised him because thanks to him, she has come forth]. And this is the first thought, his image. This forethought is in the mind of the Father, who is called Barbelo. Who is an emanation of light is also the image. She became the womb of everything, for it is she who is the fire to them all: the Mother/Father, the first man, the Holy Spirit, the thrice-male, thrice powerful, thrice androgynous one – and the co-eternal Aeon among the invisible ones, the first to come forth.

And He, the spirit (Monad), looked at Barbelo with the pure light surrounding the invisible spirit and with the spark she had conceived of him. [An idea of sexual imagery of conception and an only-begotten child comes out of this – which is a third of John’s triad of the Apocryphon. This only-begotten child is one thought itself – Christ – from the triad; more emanations take place until you an expansion of this oneness that is the Father]. From the perfect knowledge of the perfect mind through the revelation of the invisible spirit and the will of the self-born autogenous, the perfect man appeared. The first revelation of the truth is that he is the virginal spirit called Adamas, and He places them over the first Aeon with the mighty one. [This author has an emanation that is an Aeon in the oneness; it turns the Adam that the inferior creator god creates into the image of that first perfect Aeon Adam. There was already a perfect human being in the spiritual world named Adam before the invisible one gave Adam an invisible power. Seth is also one of the emanations in the spiritual realm, which will be replicated in the material realm that led to the return to the spiritual realm].

Comparatively, the Gnostic cosmos can match the Vedic system. In the Vedic System, it is understood that the gods are to be worshipped through one God, the Trinity. Notwithstanding the trichotomy, it is still one God, and it’s a God of person and a God of the form (spiritual form). The Trinity can be equated to many examples: Isis, Osiris, Horus or Krishna, Balaram and Radha-Rani or the Father, Son and the Holy Spirit; this is the divine sacred secret. A comparative equivalent of the Demiurge (our creator-God) would have to be Brahman, born from the Lotus flower sprouting from Vishnu’s navel, and Vishnu would be equal to Sophia. Brahma has the quality of passion and activity and is neither good nor bad, but sometimes either; Brahma is the pervasive, genderless, infinite, eternal truth and bliss that does not change, yet is the cause of all changes. As a metaphysical concept, Brahman is the single binding unity behind the diversity in all that exists in the universe. In the Vedic context, the Gnostic creator God can be positive.

Beyond our created world, past the Firmament and the waters, the Vedic system talks about a place called Brahmajyoti, ruled over by Brahmananda. And this is a place of impersonal bliss, often called the White Light. It is Krishna’s (or God’s) effulgence, and from this point upward, it becomes more blissful. You can equate Brahmajyoti, Kailasa, Aisvarya-dharma, and Vaikuntha-Loka as the four lights of the Aeons with their trinity sets of Aeons. Above that is the highest place of bliss, represented by a pink Lotus, a causal world that is Krishna’s abode called Vrindavana. This place has all the qualities of love, justice, wisdom, knowledge, wealth, and abundance and is the fountain of all sources and potency. The spiritual form, or the formless part of humanity, manifests the material form.

Being a Trinity (the Mother, Father, and Son in the Gnostic sense), Krishan, Radha-Rani, and Balaram are represented as the realm of sweetness called Madhurya-dharma, which can be equated to the Heavenly Spiritual Anthropos (1st Adam), a realm before the Trinity, but is essentially part of the Trinity. In this realm exists three kinds of worship towards the True God; this is also a place for the personal god Bhagavan. And below that realm is a place ruled by Paramacharya, who is both personal and impersonal. The realm below is ruled by Brahmananda, who is impersonal effulgence (or who presides over the white light of bliss, and this is a place of non-activity). New Agers often describe this white light as the last journey, which is incorrect. If one chooses to stay where one can, it is said that there are more blissful and active realms beyond the white light.

Act one: The Emerging Trinity Symbol: This Trinity symbol is popping up in popular culture. The symbol itself varies between historical and cultural traditions, but it can be the Concentric Circles, the Y, or the Triangle symbol within pop culture myths—all of which represent the Trinity. The Gnostic cosmology depicts the Trinity as the Y symbol, which is encompassed as one symbol. It’s similar to an artist’s rendition of an esoteric depiction of the Lotus flower, representing the highest place of bliss.

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The emergence of this symbol is found mainly in science fiction. One notable symbol is found in Star Trek Nemesis, where the Romulan capital city is topographically designed as the target symbol with the Y symbol imposed in its aesthetic. This is interesting as the mythical city Atlantis is always topographically depicted this way, alongside its Roman Aesthetic. The Romulan Empire’s concept parallels the ideals of the old Roman Empire. And this concept is at war with the New Roman Empire (the New Atlantis), which was established like a [Star Trek] Star Fleet Federation. The Federation concept is real given that every country was built upon a Federation State, like Australia, Canada, New Zealand, and even the United States before it detached itself from the Monarch (given our current conspiracy modernity, its detachment is only on paper). These countries are among many with no real history, and what they lack in history, they make up for in an idea: the idea of Rome. The Federation is convincing countries with thousands of years of history to adopt its Federation ideology. Star Trek makes it sound less threatening by giving the Federation a utopian essence – in reality, the utopian essence is the New World Order.     

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In Roswell, New Mexico, a rebooted version of the late 90s show of the same name minus the New Mexico title has an edgier appeal to fit a modern audience. And this makes sense for an audience that seems more sophisticated than in the past, as it needs to compete with other shows with better popular appeal. The Roswell show of the nineties was the New Romantics of that time, given the popularity of X-files and the melodrama shows like Dawson’s Creek, which Roswell came to be an amalgamation of those two shows. It was also the first beta superhero show, given the use of supernatural powers, but then Smallville came along and overtook that part of the show’s aspect. Roswell, New Mexico’s symbol, is supposed to be a symbolic map of their real home.

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There is also the story of a goddess of Venus who gestated from a cosmic egg to become the Syrian goddess Venus. A story told by Hyginus, in which an egg fell from the sky into the Euphrates, was rolled onto land by fish, doves settled on it and hatched it, and Venus, known as the Syrian goddess, came forth. Venus is likened to a goddess, Morning Star, Lucifer, or even Pearl. Certain texts have often equated constellations to pearls, one being the Orion belt, also known as the String of Pearls.

Roswell depicts three cosmic eggs that function as a gestation incubator with healing properties, and given the right time, three beings emerge out of it as a human-alien hybrid.   

Project Blue Book is a fictional/non-fictional telling (although the scale points toward a more fictional telling) of a secret clandestine institute commissioned to find extra-terrestrial paranormal activity. Throughout the series, we are shown a Trinity symbol and an alien artefact; the symbol, like in Roswell, is a map or coordinates. In the last episode, the coordinates suggest the location of the North Pole; it’s easy to assume it’s in the Arctic, given all the conspiracy talk surrounding Antarctica. However, in a Flat Earth paradigm, the Arctic is the perimeter around a Flat Earth plane. This suggests Antarctica is a hyperreal fiction to depict a North Pole vortex subconsciously. Or when they discuss Antarctica, they’re talking about Greenland for reasons I’m still figuring out. When a man in a black suit arrives at the Arctic/North Pole, he finds an obelisk with the Trinity symbol on it – then the artefact comes alive along with the obelisk. The obelisk symbolizes the sun God Ra, and astronomers hypothesize that it is derived from the natural phenomena associated with the sun. And its connection with the sunrise and sunset, the zodiacal light and the sun pillars.  

The monument symbolizes the great Tree that once presided over the Earth. Angelic forces cut the Tree down and transformed it into a watchtower. The obelisk reminds us of that creation story. Some claim the dead Tree became petrified, possibly associated with a ray from the Aten, the sun disk. According to the Heliopolitan creation myth, which is rooted in Ancient Egyptian religion, Benben is the mound that emerged from the primordial waters of Nu, where the creator god Atum settled.

Author of the book High Strangeness, Laura Knight-Jadczyk book cover depicts an unfolded three-dimensional Tesseract, generally viewed as a cube within a Cube. In the film Avengers, a Tesseract is encased in a mechanical concentric symbol reminiscent of the Hadron collider. The Tesseract and the machine open portals for other dimensions (i.e., planets); you can equate this dimensional travel to Jacob’s ladder journeying into the spiritual realm. In Avengers Endgame, a machine with the same circular aesthetic helps navigate certain parts of time they wish to go. This differs slightly from notions of dimensions as it deals with time and the infinite fractal universe.

And this is, of course, all about asking what outside time is. Aside from assumptions or accounts from NDEs, psychedelics users and their experimental accounts, frontal lobe seizure patients, alien abductees, and so forth, nobody knows for sure. However, they have all indicated in some way that this is all part of an experiment. And that there are watchers out there taking notes on the human experiment. Of course, no rational point of view can determine this. Still, we can determine that the centre point is a gateway of sorts – and the spot is marked by the X to figuratively find the centre while also representing the four concentric seas.

The Cube in the Circle there you will find the phi and golden ratio formula.

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Endgame depicts a variation on time travel within the notion of choice, leaving out the time travel conception of causality. A traveller from the present who travels to the past can’t affect the present because that past becomes their future present. The film jokes about the dichotomy of the new notion of time compared to the Back to Future idea of time. This is not inherently a new notion but an old perspective that has been made new. Back to the Future uses a Flux Capacitor shaped like a Y to explain the means to travel in time. The film Back to the Future contains many conspiracy synchronistic clues and predictive programming suggestions. It would also seem Back to the Future was one of the first films to adopt an idea similar to parallel reality theories. And that is the existence of a prime reality or, in this case, a prime timeline – and if someone goes back in time and changes an aspect of their reality, their future present changes. The changes are depicted by a particular person disappearing in a photo. The new notion of cause denies this as an effect; it may not be from the cause, but the effect is similar to the Mandala Effect. Something is happening in our reality that also influences our time and memory. Still, it isn’t necessarily about a person using time travel to go back in time, thereby inherently changing the present, but merely as to something else [?], which is evolving specific details in time, namely certain land masses, quotes, logos, etc.

An upcoming HBO Watchman TV show depicts the top of the obelisk with a circular ring around it, subtly indicating the North Pole Vortex’s critical position. As I’ve mentioned a couple of times, the obelisk represents the Great Tree. And the Tree has been mentioned before to be likened to the Cross. The Great Tree post cut became Mt Meru, which was like a watchtower where the original children of Adam presided [where Demiurge’s Watchers once watched over them]. The Watchmen’s new symbolic obelisk is reminiscent of the Roswell symbol, which parallels the skateboard footwear Osiris logo, and Osiris is one of Egypt’s Trinity deities.  

The CW’s Roswell Trinity-Alien-human-hybrid is from Sirius; go from Orion down so you don’t get lost.

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In ancient Egypt lore, they discuss the beginning of time called Tep Zepi, where “sky-gods” descended from the stars to Earth on flying “boats” and then turned mud and water into a new kingdom. They call those gods “Netyro”, meaning a being from the cosmos. They tell us that the god Osiris, who ruled with his consort (Horus) and sister Isis, are star gods. Osiris is identified with the constellation of Orion, and Isis is identified as the god of the star Sirius. Within the constellation of Orion is the so-called nursery of stars. And the stars in our galaxy were born or came from that zone. So ancient Egyptians insist the birth of star gods is in this constellation.  

Less of a Star Solar Rotation, and more of an inner fractal assumption.

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The hyperreal-space cosmology group has equated the Dogon symbol for Sirius with the solar rotation of those Stars. The Dogon claim their god Amma came from a specific star in the Sirius constellation, the same place ancient Egyptians believed their god Osiris was born. That Star is called Sirius B, which the Dogon call the Po Tolo – this Star can only be seen with a telescope as it is invisible to the naked eye, which baffles astronomers as the Dogon knew about it before modern science. Ancient alien believers theorised that the knowledge was given to them via ancient encounters, in this case, encounters with an alien (god) Amma. And this is not a new revelation in any sense, as it is written in many esoteric texts of encounters with sky beings. What is new is the adoption of specific details in ancient alien theory. From Zecharia Sitchin to Ancient Alien Theory, documentaries have all indicated aliens are a significant part of human civilisation, which is accurate and has a gnostic base.

Gnostics view aliens as archons, while Sitchin views aliens as angels, but it’s more complex if you look further into it. What is new is the specific detail or contention that lies in the background or a container that is imagined (or simulated) where a hyperreal notion of space is the only place it can exist. In other words, aliens are real, their place is real, and their ships are real – but space as a cosmology that people commonly know it as – is not what it is, which makes it hyperreal.  

Astrophysics and astronomy viewed in a hyperreal-space-cosmology tend to mix narrative truths with factual truths or adopt narrative truths [theoretical texts and simulated imagery] as absolute and, in this case, the Copernican Solar System model. When viewed through a telescope, some of the Celestial bodies (or planets) are correct in their aesthetic, meaning Saturn looks like Saturn. [But its’ size and distance are questionable], while other celestials like Venus (along with Stars) are seemingly transparent and have textures reminiscent of water reflections, meaning they move in a fluid motion. This fluidity has a morphing geometric symbol. Therefore, one can only conclude some celestials act like the Moon and Sun and have their specific rotation around the flat plane earth – while other celestials act like stars, but not like a hyperreal notion of stars, but more to do with a bright burning fluid of light. I assume the material and fluid base celestials are theoretically dimensional gateways (or mini-singularities) of some kind.

What? … Venus is not a planet

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This makes the astronomical notion of a Dogon symbol as a theoretical idea for a solar rotation less accurate. The other point of the symbol has no purpose, which makes it incomplete. The Zodiac layer encompassing the flat plane moves in precession, and stars are fixed onto them except for a handful of the constellation. Possibly, Sirius is one of those constellations. Moreover, the Dogon symbol might not be a solar rotation of Sirius but a cosmic anchor. And this also makes the hyperreal notion of Sirius B being a dwarf star purely theoretical.

We have a supposed image of Sirius, although you can never be sure if it is simulated or not – I think it’s legit. Then, we have Sothis or Isis consort to Osiris in a Duat Boat representing the spirit or the Merkaba; she appears as Orion in the Sky. The image resembles a vertical flip version of the Dogon symbol for Sirius. The Dogon also believe that approximately 5,000 years ago, Amphibious Gods, called Nommo, came to Earth in three-legged spaceships from the Sirius Star System. They have described perfectly the DNA pattern made by this elliptical orbit created by the two stars as they rotate around each other. They believe Sirius to be the axis of the universe; from it, all matter and souls are produced in a significant spiral motion.

The Fours Seas; X marks the spot for the Pearly-Dewdrop’s Drops

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With all the water association with boats, anchors, and firmament seas (space if one wishes), we have Elizabeth Fraser, the lady siren herself, and the Sybil. Her music video clips for Iceblink Luck are visually associated with the X symbol. X marks the spot for the treasure of Pearl – vis-à-vis the centre or the polar vortex;                         

Act one: the holographic stage and the A.I-techno evolution: The film Tron-Legacy takes on new meaning when it’s about the race to the centre vortex of the Grid world. We have the Flynn character taking on the role of the Demiurge archetype as the creator of the simulated Grid world. He also creates Clu, an image of himself representing the combination archetypes of Adam and Lucifer. The maker’s disk, a.k.a, represents the key to our world. Flynn (a human tech genius in our world but a God in the simulated world he created) – the disk key is a password that allows travel to our world through a vortex from their Grid world – which is also signified by a polar star that is transfixed above them. And this is somewhat reminiscent of our Polaris star. When CLU puts Flynn’s Disk into a concentric machine, it becomes animated and unlocks the gateway or stargate.   

The holographic stage and the A.I-techno evolution; Entheogen and the ethereal; The space-hyperreal-simulation and Simulacra.

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The artificial stage created by Flynn (the maker) spawns artificial intelligence programs, and these creations call him and his likeness user(s), which are just humans playing the role of watchers or angels. What is unique in the film is the introduction of an ISO race that spawned naturally within the stage, the stage that the maker/user created. Still, unlike its creation, the ISO race spawned naturally, solely because it was the right time. It’s a techno-hyperreal-evolution approach to existence – [ISO] that is endowed with the gnostic light as opposed to its counterpart programs that are mechanical and material. They’re demonized for being sovereign spiritual beings and soon become victims of purges (or genocide) by the programs. Flynn finds and saves one living ISO named Quorra, representing the feminine goddess. Unlike the god of wisdom, she is very naïve, but she finds knowledge through Flynn and, in doing so, possesses natural intelligence that takes flight in her imagination. Flynn sees the means to save her and then nominates her to be the one to pass through the Vortex or Portal. 

Unlike Tron’s hyperreal approach to A.I. and its simulated world, the unconventional Western film Renegade takes a similar approach in detailing the concentric circle. That is an inverse approach to Gnostic myth, but it is much like a mirror to the human story and very polarising in its detail. Instead, the renegade takes an internal approach that is more in tune with entheogen-astral-travel. The film’s premise is about conquering fear; it’s showcased by the protagonist and antagonist taking a psychedelic substance in shamanic peyote battle instead of a gunfight, and when they do, we, as the viewers, go on the ride with the protagonist Mike. He passes through all the dead Aeons, Serpents, snakes, and beasts to take his soul through the mind and the spirit. The protagonist, Mike Blueberry, travels high enough to visualise the ethereal wheel rim, somewhat reminiscent of the Meta science’s Mandala E8. And this is the universe in its more accurate sense than a hyperreal galaxy. The psychedelic experience helps Mike unravel a lost memory that was buried through trauma and guilt. Accepting these memories, he forgives himself, allowing him to defeat his shadow counterpart.               

Act one: the Y and the Circle, and its Meta Mirror: We have the Y symbol popping up in real life – the Challenger disaster in 1986, where the astronaut pilots underestimated the height an aircraft can go up and essentially get thwarted by a dense reflective layer [fundamentalist flat earthers call it a dome]. Next, we have the Y-shaped Mandalay Bay building, which was a place of focus in a supposed mass shooting in Las Vegas. Then, there is Lockheed’s logo for the Juno Probe that supposedly crashed into Saturn, and we also have the Scutum and Cancer constellations.

I mentioned earlier how the film Back to the Future and the Y-shaped flux capacitor alludes to the effect of time—that something is hacking our simulated reality, which changes aspects of our memories and reality. Back to the Future predictively programmed the notion of the Mandala Effect before we knew it. The Cause or explanation for the Mandala Effect being time travel isn’t necessarily true, and its Cause could be something else. We witness the visual of the Mandala Effect showcased by a disappearing person in a photo.

The cause of the Mandala Effect is numerous and, at times, can be a temporary conspiracy. In keeping with the religious subject – Christians have pointed out a Mandala Effect concerning Isaiah 11:6: ‘The Lion will live with the Lamb’ as opposed to the alteration ‘The Wolf will live with the Lamb.’ When it concerns other synchronic alignments, the Wolf doesn’t make sense. Also, numerous Christian images depict the Lion with the Lamb. Bible thumpers have pointed out that the Bible they had read for years and had read countless times have changed overnight.

Deftones’s Chino Moreno song lyric from Xenon references ‘we’re the lions at the gates’, implying we are all Christ-consciousness (Lions) at the gate. In the Film Narnia, the Lion is said to be the Christ archetype. This is significant because the Wolf, I assume, has never been associated with Christ. Fundamentalists don’t like to acknowledge Christ and Lucifer having an association; they can’t get past the false notion of Lucifer being Satan – historical texts can’t find such links. The association it does have with Satan comes in the forms of Narrative telling and invalid pairing. So, a valid association is mentioned in esoteric texts, indicating Lucifer has an association with the Demiurge. The Demiurge has numerous names that are interchangeable with other gods. According to some Gnostics, it is described as a Lion or the Lamb. Therefore, it doesn’t seem right if we are the wolves at the gates. 

Xenon We’re the lions at the gates We’re the diamond in your brain   Diamond Eyes Time will see us realign Diamonds rain across the sky Shower me into the same realm

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Xenon’s second verse gives the next clue to this song’s esoteric meaning: “We’re the diamond in your brain” Esoterically, Diamonds equate to understanding. Deftones also released a song called Diamond Eyes that describes, ‘Diamonds rain across the sky – from the earthly plain looking down diamonds do rain across the sky as a metaphor for Diamonds that shine like Stars. From the sky, looking down, the universe is a field of clay scattered with diamonds. Clays are used in making Bricks, which make Pyramids, which are capped to become a diamond in a field of clay – clay, in this instance, is our Earthly plane. Entertaining this idea that Pyramids are Diamonds in a clay field also makes you wonder if an infinite flat earth plain can exist. And in this paradigm, how many more of these Pyramids, a.k.a. Diamonds, are laid out across the plain? From a topographical view, the Pyramid (the Clay, Brick, and Capstone-Diamond) looks like a Y symbol. The song Xenon describes that these seemingly external processes are also within the human body. The diamond in your brain is the capstone (i.e. Pineal Gland, Lucifer), the eye in Triangle. Once activated, you are a lion at the gate; awaken to Christ-consciousness, ready for the gate of eternity.    

It is worth noting Deftones got signed to Madonna’s label with their debut album, “Adrenalin.” Madonna once released a song titled “Lucky Star.” The Cancer constellation between Leo (the Lion) and Gemini can be associated with many lucky stars. A Crab represents the Cancer constellation because Hera, the goddess, sent a Crab to distract Hercules by grabbing his toe while he fought the multi-headed monster known as Hydra. In this mythological and astrological encounter, the Crab is defeated, but Hera, grateful for the Crab’s sacrifice, honoured it by placing it in the sky. This gave the Cancer constellation its distinction as a grouping of lucky stars.

Luck, however, would run out for one of the Deftone’s original band members, Chi Cheng, who died in 2013 after five years of being in a semi-coma, a state caused by a car accident he had. This freak accident has attached synchronicity with a song cover of Elizabeth Fraser’s ‘Wax and Wane’ of the Cocteau Twins as part of Deftone’s B-side cover album. Elizabeth Fraser seems to be an artist-prophet who channels a goddess of the underworld that is different from Hera; this goddess uses the Sybil as sirens to permeate a spell for a greater purpose we can’t fathom. Chi Cheng would seem to be part of that spell or a victim of it. Chi Cheng was inevitably in spiritual limbo, a lion at the gate, but never really going through it as he was suspended between two worlds.

As it happens, Deftones also released a song called “Hole in the Earth,” the title itself bringing up a lot of imagery. I thought it was about dimensional gateways that aliens built to traverse to Earth; I’ve recently changed my view on that. Others might link it to inner earth theory or the flat earth entry to Agartha, positioned at the North Pole. The “Hole in the Earth” music video clip showcases a Black Hole in Space, and Earth is coming ever so close to being engulfed by the singularity. But, of course, it’s a hyperreal-space concept that does not adhere to its literal meaning; a ‘Hole in Space’ is not. It’s not the Earth that will be engulfed, but the soul depicted as a Merkaba; this is further reinforced in the lyric “There’s a hole in the earth (hole in the earth) I’m out”, which is suggestive that way out is in. The question is whether there is a spiritual choice and whether to believe esoteric notions can be figurative or literal. The panel on the bottom right depicts Chi Cheng from the ‘Digital Bath’ video clip with the typography at the back saying ‘No Fumar’, which is ‘no smoking’ in Spanish. The word sounds like ‘No Future’, and in the clip, the visuals would also suggest it at first glance. Given Chi Cheng’s past events, this seems eerie in a Meta sense. 

Deftones’ unreleased album Eros is a name that is borrowed from the Greek god of love, Aphrodite, who was the son of Aphrodite. Eros had intense love and desire for Psyche. One part of Roswell’s Trinity Insignia looks similar to the magical symbol of Eros, which is about transforming the self and attracting love, which coincides with Rosewell’s character Max and Liz’s intense cosmic love for one another. Then, there is the fan-made Eros cover of the Lotus flower, which suggests concentric circles and the fractal universe.  

I don’t know much about near-death experiences, but all the experiencers’ have described a common occurrence in their dream/coma state of space travel to the stars. The New Age Gnostic Group is making bold claims about the enlightenment process by proclaiming in their enlightenment experience – that they also have the same solar travel, but in a more literal sense with the inclusion of meeting the Demiurge (a.k.a. God). This is an added component borrowing from near-death experiencers for objectifying the spirit while using shared knowledge as a quality from the position of a niche demographic. And the effects of popping up self-interest (the ego) even if it’s not their intention; it’s a misperception of who you are. When anyone starts with the word “I,” “I’ve seen God. Therefore, I know the truth”, or “I’ve seen the Curve; therefore, the Earth is a Sphere”, this embodies a primordial error, an illusory sense of identity.

Christian NDEs use this quality a lot, with an inherent exclusive nature towards other faiths. So when their political ideologies precede supposed claims of illumination coupled with that experience and memory, it’s prioritized only for a white Christian saviour. And this becomes a simulation or an illusion of consciousness. This illusory self becomes the basis of interpretations or misinterpretations of reality. If it’s about unifying dualities and letting go of the ego, starting your argument with “I” contradicts your philosophy. People may need to learn how to articulate their experiences properly. Unlike Swedenborg, who was so prolific in his personal “I” assertion that people took notice. Cleverer people have creatively used such personal illuminations through fiction – this broadens the audience and challenges their imaginations.            

From fundamentalists and mainstream Christians to the followers of the Veda religion and philosophers such as Philo have all identified God (the Demiurge) as all good. And this is at odds with the Gnostic approach that sees God as a jealous creator – and therefore bad. The nature of God is said to be your true self, and this true self is infinite and immeasurable, but it doesn’t mean you can’t know God or meet God – this is the personal aspect of God. And it doesn’t mean God is physical; it just means knowing God is about one’s own individual aspect of consciousness, notably its relation to enlightenment or illumination. However, the immeasurable or infinite aspect means you will never get to the end of God. So, an aspect of God (or nature of God) means dealing with the paradoxical nature of time and timelessness (or eternity). As opposed to the physical or material, this is transient. In other words, you can find understanding by understanding energy and consciousness and their unification. It is the unification of dual opposites that leads to oneness.

Unlike the Holographic oneness group’s incomplete notion of oneness that denies God and solely focuses on ‘thought’ as its god particle, it creates our reality through the human collective. However, the New Age and Gnostic process of oneness complete this fallacy by focusing on the spark of life or the illumination process (or the activation of the pineal gland vis a vee the light). According to the Gnostic followers, this light is the Demiurge; hence, we are Christ-consciousness or ‘lions at the gate.’ And Demiurge and Christ are also known as the Sun.

Meanwhile, the astrotheological followers’ notion of God is merely the duality of sunrise and sunset, mythicized in the battle between Horus and Set. Horus was born under a Star to the virgin Isis. And Jesus was also born under a Star to a virgin mother. This is all part of the microcosmic personification of an event occurring in the Sky on the morning of December 25th. This is a clever way to represent what is above and below by depicting the actual star and the personified deity. These were ideas that scholars created to establish culture and mythology known as astro-theology because the heavens reflect the will of the great architect; man has been in constant attempt to reproduce on earth what is seen in the heavens.

The stellar scholars have catalogued stars into what we know as constellations symbolized in the cross of the Zodiac while also anthropomorphizing them to animal deities. The centre of the Zodiac represents the Sun, which figuratively passes through the 12 major constellations over the year. It also reflects the 12 months and the four seasons, solstice, and equinox. If you were to break away from the hyperreal heliocentric cosmology, the Sun would not represent the centre of the Zodiac because the Sun and Zodiac move, not the Earth. So, the Sun that passes the twelve Zodiac constellations would no longer be figurative but literal. The Astro-theological process for a moving Sun as a literal concept makes a lot of sense in a Flat Plane environment.

Orion’s Belt, known as the Three Kings, is a religious parable. The Three Kings follow the star in the east, and this star is known as Sirius. Sirius aligns with the three stars and the Sun as it begins its new Sunrise, known as the birth of “God’s Sun” at the winter solstice. And this is why the Three Kings follow the star in the east to locate the Sunrise – the birth of the Sun. So, the Orion constellation rises in the east at dusk farther than any other night except for Christmas Eve. At midnight, The Three stars are followed by Virgo – who symbolically gives birth to the Sun after stepping on the head of the celestial Serpent. The morning sun will rise below Virgo as though she was giving birth to it, the mythological Sun God born of a Virgin. The Virgin Mary constitutes the constellation Virgo, the Virgin, and the house of Bread, which symbolizes August, the time of harvest. The word Bethlehem also literally means the House of Bread.      

This process is described by astronomer-priests noticing the Sun descends [literally, not figuratively] southwards until midnight on December 21, when it stops moving south for three days and then starts moving north. During this period, the Sun dies and is hung or crucified in the Sky – In the vicinity of the Southern Cross (or Crux) constellation. This cosmological event signifies the Biblical drama of the Sun/Son that died at the cross – for three days to be resurrected again. A familiar mythological resurrection story is told numerous times to depict the Sun’s transition period as it shifts its direction back to the northern hemisphere. These three days are called the Winter Solstice, and at the end of the Winter Solstice on December 25, when the Sun begins to move north, the Sun is resurrected or reborn as the new Sun for the coming year.  

Astro-theology seems like a middle ground between two dialectic ideologies about scientism and dogmatic (fundamentalism) religion, a sort of beta program to astronomy-physics. It uses the scientific process to recognise the synchronicity between Mystery religion and the stellar movement of Stars – while reducing the aspect of Religion and the element of the Spirit as a merely natural process effect of the Stars, notably the movement of the Sun. At the same time, it gives awareness to the religious conspiracy oligarchy that wants to keep the debate alive. At the same time, it also aligns with a hyperreal space cosmology. Fundamentalist reaction and argument against an accurate solar cosmology disclosure is interesting but weak – it just reinforces a different type of conspiracy towards Christ and how it boils down to a conspiracy about the elite oligarchy, politics, and media. There is a notable claim to suggest that the Zeitgeist film was a Zionistic production.             

Astro-theology recognizes the microcosmic personification of the Stars and how it relates to December 25th and towards a personified deity, but that’s where it ends. A non-theism approach towards creation stories is complete with acknowledging specific creation stories about Adam’s children. Compared to humans now, those children of Adam were godlike giants. They lived for several centuries where Astro-Theology ended the New Age; Gnosticism and Astro-Gnosticism completed it. Although Astro-Gnosticism, like Astro-theology, specifically follows a heliocentric worldview, which implies a favourable side to a scientism world religion, most likely, it is an agreed worldview that everyone was duped into believing. Their approach to solar mythology gives each group a clear distinction; one is more scientific, and the other more alchemical and pertains to spirit with slight proclivities for romanticism, isolation, and indifference.

They complete the Astro-Theological assumption (concerning the personification of deities to a star-stellar movement portion of the film); it’s an assumption because who’s to say what came first, the Stars or the gods or both simultaneously? The New Age and Gnosticism invoke the Light of illumination as the Demiurge. They proclaim the Sun in the sky, which is also associated with the human psyche; as the Sun rises, you are born into life, and as it reaches its peak, so does your life, and when it goes to set, you die. So, they outline the importance of reaching enlightenment during the Sun’s Ark in the sky. Which represents the House of Bread symbol, and the Lion represents the Demiurge (or Jehovah, etc.). This is why the Sun is associated with the Lion: the Demiurge is born in your psyche – also known as Christ-consciousness by the New Agers.

They link the Star Bethlehem to the Demiurge and, simultaneously, with the Star of Sirius with the Orion’s Belt as your sort of solar road stop to the Demiurge. So before you are incarnated, you are just a psyche moving towards unification, and when you have reached unification, the Light (Demiurge) is born. [I’m going to say Spark (or light) for now as it’s an aspect of Demiurge, not the Demiurge in its entirety]. Therefore, the illuminated ones are associated with the Sun. And these awakened ones become known as the ‘serpent of wisdom’ because of a change in the nervous system. Alongside having a somewhat spiritual-biological change, they also use supposed accounts of their enlightenment experiences reminiscent of near-death experiences, alien abduction encounters, etc. They describe meeting the Demiurge, the God of this world, like an ethereal version of an Artificial intelligence CPU (central processing unit). They represent the body of the Demiurge as a Lamb and equate several or more strings of light emanating out of the Demiurge, which reminds them of Lion’s mane, which is also reminiscent of circuitry lines coming out of the CPU. This assertion is still a misperception of reality because anything experienced would be solely personal unless the collective numbering in the billions has also experienced it.

A show called Under the Dome is about a small town that inexplicably gets engulfed by an impassable, invisible barrier that drops out of the sky, transforming the community into a domed city; the town’s name is Maine. The town’s children describe the invisible dome as a sieve because heavy materials like an aeroplane can’t pass through, but minute amounts of water can. And you can apply this principle to our skies. What we call the Firmament is like a Sieve filtering out heavy materials from the light ones – and the stellar play that goes on in our skies can either be personified to mythical gods or reinterpreted into the more modern aspect. The rational description of what is above is what is below will permanently be blocked by this gradient reflective layer. What is genuinely above can only be theorised, and if the heavens reflect the great Architect that man has been trying to reproduce on Earth, it’s only a parallel notion to Demiurge. As the creator, God surmised what heaven is like on Earth because the Demiurge has never been there. Therefore, personifying actual stars as a deity is natural, almost automatic, but ultimately a mirror to humanity’s cosmic plays.

These institutional notions back then are similar to modern-day conceptions. However, where there are some differences in the images, the simulation is better rendered with modern computers, which initially had its inspiration from alien components. The NASA group spearheaded this new technology. This new tech helped promote the hyperreal-space simulation (of Stars) not as deities but as burning gas giants and solar rotating spherical balls – this is a personification of the Stars in their way through a simulation of the unreal.

The illuminated group’s having the assigned ‘Serpent of Wisdom’ notion tied to them from specific perspectives gives them a slight edge. However, having the ‘Serpent of Wisdom’ is also not a choice. You either get struck by the light or not. It depends on the person; some embrace it through stillness or psychedelics. So before having the ‘Serpent of Wisdom,’ you first must embrace it, which the film “Embrace of the Serpent” cleverly implies. The film is about the relationship between Karamakate, an Amazonian shaman and the last survivor of his people – and two scientists who have worked together for over forty years to search the Amazon for a sacred healing plant.

Critical reviewers acknowledge that the focus is on colonizers/invaders, and the source was influenced by ethnographic journals of two real-life German and American explorers/scientists. The director, however, chooses the viewpoint of Amazonians and uses the colonizing aspect almost as background. Karamakate, having failed to give the flower to the dying scientist the first time around as he had his reasons, destroys all the sacred Flowers. Fast forward to the future, old Karamakate is now chullachaqui, a hollow and empty being without memories. He hopes to recover his selfhood through the journey with the white man he sees as another incarnation of Theo (the first scientist). Finally, Karamakate accomplishes his mission and guides the scientist to the last flower with unique potent entheogen properties that transport the spirit to other/higher dimensions. Once the scientist ingested the flower, the viewer was treated to colourful and luminescent animated symbols, one of which coincided with the concentric circles, and the other symbol had the visual reminiscence of a lion. Embrace of the Serpent delves into animism while embracing its ecological, mystical, cosmic, and extra-terrestrial universe, giving us a new way to envision spirituality. In Amazonian mythology:  

Extraterrestrial beings descended from the Milky Way, journeying to the Earth on a gigantic anaconda snake. They landed in the ocean and travelled into the Amazon, stopping at communities where people existed, leaving these pilots behind who would explain to each community the rules of how to live on Earth: how to harvest, fish, and hunt.

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When the scientist (Evans) takes the hallucinogenic plant (yage) before being transported into other dimensions, Evan sees through Karamakate’s Eyes. He then envisions diamonds in the sky, which are stars. Stars, as we know, are amorphic-geometric-translucent-fluid portals. He follows the serpent to the concentric circles that lead him to the Lion (the Demiurge). Finally, Evan awakes and essentially changes; he has a diamond in his brain or has become a Christ in consciousness.

The concentric circle depicted in the film Embrace of the Serpent matches the pictures of Planets and Stars taken by anyone with a Nikon Camera. These observable truths are difficult for people to believe in – even truthers who look at these fringe subjects daily push aside their objectivity for hyperreal ones.

Pushers of the hyperreal-space simulation (NASA) have also observed a supposed supernova named SN1987A since 1987. From a position of objectivity, you can only be ambivalent about whether to believe these images are real or simulated and who’s to say how a dying star is genuinely depicted. Still, a hyperreal supernova from another galaxy is not. So, a probable theory is that these imageries are indeed simulated and borrowed from other simulated images, namely cloud Nebulas, borrowed from the Gnostic view of the universe as a cosmic egg, which is also Vedic. This is a Meta Mirror, a hidden, symbolic suggestion painted in the background of simulated unreal.

Given the assumption that stars are mini singularity gateways due to the observed fact that stars are not Suns, one can assume supernovas are collapsing gateways. Or it could be that these dimensional cosmic guardians (Archons) use these gateways and manufacture sustained Stargate travel among these natural cosmic diamonds in the sky. It’s somewhat reminiscent of the science fiction show Stargate-SG1’s concept of a Space Gate; this is relevant as the show’s central theme during seasons eight and nine coincides with the Demiurge’s mission to reach a higher realm through a cosmic loophole. However, only in the last decade or so did the Supernova start to produce individual concentric lights around the ring reminiscent of a diamond or a pearl.   

There was also the military complex experiment called ‘Operation Fish Bowl’, where they supposedly launched nuclear rockets into the sky in hopes of reaching space. Still, this dense layer constantly thwarted the Rockets. Christian fundamentalist flat earthers would advocate that this layer is a glass dome, and those experiments caused significant damage to the dome ceiling. And these conflicts with other flat earthers who claim Nuclear Bombs are nothing but hoaxes and that they’re fire and carpet bombs. Their evidence is not very compelling, but the assumption is fascinating; from what I can gather, they believe a handful of physicists had the technology to split an atom manually. By simultaneously firing opposing blasting caps towards a tube of enriched uranium (plutonium), the timing had to be so precise that it could only be done in a controlled environment (in which they succeeded), much like the Hadron Collider. This gives the notion of dropping nuke rockets less credibility; therefore, all the images of nuclear testing were nothing but a Public Relations stunt to fool the public.  

The new X-file logo (or X marks the spot for the pearl of treasure, or X marks the spot for pearly-dew drop drops) is an animated symbolic suggestion. It starts as a clean circle with the X imbued inside of it. Then, the circle soon becomes rough as it dissipates, much like the image on the left of a nuclear payload hitting the Firmament. It is shaped like a concentric circle dissolving as it moves from the centre. And it’s in this centre or micro vortex that tachyons move backward in time. Mulder from the X-files mentions nuclear testing in the 50s that created tears in reality or micro singularities where tachyons travel back in time, which caught the attention of extra-terrestrial beings to become less unseen in our reality. This principle of separating atoms is true, according to scientists.

The new X-file logo coincides with its new perspective on the conspiracy theme that matches some flat earther’s notion that aliens must not be real given space is inaccurate. Both promote that its very existence is crafted as a conspiracy established by Elite men using advanced military technology to abduct victims for their reasons and for us to imagine. Therefore, aliens are a fictional conspiracy brought about by an external agency.

The image on the left depicts a nuclear explosion in the sky. Is it a coincidence that the image coincides with the emerging concentric circle imagery that is predictively programmed into us constantly through media entertainment—or is it more of a meta principle that is natural as it plays itself out?

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Flat Earth; Enclosed Creationism; Conspiracy (Theory), Intuition and Imagination – Part Five:

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The Siren Calls from the Sea or the Sky [Originally posted on 13th March 2019]: I wondered why actress Jennifer Connelly stands at the end of the Pier in three separate films she’s featured in: Dark City, Requiem for a Dream, and House of Sand of Fog. So I searched it on Google, and someone on Reddit pondered the same thing, and people’s comments, while being funny, have no clue why. But then, I realised why – it is simultaneously a flat earth explanation of perspective to argue away a curve – and a representation of a goddess, notably Inanna or Aphrodite, both yearning to be one with the Sky or the Sea.

Viewing the images from the top down, we see The House of Sand and Fog, Dark City, and Requiem for a Dream.

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One way Flat Earthers takes away the earth’s curve is through perspective. Explaining the earth’s curvature begins at the horizon; ships disappear as they get further away, thus explaining the curve. And this is debunked as soon as someone with a camera zooms in on the boat. If the earth had a curve, the ship would not reappear again, and then zooming into a boat would be impossible to see. However, this is not the case; the boat is always visible, meaning it has yet to descend over a curve; it’s just gone beyond our perspective. And this is signified through three separate films in which Jennifer stars. The three specific pier scenes are an inverted subtext for a flat earth perspective, and transcribing symbolic prophecy is nonlinear. Therefore, the release dates of films have no merit. We see in the first panel she’s standing at the horizon; in the middle panel, most of her body has passed the horizon line, and in the last panel, she’s almost entirely past the horizon line. Because this is a subtext, we can still see her as opposed to her disappearing. She should also be getting smaller, but she’s getting bigger partly due to the inverted subtext; these are separate films with different focus shots and distances.       

In Dark City, Jennifer Connelly plays Anna or (In-Anna), the goddess of sex, love, and war often described as the Queen of heaven, but in the film’s context, she is more like Aphrodite, a goddess of love, beauty, pleasure, and passion. Anna is a goddess who sings about a lazy ocean that hugs the shore. Inanna and Aphrodite’s archetypes seem interchangeable; they’re universal for every woman. Therefore, Connelly’s two other characters represent these aspects in the other films. In the House of Sand and Fog, she’s at war, fighting to keep her house from legal authorities and the person who purchased it illegally. In Requiem for a Dream, she uses sex to gain money at the behest of her boyfriend to fuel their drug addiction. Aphrodite originated as a sea deity through the analogues of Amphitrite, all resembling a goddess of nature. The Three films have sea and water association; in Dark City, Anna sings Sway, the first verse of the lyrics goes: 

“When marimba rhythms start to play Dance with me, make me sway Like a lazy ocean hugs the shore Hold me close, sway me more”

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The Siren is a goddess but distinctly different from Sophia; she has a human body, with the animal half being a bird or a fish. The Siren calls from above or below, but it’s a repurposed call (a virus implant), a demiurge endeavour. Anna represents humanity’s feminine intuition – Anna is at the end of the pier, where she’s intuitively met with a philosophical question about who she will spiritually align with. Rationally, it has more to do with showcasing contemplativeness. However, for those seeking synchronistic clues, it’s a lot more. In the analysis, the audience encounters the same meta-fractal question, but unknown to them, the question remarks on the fundamental belief of simulation – that can only deciphered by two other separate films that are years apart, with Jennifer being the constant. Dark City is central as it’s about living in a false reality. The standard belief in simulation becomes fragmented into two central contentions. The simulation of the environment and the simulation of the truth – the simulation of the environment, whether it’s a Gnostic view of an isolated indifference or something more grounded in the material, like whether you follow a flat-earth or a heliocentric view – while the simulation of truth is regarding social engineering or brainwashing mechanisms, which is often an aspect or a result of its simulation whatever that may be.

Breaking the Siren spell with a space-age love song: 2000 London heralded the new millennium with a theatrical show conducted at a new dome they built. The show parallels the story of Romeo and Juliet but with an otherworldly component. The boy would be from the sky and the girl from the earth. They fell in love, but the feud between their people made it difficult for them to meet. Eventually, the earth-people suffered a crushing defeat, ultimately leading them to unite with their sky enemies. However, the lovers flew together to a better future at the show’s end.

Before the defeat, the people of Earth constructed a tower reminiscent of the Tower of Babel as a fortress against the Sky People. In the show, an Earth girl named Sophia falls in love with a Sky Boy. However, he gets captured and imprisoned in the tower, destined for execution. In response, Sophia leads an insurrection against the tower, which is ultimately destroyed by controlled demolition. This event is seen as predictive programming, occurring a year before the 9/11 attacks. In this context, it’s less about artist-prophets or prophecy and more about subconsciously illustrating a conspiracy. Decades later, this narrative aligns with the unified code theory concept, akin to synchro-mysticism recognised by intuitive individuals. Unified code theory does not necessarily conform to linear time; it encompasses both the past and the present. So, the question arises: Was this a subconscious initiation for the people as part of elite plan, or was it merely a meaningful coincidence inspired by an artist channelling from the ether?

The Millennium show’s imagery borrows from William Blake’s epic poem, the Marriage of Heaven and Hell, which symbolises Sky-Boy and Earth-Girl’s love. And this love is unified through a child’s birth, representing hope. This suggests a hybrid offspring reminiscent of Genesis 6:4 without Biblical spiritual backlash. The soundtrack for the show was organised by Peter Gabriel, who hired Elizabeth Fraser to sing Sophia’s part. Her lyrical content was about feelings and movement as buildings fell. Their inter-cosmic child is named OVO (or Egg); in a fitting conclusion, the child gets taken into a flying saucer and floats away.

In keeping with notions of cosmic love, Jennifer Connelly is Josie in a Flock of Seagulls music video featuring clips from her movie Career Opportunities. She’s part of a Space-Age Love Song, and she’s symbolically disenchanting the OvO symbol.

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Elizabeth Fraser is a Sibyl, an artist-prophet from which all synchronistic correlation centres and the Siren spell and other prophetic messages within her many song titles make for a potent idea. A play on the Tower of Babel’s fall alongside the fall of the Twin Towers one year later, all linking back to her – as she plays and sings the archetype of Sophia inside a Dome, remarks on this potency. If one is clever enough, this refers to any budding magicians who could use this golden spell as an extra kick for their magic – to make things or intentions happen faster. Although a patient wouldn’t let an ordinary person do their surgery for them because such endeavour is only meant for qualified surgeons alone, this principle also applies to magicians.

Mark Devlin (a conspiracy researcher in the music industry) discusses the correlation between the intent of a will or thought to influence the outcome of any situation, either for positive or negative purposes, from healing to something else. This component is similar to the intent of sound. He also examined how the music industry entrenches itself heavily in coercion, control, and manipulation, but that doesn’t mean you have to stop enjoying the music that a particular artist of your liking puts out. Instead, it just means you have a better understanding of where these groups come from, and in doing so, it has broken the spell; it no longer works on you on a subliminal basis. You probably created these groups or artists to affect people, but now that you’re aware, you can enjoy the music.    

They say you can activate the pineal gland with a particular frequency, known as light from sound or sonic psychedelics (sonoluminescence). Every cell in the human body pulsates and reflects with acoustic isolation of the medium in which it exists. The Earth and Sun vibrate in unison in the main rhythm of 160 minutes, each with musical nodes united to non-audible nodes of higher octaves and other symphonies we can’t hear. Researchers have recognised that plants move towards harmonious sounds, and aggressive sounds such as hard rock, the plants move away. A Japanese researcher has established water when given an emotional intent via sound spoken words such as love or fear – water particles form geometric shapes.

Cymatic researchers have also linked this concept to sand; specifically, playing sound frequencies at specific hertz onto it creates geometric patterns. Holographic researchers have all but equated matter as an illusion because, given a specific frequency, the structure of the matter will change. Therefore, there must be a thought behind it, and this thought wave would eventually transform into light. An organic program holds immense potential for creating new realities. We must recognise the “oneness fallacy,” which suggests that thought is solely a product of individual humans while acknowledging the external forces that influence our perceptions.

The inter-cosmic child is symbolically born in the centre of the vortex or Mount Meru – just like in season three of Twin Peaks: Dale Cooper falls on the balcony of a building on top of a peak surrounded by a mauve ocean. This is the result of a long trans-dimensional fall that started in the Lodges and continued through the mysterious glass cube in New York – the fall would finally continue through an electrical device to reach Las Vegas, down here on planet Earth. In episode eight, it appears that this peak is crowned by a castle of sorts in which the Fireman and Senorita Dido live. The rocky peak and its surrounding ocean are contained within a golden ball that appears on our screens after the atomic explosion on July 16th, 1945. – unwrappingtheplastic.com. Meru can only be real in allegory because a vortex has taken its place if we are to follow a flat earth notion. So, Dale Cooper fell from heaven to Las Vegas or ‘Heaven or Las Vegas. Las Vegas is a central spiritual place for some reason.

The inter-cosmic child gets born symbolically from inside the vortex wrapped around a Fibonacci sequence; what could this mean? The mathematical notion of PI and how it relates to the golden ratio and Fibonacci sequence is a ”wax and wane” of limitless, fractal, infinite or even immortal numbers. It is suggestive that the inter-cosmic child is a type of saviour; a demi-god that can traverse between dimensions would also be a fractal time traveller, who emerges out of the vortex, out of the shell of the concentric seas the Trinity Symbol; Eden, the topographic Atlantis. Only to be taken up to the Sky and likened to an Enochian prophet. [Why this is an inverted Gnostic notion; demiurges attempt to find a cosmic loophole … more on that later].

Piercing through the Pearly Dewdrop’s Drops: The OvO is a separated Vesica Pisces linked by an incomplete Trinity symbol. Within the Vesica Pisces is a Gnostic cosmological map of our universe. It fits nicely with the flat earth’s cosmological map – distinctly different from an Astro-Gnostic view, which is only inherent to a hyperreal space cosmology viewpoint. This, in turn, is concerned with the internalization of the psyche. Also, isolationism, indifference, and magic are always concerned with the psyche.

Doesn’t the bottom panel look like a Pearl, a goddess in the shell, a cosmic egg? Life is in the egg. In Greek, ‘ sin’ is ‘hamartia’, which means to miss the mark or the centre. The centre is perfection, and everything outside of the centre is sin (outside time). The perfection is inside the pearl. This, incidentally, is an implicit image of the Galaxy as well.

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In the formation of a Pearl, the organism, not sand, enters the clam, which disrupts the cell in the mantel. The Oyster then secrets a crystalline substance known as Nacre, also known as mother-of-pearl, made of the same material that forms inside the shell. This only happens one out of ten thousand times, making it a rare event (10,000 is relevant in the Tao Te Ching). This ratio is fitting as it describes the vast dichotomy between those who are spiritually awake and those who are asleep.

The initiates go through a ritual around the pearl of great price, a parable that Christ used to code an esoteric truth. The Parables of the Treasure and Pearl: (Mathew 6:19-21; 13:44-46).

		44	The kingdom of Heaven is like treasure hidden in a field. When a man found it, he hid it again, and in his joy he went and sold all he had and bought the field.
		45	Again, the kingdom of heaven is like a merchant in search of fine pearls.
		46	When he found one very precious pearl, he went away and sold all he had and bought it.

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You can find the buried treasure through the representation of the Cairo symbol of Christ, which coincides with the Masonic ritual of a mallet to the dome (or head) of Hiram Abiff. This ritual symbolizes the death and resurrection that the mysteries of the initiates go through. To them, to find the proverbial pearl of great price, you have to symbolically disregard notions of danger – and go through layers of residue, and then you will find your gold. To avoid missing the mark, you must have Nia, a.k.a. “Telestai,” which refers to those with aim. It alludes to those with purpose. The mysteries are given to people in parables because they cannot understand them; first, you must have Nia.

X marks the Spot, the Pearl (the treasure) is in the centre (center)

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Gnosticism tells us that the apostle Judas Thomas, while in prison, sang the Hymn of the Pearl, which is about a Son being sent down from his Kingdom (in this Kingdom, heaven is like a merchant man seeking fine pearls) by order of his father to fetch the pearl founded in the depths of the sea. Where the abode of a snorting Serpent dwells, he must triumph over the Serpent. And this would enable him to return and dress again in a splendid garment and become his father’s heir, as promised. In the Syriac text, it’s not the Son but a female soul sent down from her heavenly home to fetch the pearl guarded by a serpent. However, when she gets there, she forgets her mission until she is reminded by “the Father, the Mother, and the Brother,” she performs her task, receives her glorious dress, and returns home. The Hymn of the Pearl, particularly the pearl itself, could be about the Gnostic notion of the lapsed soul that the celestials (i.e. Gods, Aeons) need to reclaim. The Hymn of the Pearl tends to be symbolic and multisided, which leaves it open for interpretation.  

When the Aeon Sophia, also known as Barbelo (Thought and Wisdom), realized she had created a mistake in the form of Yaldabaoth (that came forth from Sophia when she attempted to emanate without her counterpart (Christ)), she hid Him away among the luminous cloud. This is an ambiguous description of something. What is luminous and cloudy? A Pearl, what if these luminous clouds were just the outer layer of the Firmament? Above it is the waters, and below them is this pearl-like layer known as the Firmament, where Yaldabaoth dwells. Sophia places a throne in the middle of the cloud for him. [Described in the Apocryphon of John] Yaldabaoth then starts to create the material world on the model of the spiritual world even though he has never known it – because he came from the spiritual realm through the mistake of Sophia emanating from him. He still preserves spiritual elements in Him, thus creating the material realm. Sophia, ashamed, starts to pace above the waters; these are waters above; within the narrative’s logic, the location of the waters points to this supposition.

Elizabeth Fraser from Cocteau Twins song title Pearly Dewdrop’s Drops is associated with Heaven in the Bible from Genesis 27:39 to Revelation 21:22 (KJV)

		Genesis 27:39	Your dwelling will be away from the earth’s richness, away from the dew of heaven above
		Revelation 21:21	And the twelve gates were twelve pearls: every several gate was of one pearl: and the street of the city was pure gold, as it were transparent glass.

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The song suggests that the Pearly Dew is our souls; it drops and rises (cycling of souls) within and through the celestial bodies and then through to heaven or Oneness. Every time you incarnate into existence, you’re away from the dew of heaven above. It might also indicate angels fall from heaven. The theoretical theory that the Firmament was cracked somehow, which resulted in celestial waters flowing through to the material – would suggest that intelligent design would have to allocate both notions of the ethereal and material.

Kahlil Gibran from The Garden of the Prophet describes discovering the secret of the sea in meditation upon a dewdrop, describing an infinite universe for every dew drop. There is a vast ocean in it. Chino from the Deftones, who did a cover of Fraser’s song Wax and Wane, expounds on his esoteric mastery with his song title Xenon, in which he states:

We’re the lions at the gates We’re the diamond in your brain The desire in your veins For the violence We’re the sirens to your raid The desire to remain In the violence The deciders Of your fate

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Fundamentalists are adamant that the pearl of great price is Jesus Christ and that he is the only gate, door, and way into heaven’s dew. Though some take it literally, others have taken its meaning mystically. It’s beside them the Trinity, which they are familiar with, is not of the same making as a Gnostic one: the Father, The Mother, the Son. The Son – thought thinking itself – Christ – The Heavenly Spiritual Anthropos (1st Adam). Most are unaware that there was already an Adam outside space and time (the upper Pleroma/heaven) and that He is part of the one True Parent (Aeons). And this is the first Adamas on which the creator God tried to model his Adam.

I don’t know what Revelation 21:21 is trying to say; it’s a parable full of mystery. I guess it’s about reincarnation gateways, and the pearls are sparks, the password to the divine, so as not to be swallowed up in the cyclical salvation wheel. In understanding the Merkaba mysteries, there is a Chariot consisting of four creatures called Cherabs, with each head going a different way; one of the heads is a lion. In some teaching schools, this Chariot will take you to the gate. So, we are essentially Lions at the gate. 

In the Apocryphon of John, there is a Gnostic Narrative before its final act. It focuses on the creation of human beings specifically, and a deception relating to the creator God is involved. Fixing the imperfection that originated can be done by eliminating and restoring it perfectly. There is a strategy that spiritual realms have to bring back perfection that imperfection had emerged, a way to bring back the element to the spiritual realm. So, it’s about having humans play a role in returning to perfection. Through returning the power and light to the perfect spiritual realm, and it’s through the souls of human beings. [More on these details in the next post]

Gaining knowledge, specifically through Seth’s lineage, allows you to access the spiritual sparks within humans, making them present through practice or if they’re naturally given. With this proverbial spark or pearl, you can return to the perfect spiritual realm.  

Along with the spark, you will also have to re-emerge with the feminine. The separation began with the fall of one of the emanations – Sophia, alongside the separation of the feminine (the rib from Adam transformed into Eve). And this is entirely different from the transgression of picking from the tree of life. The two are separate. The remedy would be to bring the masculine and the feminine together to be in fullness. Stephan Hoeller describes these separations in the psychological sense as Adam – being the mind and Eve – being the spirit; the disconnection lies in the separation between the mind and the spirit. The mind is by itself. You can also have Atman, but that is merely the point of contact – you must not mistake secular notions of oneness to belong only to the individual (the god is in my idea). The point of contact is only the gate; you must also have access to the spark within you, and then you can have contact with the great divine, also described as the great fire.       

The Pearl, the Egg, and the Serpent have greater meaning within the allegorical myth, but when you disassociate yourself from that knowledge. It seems to be a metaphor for the sexual union between men and women – and that this notion of the union itself is a metaphor for the soul, that when separation occurs, imbalance happens. And this is the fulfilment of transcendence; in other words, our existence is justified and reified through transcendence.

Throughout history, there has been a perceived masculine bias towards the personal God, the Trinity (Father, Son, and Holy Ghost). Therefore, the most common image of the feminine aspect of God is through the Blessed Virgin. A less favoured candidate from which Mary stems is Sophia, who says in Proverbs:

Prov. 8:23

I was set up from everlasting, from the beginning, or ever the earth was.

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Orthodox forms of Christianity have never regarded Sophia as part of the Godhead. Still, some esoteric Christians regard her as the active power of God in the world, “the living Soul of nature and of the universe” – Florenski, P, n.d. 

Mary and Sophia

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Dimensions and darkness: Fundamentalists have an incomplete belief of dimensions due to reasons regarding Kabbala, that it’s in the realm of occultism and therefore follows the doctrine of demons—notions regarding several existing plains linked to the celestial bodies relegated to our three dimensions. One is – our earthly realm of five senses, and two – is the dimension of heaven, where God reigns Sovereign (the throne of God). It’s a dimension bridged by Jesus Christ, of whom God became a man (person). Through him, humanity has access to a realm of infinite power, indescribable love, and cosmic justice. Three – one of spiritual darkness, controlled by Satan and his hosts, there are many Biblical references supposedly indicating such a rule. This dimension is described in Ephesians 6:10-12 as a place of incalculable wickedness, presided over as “the ruler of this world” and “the god of this age” (John 14:30; 2 Cor.4:4). These references don’t mention the dimensions in which Satan rules; however, allude to the dimension where he does, notably where humans reside. It makes a Gnostic mention of a god of this age that rules through authorities helped by agents and dark spiritual forces; this is Gnostic in some sense.

It is easy to make that assumption and separate the rule of dimensions – given that fundamentalists mistakenly assume Sheol is hell (a place of fire); this mistranslation refers to a grave as hell. It’s inconceivable; for instance, in Job 17:13-16 “Rest in the dust” – is to say “there is rest in hell”, – or in Psalm 49:15 “, Souls are REDEEMED from Sheol” – is like saying “Souls are REDEEMED from hell” – or Psalm 139:8 “God is in Sheol” – is like saying “God is in hell,” and there are a lot more of these inconceivable mentions. Fundamentalists will never say anything, yet they promote Sheol as a bottomless pit, a parallel to Abaddon, and a place of fire and darkness. Christian scriptures contain the first known depiction of Abaddon as an individual entity instead of a place. Often described as a Destroyer, Angel of the abyss, and guardian called Apollyon in Greek. The symbolism of Revelation 9:11 leave the identity of Abaddon open to interpretation. Often described as a representative of God who holds the keys to the abyss, Abaddon is also referred to as Jesus after his resurrection.

In the film Dark City, John Murdoch’s character represents the Sun-God and solar redeemer, but can also equate to the demi-God Gilgamesh, who travels to a Mountain high enough to reach the sun god Shamash. He travels to the “Wheel Rim” to find Noah. He must find the base of the Mountain and travel into the underworld, which Scorpion-Man guards. The underworld would seem to house dead souls of Nephilim and hybrids. The Wheel Rim is a reference to the cosmic orbital motion, in keeping with the title of this thesis; it’s the orbital of celestial bodies and the zodiac on a flat, still plane. Gilgamesh’s story, as its focus, is about Mercury, often called the wanderer because of its rapid shuttling back and forth in the sky. This is akin to Murdoch’s journey as he gets taken down to the underworld and metaphorically gets strapped into a Wheel Rim. This is also in reference to the Wheel Rim environment they live in, a circular flat, enclosed city. He defeats these agents of darkness and becomes the bearer of keys, the creator of realities.  

Flat Earthers have proposed these other dimensions are signified through celestial bodies all residing within the Firmament, and the place of spiritual darkness is the realms below. Traditional fundamentalist worldview is heliocentric alongside most people; they adhere willingly or unknowingly to a Jesuit order. They (presumably or) relate wandering stars to people’s individual conditions; in other words, if you don’t follow a certain fundamentalist format, then your heart is filled with darkness, and you’re portrayed as “wandering stars for whom is reserved the blackness of darkness forever” (Jude 13).       

Jude 13 (KJV)

Raging waves of the sea, foaming out their own shame; wandering stars, to whom is reserved the blackness of darkness forever.

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If you take the verse in its full context, it uses sea waves as a metaphor to indicate false teachers who reject truth in favour of their understanding. As a result, these false teachers and their words were frothy and shameful. They are also like shooting stars. They only flicker as they wander trackless and momentarily across the sky. The deepest darkness – everlasting punishment – is reserved for them. If one views truth philosophically, one can ask, ‘What is the truth? Alongside the flat earth paradigm, this statement is ironic. It seems those who follow a heliocentric view are the ones who become false teachers. One must find absolutism, then; this verse can have merit. However, given that the truth is transient, you’re only left to wander the stars or look by the pier and watch the raging waves of the sea.  

Five centuries of the Copernican simulation and simulacra strengthened their hold of a spherical stage that revolved around a luminous sun – worshipped as their source of superstitious power and knowledge. Implementing an anti-Copernican revolution through the collective power of the people implies a fight for truth within the Church, but historically, this is a myth. Therefore, the reintegration of an old cosmic belief based on fact, not fiction, will always be fundamentally transient. Integrating this idea and image is effortless in animistic societies, highly improbable for the demoralized. Although not absolute, take the introduction of Carl Jung’s collective unconscious formula for a non-rational force in our civilization. Jung’s concept of “inherited thought patterns,” in which intuition is implicit, would bring criticism of fanciful mysticism, yet those accusations disappeared into obscure text. Jung’s idea has been integrated into our civilization as almost self-evident.

(Astro) Gnostics and Evangelical groups share a common belief in the earth’s cosmology, especially about the vacuum of outer space (or the second heaven). To them, this hyperreal space and its infinite quality, along with the Biblical term “waters,” refer to the extra-solar outer space, the Firmament, describing the solar system. 

Evangelical Cosmic Map

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As a child, I couldn’t wrap my head around the notion of an infinite space that some great creator had made because the idea was/is too great. And this is when your intuition calls out to you like someone is knocking at the door of your psyche, but we dismiss it as quickly as it comes. However, if the cosmological reason came out of nothing, followed by the notion of existence through chance, it made much more sense. It made more sense because the scientism order has enclosed it by denying a creator’s existence. Evangelical follows hyperreal cosmology, but unlike the Atheist no God policy, they believe beyond infinity must be a God, which makes no sense because it’s a paradoxical argument.

The common question among those groups regarding flat earthers is based on a worldview that is centuries old. If those groups no longer accept the cosmology given to them, the vastness of space and its solar system, the earth would be the centre of the universe and flat. Questions concerning whether a God exists will no longer be in a debate because as soon as you accept a false cosmology, you also accept a God as a creator by that acceptance.

The Gnostic Cosmos

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The fundamental difference between Evangelical Cosmology and Gnostic cosmology is where the Creator God resides. In Gnostic cosmology, the Creator God is within the Firmament. In the Evangelical model, He has taken the place of Sophia and sits inside the upper Pleroma—where the Trinity no longer exists—and He has taken the mantle of the one and only True God.

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Flat Earth; Enclosed Creationism; Conspiracy (Theory), Intuition and Imagination – Part Four:

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The Goddess and the Siren Call to the Tree [Originally posted on 20 February 2019]: When you introduce a hyperreal notion of space to Gnostic mythology, you get a very romantic notion. A combination of scientism cosmology with Gnostic myth pulls at the heartstrings of secular science believers and also Astro-Gnostic romantics, when done, writes its gold for storytellers.

When you combine the Nag Hammadi text with NASA’s (or Copernican) cosmology, you will end up with Aeons as Gnostic Gods that reside at the core of the Galaxy. The Galaxy is filled with stellar luminosity, and we reside in the third arm of the Galaxy, inhabiting a solar system. According to the Gnostics, the Galaxy is alive, and the centre of the Galaxy is called the Pleroma. Four arms stretch out of the Galaxy, which is alive but entirely different to the Pleroma. There are male and female-gendered Aeons, which can be viewed as positive and negative energy. Aeons are serpents-like beings made of light; they are immortals responsible for the creation of life, specifically our DNA and the Gnome. Two Aeons named Felte [possibly incorrect spelling] and Sophia are our designers.

Earth is a planetary laboratory for the Aeons; they also designed the living plasma, which they inject into the outer arms of the galaxy, which is why life began on Earth. Felte and Sophia created life on Earth from the realms of the molecular clouds (nebula). Within these clouds existed water; this was ideal for life to exist. And this planetary laboratory is an experiment in which the Aeons observe. Sophia was fascinated by life on Earth and left her galactic core (this became the anomaly). Then she merged with Earth and became our mother Earth. Her fall created a discharge from the Pleroma, which created material life throughout the arms of the galaxy; from her plasma body, discharge also created the Archons. Archons were created by the Halfmaker, also known as the Demiurge, and the Halfmaker was a flawed consciousness creation of Sophia. The Demiurge is said to be the creator of this world. Gnostic scripture similarly describes the first Halfmaker:

This is the first archon who took great power from his mother. And he removed himself from her and moved away from the places in which he was born. He became strong and created for himself other aeons with a flame of luminous fire which (still) exists now. –The Apocryphon of John

This is the first archon who took great power from his mother. And he removed himself from her and moved away from the places in which he was born. He became strong and created for himself other aeons with a flame of luminous fire which (still) exists now. –The Apocryphon of John

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The Nag Hammadi material contains reports of the initiates’ visionary experiences; including first-hand encounters with inorganic beings called Archons (also known as alien greys). Gnostic teaching explains that these entities arose in the early stage of the solar system formation before the Earth was formed. [The only new inclusion in these reports is introducing a Copernican Solar System theory as its base foundation.]

Sophia defied the other Aeon beings between the ultimate True God and our reality. Together with the True God, they comprise the realm of Fullness (Pleroma), wherein the potency of divinity operates fully. Fullness stands in contrast to our existential state, which, in comparison, may be called emptiness.

For Flat Earthers, the notion of Galaxies is just an implicit image of a flat disc, which is also a subtle relation to a Flat Plane and its centre. It’s implicit because it’s either indirectly implied by the galaxy depiction or came from the subconscious, often filled with symbolic truth. Flat Earthers have many variations of beliefs. The focus here is the New-Fundamentalist-Christians and the New-Age-Flat-Earthers enclosed view – where in scripture, square windows opened within the skydome and water started to flood the Earth; this is about the Deluge. The other assumption is that the Milky Way is a crack within the Dome that appeared due to two celestial bodies (that are universes in themselves) colliding. This resulted in a crack in the firmament in which water emanating from the crystalline sea fell through onto Earth – along with all different sea creatures and entities bringing with them the flood.   

The beliefs associated with Flat Earth theories can vary, but the primary debate is whether the Earth is enclosed or open. Beyond that, the idea of celestial bodies, such as the planets, exists within the firmament, which aligns with a different aspect of Astro-Gnosticism. This perspective is more attuned to the spiritual realm rather than being focused on space travel or satellites. In astrological cosmicism (Astro-Gnosticism), infinity is frequently mentioned, emphasising that infinity exists within the celestial bodies inside the firmament rather than outside it. The Astro-Gnostic notion of an infinite hyperreal space is symbolic and only holds in a metaphorical sense. This leads to questions steeped in strangeness—questions often overlooked but met with wonder and imagination. All of this is part of the internal human experience. Gnosticism tends to explain such phenomena through metaphor and allegory.

Gnosticism holds a fundamental belief that our earthly life is filled with suffering. This suffering arises from our inherent need to nourish ourselves, which in turn leads to the destruction of our environment. The distress caused by our destructive means of nourishment represents a disruption of equilibrium. Advancements in science and technology—known and unknown—could solve this imbalance. However, the prevailing approach seems to be one of scarcity. In contrast, the New Age movement presents meta-philosophical concepts centred on abundance. Another core belief of Gnosticism is that suffering stems from the feeling of being strangers in a flawed and absurd world.

For Flat Earthers, this absurdity is multiplied threefold because their beliefs and labels as outsiders make them feel like strangers in a fake world. First, for believing in a very fundamental aspect, and that is how people view the shape of our environment. However, their worldview is not romantic, and Gnosticism and romanticism go hand in hand. Flat Earth has many potentialities but can veer off to something agenda-driven. Like fundamentalism and futurism, the New Age and the speculation of the absolute. However, the realization of a simulated and enclosed stage is still there; this realization could very well be a recollection of intuitive past thoughts.

Intuition is the key; it can fit within Gnosticism and Enclosed Creationism. It’s a positive defence for both groups – for any false absolutism ideologies that may try to convince or re-insert you into the program. Still, both groups realise they live in a simulation of sorts. If the simulation is recognised, it’s no longer real; the simulation is no longer possible. However, the simulation exists and holds our reality as a reality that we have to function in, but the truth will remain even after centuries of burying it. We send our decisions to the world and hope it strikes; this is an intuitive moment. This defensive approach is the uncertainty of our imagination, and our reaction to an intuition applies. Intuition is a context, a word to define Gnosticism, which gives it a practical and essential existential quality.

Intuition comes in two forms; the first being is a base of action without the luxury of consideration. The second is the passive form, intuition, as a manner in which we choose to express ourselves. Our stage is real, and our reality is a swirl; upon that, our inner self and outer awareness swirl within. John Ralston Saul describes permanent movement and uncertainty. Movement is life. Certainty is death. Movement and uncertainty are real.   

The Goddess Sophia is a myth generated from the Pagan and Jewish traditions. Sophia is also synonymous with wisdom, but wisdom is a consolidation of all the different processes of the mind: logic, thinking, prophecy, intuition and so forth. Wisdom deities were always female. In Pagan traditions, journeying to the underworld is a common theme associated with the Goddess. This means travelling through other dimensions often depicted through the symbolic image of a Chariot or Boat. The underworld psychologically represents the collective unconscious and inner integration and healing. The Goddess Inanna represents this; she is said to be crucified when she enters the underworld. Another Goddess, Persephone, was kidnapped by Hades and taken to the underworld. These all represent the soul’s high adventure across the heavens, and souls plunge into the hologram world that is matter.    

The Greek Goddess similar to Sophia is Athena. The Goddess Athena was a warrior and the Goddess of wisdom. The name Athena means, according to Plato, the mind of God, which correlates with Sophia. She is consciousness beginning to know itself, receiving the projection of the invisible spirit. She manifested out of God’s head [God in this telling is Zeus], the first thought of God being wisdom.    

The Gnostics say we reside in an aquarium within the waters above and below encased in a cosmic egg. And this is reminiscent of the Goddess that came out of the Primordial Nut. Who makes love to a serpent? In which she gave birth to an egg, and that egg breaks open, creating the universe. And this is, of course, the (Great) Goddess Eurynome, who was once called the Goddess of all things. Her first job was to separate the water from the sky; when she accomplished this, she danced across the lands and seas. Ophion, the snake or serpent, was watching, and then the snake coiled his body around the Goddess seven times and made love to her as she danced. Impregnated by Ophion, the Goddess soon laid the Universal Egg. Ophion wrapped his body around it seven times at Eurynome’s bidding. The animals and plants flourish as the earth opens up; by the time of classical mythology, Eurynome had diminished in significance, becoming one of Zeus’ many lovers and the gentle Oceanid, the mother of the Charites. This was a far cry from the All-Powerful Creatrix she was known for, where people worshipped her.

Michel Gondry’s music video clip for Bjork’s ‘Venus as a Boy’ contains many symbologies. The title refers to sexuality and androgyny. We have the Goddess singing; she is wearing orange, closely associated with Norse mythology of the Golden Apple, which gives immortality (the Orange Appled). The Goddess is fascinated by the Eggs and their Shells; she also holds two eggs representing the female reproductive organs (ovaries). The Egg represents the Gnostic Cosmic Egg; our universe, as it were, is within the Egg. Then, there is the blue background, which means the waters above.

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The symbol of a Snake wrapped around the egg comes from the Orphic myth. It has a slight variation from that of Eurynomes. It centres on hatching the cosmic egg in which a hermaphroditic Greek God, Phanes, was born. Orphism is the name of religious beliefs and practices originating in ancient Greek and Hellenistic worlds. It is associated with literature ascribed by the mythical poet Orpheus, who descended into the Greek underworld and returned. Orpheus was also a legendary musician and devotee of Apollo. It is said he invented the mysteries of Dionysus – although this notion is in conflict because he was also killed by a raving pack of Maenads when he refused to worship Dionysus. His head and lyre floated down a river to the island of Lesbos where they were enshrined. According to Greek mythology, Phanes was a golden-winged primordial being who hatched from the cosmic egg of Kronos (Kronos is Sophia in this aspect – during the time of Alexandria, swapping female gods for males was all the rage). Once hatched, he created the universe and the rest of the Greek pantheon. Also known as Protogonos, proto means first, and Gonos means born – Phanes often means manifestos or revealer and is related to the Greek word for light, shine forth – and the Latin word for Lucifer. Phanes, an old deity, is often equated to more recent gods: Mithra, Zeus, Pan, Metis, and Bromius. 

		Nobody
		Ever
		Really
		Dies

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Sophia is a Luciferian character who runs parallel with the fall of the Lucifer story because she transgresses and disrupts the divine plan. It runs parallel because it’s fractal. Sophia took herself out of the Pleroma, and her son, the Demiurge creator of this world, took himself out of her, and then Lucifer took himself out of the Demiurge. The difference is that Lucifer is personified as an Angel. Her story was centuries before the esoteric and occult tale of Lucifer. Sophia is a being of Light, and because of her ambition or intuition, Sophia falls into our world. In the hyperreal cosmological sense, her fall turns into essence (or spirit), suggesting a Sophia exists in everyone and every life form. Her story is about the fall, redemption, and forgiveness. The Jewish version of Sophia is associated with Chokhmah (wisdom). In it, she is called the bride of God. Some scholars believe Sophia is a Gnostic adaptation of Isis, particularly her Hellenistic incarnation. In Gnosticism and Judaism, wisdom is lost with her children; therefore, Wisdom (Sophia) is also lost. Her children must gain wisdom so she can win the battle with her creation, the Halfmaker.     

One of the [principal conception in Kabalah is that spiritual wisdom is attained by Thirty-two Paths, typified by the Ten numbers and the Twenty-two letter; these Ten again being symbols of the Divine Emanations, the Sephiroth, the Holy Voices chanting at the Crystal Sea, the Great Sea, the Mother Supernal, Binah; and of the Twenty-two occult forces of the Nature of the Universe symbolised by the Three primary Elements, the Seven Planets, and the Twelve Zodiacal influences of the heavens, which tincture human concerns through the path of our Sun in its annual course.” –An Introduction to the Study of the Kabalah, William Wynn Westcott]

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In the Epistles, Sophia sings at the divine source, in which another Aeon is jealous. Displeased with this, Aeon decided to kick her out of the Pleroma. Whether the reason is of her own volition (as something intuitive) or something else – Sophia, being of wisdom, already knew what to be foretold or destined for her. Therefore, she came down from Chokhmah to Binah (from the Zodiac / Firmament to Saturn), where she chants at the Crystal Sea, the Great Sea, the Mother Supernal, and Binah. This correlates to Genesis as she sings the Word (or sound) before the light. It is also associated with sine waves emanating from Saturn; undoubtedly, followers of the Saturn Moon Matrix theory would be delighted. My theory is Sophia chanted in all directions, even towards the firmament or Zodiac, where she stepped out. Creating a crack or creating the Milky Way explains why the Egg is cracking and creating a life motif – or when she stepped out of the Pleroma, a place outside of space and time. It made a crack in the firmament through her chanting. In which water fell through, the latter explanation is more logical. In a flat earth model, thinking of a place outside space and time (the heavenly realm / cosmological space) is closer than something infinitely distant.

The only problem with my theory is it doesn’t match the timeline in which the deluge began. There’s a possibility that there were two separate events, meaning two different types of floods; the flood people were more familiar with would come soon. Aeons mean personification, periods, and a place, still, from the hyperreal cosmological and mythical / allegory point of view. The personification of a non-human entity [gods] relates to Aeons as True Gods. So Sophia was a True God who stepped out of the Pleroma.

Cave paintings depict the Ancient Dogons encountering alien sea creatures, described as angelic beings transported by a spacecraft from Sirius’s star system. These illustrations show a pattern from the Sirius system that corresponds with the movement of human DNA. Scientists later determined the timeline of these patterns, which covers the period from 1912 to 1990. In 1912, encounters with the alien beings known as the Greys (or Grays), believed by some to have been created by the Demiurge, transitioned from mere conspiracy theories to factual accounts. In 1990, the electromagnetic grid was established. This prophecy is illustrated on the cave walls, as foretold to humans by the humanoid sea creatures.

In Ha’aretz, the Watchers of seen as primordial angels who, according to popular mythology, descended to earth in hoary antiquity and bequeathed civilization to humanity. 

The ancient, engraved images looked to the later observer like a vestige from the world of the Watchers (Aramaic: ‘irim).  If you will, these are aliens, in a way resembling those recounted by Erich von Däniken in his pseudo-scientific book, “Chariots of the Gods.” Babylonian mythology already told of ancient sages who were half-man and half-fish who emerged from the sea and bequeathed civilization to mankind. This old myth was revived in new garb in Lebanon, Syria and the Land of Israel in the Hellenistic period.  In its Jewish form, the myth bore a new aspect: the Watchers conveyed forbidden knowledge, brought to human beings in an original sin. The bearers of the knowledge in the present version were not ancient fish who emerged from the sea but the mysterious angels who descended from heaven.  – Ha’aretz

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Esoteric Flat Earther’s version of astrotheology suggests some star constellations are not fixed within the ecliptic cycle but stand apart, one of those being the Sirius constellation. Adding to my speculative theory borrowed slightly from the New-Age-Flat-Earth-Groups, it also fell through the Celestial bodies and unfixed constellations when water fell through along with the sea creatures. That water is made out of a mixture of crystalline and psychic substances – and made its way through all the dimensions until it reached Malkut. Upon reaching our dimensional existence, the water became more in tune with the version of water we now understand – with all its life-giving properties.

Furthermore, these angelic sea creatures are co-habitants of Angelic beings and are highly intelligent and technological. These assumptions give the Dogon notions (of humanoid beings that evolved from other dimensional seas making their way down to Earth, gives it) more validity. If not, it’s something to ponder.

The Goddess in a World before the Sun: The world was once filled with giants, blue gods, and giant trees. In this telling, the Giants were outsiders who would mine the Earth’s resources. Some have equated outsiders with the Annunaki, the hyperreal cosmological space gods.  

The Greek narrative often resembles what is written in Genesis – that of the sons of God, a.k.a. fallen angelic beings having desires for daughters of men in which they bore children to them that became giants known as Nephilim. This telling mirrors stories from the Greek collection Gigantomachy (Gigantes), which is about battles between Giants and Olympian gods for the supremacy of the cosmos. Both instances shared a hierarchal order – Olympian gods’ lust over beautiful women, and the sons of God (fallen angelic beings) desired daughters of men.

Fundamentalists claim that the offspring of Olympian gods or fallen Angelic beings (giants and Nephilim) would later be known as the pantheon Olympian gods known as Zeus, Apollo, Ares, Dionysius, Gaia, Hades, and Nike. I need to be more well-read to deny its claim because it can parallel other myths. Still, if the Olympian gods parallel fallen Angelic beings – that means Olympian gods were not giants, although their progeny were. I’ve seen a lot of sand and sword films to know that giants, half-man and beast creatures often come from the offspring of those gods – not the other way around. So where did the Pantheon gods come from then? Were they Angelic beings or something else? Did Demiurge create them? That seems to be a whole other study. Whatever the case, it’s within the offspring of those gods that the personages of half man, half god came about – one notably Thetis, who was a sea nymph and mother of Achilles. There are many variations of these half-human half creatures: Centaur, Minotaur, Pan, Pegasus, and the Siren. The siren is said to have a body of a bird with a human head. In other accounts, the Philistines (Palestine) worshipped Dagon, half fish and half man; it’s also worth noting that the Pope wears a Fish hat about Dagon.  

The Gnostics discuss the Demiurge, Sophia’s accidental progeny, but no one has clarified if he was a giant. His name has many associations equated to Jehovah – alongside many others: Angra, Mainyu, Ahriman, and Satan. Others have suggested that Satan is a giant that rivalled Titans in size. So perhaps the Demiurge was a giant, the original giant. But, then, there is this concept of other giants aside from the original, possibly emanating from the original giant itself. Athena is said to come out of Zeus’s head, giving birth to Athena (Wisdom); Zeus, in this telling, is an Aeon. Remember that throughout history, gods and angels have often become interchangeable. Giants familiar to most are known as Titans, which are said to have cut down most of the giant trees on Earth.  

The Saturn Death Cult group claims this occurred in a time described as the golden age, where various blue gods existed, where there was no Sun, and the only light source was Saturn, which was huge and purple. And this, in turn, was the light source, which gave out a purple ambient glow. In light of the Flat Earth movement, they have placed all celestial bodies closer and disregarded the purple Saturn theory as its light source. Instead, advocate a light source of bio-luminescence from the celestial bodies acting like a black light. It gave everything a luminescence colour; they also describe the world as Silicon.          

A luminescent world conflicts with the world’s creation in six days if one is to take the creation of light literally. Although conservative religious groups interpret days as intervals lasting millions of years – the “days” are indeterminate. They are to be interpreted like phases in a large construction project. The “days” are not human. They are God’s workdays, which can be much longer. God took six standard days to order the universe into existence verbally. From this perspective, the supernal light that existed before the sunlight could very well have the properties to create luminescent light.

The First stages of the world’s existence are bioluminescent, the second are crystalline, and the third are the present.

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I can’t help but feel the conservative groups are leaning toward a rational, secular scientific view instead of something supernatural and incomprehensible to human understanding. This parallels the holographic or simulated groups that have adopted the creation analogy, whether Biblical or Gnostic, to fit a holographic theology of ‘oneness.’ Oneness is the creative imagination that spawned Atoms, Neutrons, and Electrons, forming the basis of matter. The electron orbits the father and son at the speed of thought, thereby occupying space and conjuring up the illusion of matter. This is the basis or building blocks that formed everything: the Matrix Womb, the atom, the beginning of thought–formed energy that glows as an electronically charged atom producing light. Therefore, we live in a three-dimensional thought universe, and everything we observe is thought, which is light. The thought brings the energy into existence at a subatomic level and slowly becomes part of the holodeck.

The Holographic or Simulation groups have identified ‘thought’ as the Egyptian god Thoth. To them, Thoth, as a personification of a once-living being, can only exist as the expected manifestation of human thought. The Deity [Thoth] becomes regulated by something fictional and symbolic. Adam and Eve are now a play on words; Adam as Atom and Eve is the dawning of creation, the coming of the light evening. Adam and Eve are the Alpha and Omega, the symbolic name for an electrically charged atom symbol, which symbolizes the light bringer “Lucifer.”

There is a fallacy in the oneness concept, notably the denial of God and his many chosen prophetic spiritual teachers, notably Thoth, also known as Hermes by the Greeks, and Mercury by the Romans. They’re correct, but it’s incomplete. The axiom ‘as above, so below is likened to mean the micro and macro. For them, the micro is the only relevant thing. There is still the question of who is the oneness that created something out of nothing. Then, there are the archaeological giant bones that stir questions about giants existing. Think of it this way. Oneness is a play with rules that apply in that dimension. At the same time, it’s played out in the macro universe in a far more complex way that involves gods, angels, aliens/archons, and humans. All seemingly follow the same pattern of the micro world and vice versa because it can inherently change upon observation. The outcome of the play can change for the better or the worse.

The Conservative religious group’s notion of time is linear and, therefore, one-dimensional. You have to think outside the Egg, as it were. Grant Morrison describes our world as Larvae, in which these god-like beings watch humanity grow in time because there is no concept of time where these gods reside. And this is reminiscent of the Gnostic view that our world is an experiment. The Holographic group’s notion of oneness replaces God as an outside source for something human, notably the collective consciousness and consciousness. And this is only half correct; people’s collective consciousness is a collection of individual monads.

Please think of the larger Monad as Vishnu, and Vishnu is dreaming up these worlds through his Navel. A Lotus grows, created merely by a wish, dream, or even thought. Vishnu makes an expansion that starts with Brahmin. Brahmin would be the Supernal Emporium in the Rosicrucian model or Sophia in the Gnostic traditions. [Refer to the diagram I created in the previous post]. Then, Brahmin creates octave worlds in which Earth is in the middle of all things (the Midgard). Above are other celestial planes at the top of Saturn, and below that follows the rest of the celestial bodies. Underneath Earth reside several hellish planes or planets. Our universe is one of many infinite worlds Vishnu dreams of, which is said to be a cosmic sphere likened to an Egg, but within it resides a flat plane environment – in a sense, the true notion of celestial planets.

Within the cosmic heavens resides a king; in the Vedas, the king is known as Indra, god of the heavens, lightning and thunder, similar to Indo-European deities such as Zeus, Jupiter or Thor. Indra and his queen Indrani reside on top of Mt Meru (a.k.a. the centre/middle of the Earth, where the giant Tree once resided- when the Tree ceased to exist, the Tree became a mountain, and this is where the gods lived and watched over humanity in their Watchtower). Indrani, known as Shashi, is one of the seven Matrikas (mother goddesses). Mt Meru (the Golden Mountain) is the centre of all metaphysical and spiritual universes. It is sacred because it supports the heavens and the gods. The Sun and all the celestial bodies (planets) circle the mountain.

Vedic teachers will say that all gods can be supreme, for they are forms of Brahman. The whole world is Brahman. They say you can worship any, meditate and adore that one, then meditate over them all. Then, deny and discard the individuality of all these gods, including the god of fire, Agni. Thus, journeying into the universal communion with the Purusha, the Atman (Atman can be referred to as self or soul).

“Some Sanskrit mystics locate seven planes of being, the seven spiritual lokas or worlds within the body of Kala Hamsa, the Swan out of Time and Space…“ (The Voice of the Silence by H. P. Blavatsky). The Swan of Hamsa represents the Supreme spirit or Ultimate Reality, the metaphysical creative and cosmic principles known as Brahman. You can equate the Swan, who is the Supreme Spirit, to Sophia, and Sophia is always Singing. Hamsa would, therefore, be the Demiurge, who is the God responsible for the fundamental forces of dualities (Shiva and Shakti).  

Bjork again represents both Sophia and a swan (a swan goddess) in the song ‘Pagan Poetry’; she’s chanting or singing at the source. Then there is Twin Peak’s representation of the Mother (Supreme Spirit, also Sophia) breathing out something or chanting the existence of a cosmic Egg, perhaps. David Lynch has an affinity with the Hindu religion and Theosophy.

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Only the chosen ones can hear Sophia’s chanting: The Sephiroth is described as chanting at the Crystal Sea, which I speculate about meaning reverberations (vibrations) from the Word that was the original sound wave or frequency, and then came the light afterwards. These reverberations or sounds are still there. And perhaps I will always be there as long as possible.

Communication among dolphins is believed to occur through sound. The sounds they produce create images for other dolphins underwater. One dolphin makes the sound, while another perceives the image or symbol created by that sound. This form of communication can be related to human experiences, although it is often likened to hallucinations, which can spark psychological debates. In the film “Knowing,” the voices were referred to as “whispers.” These whispers were less about audio hallucinations and more about prophetic messages.

The eclectic hip-hop group N.E.R.D, which stands for, nobody-ever-really-dies a play on Plato’s notion of the immortal soul – mentions in their ‘maybe’ lyric “, life is an egg”, but it’s in their ‘time for some action’ lyric, notably in the intro that alludes to seeing sounds: 

“Y’know, when I was a kid growing up We used to love playing outside, riding bikes And that was the 80’s, record heatwaves I mean people were like Dying on the side of the road, getting heatstrokes So the only thing you could do was go in the house an, y’know Take a shower a couple of times a day So, I’ll never forget I was like seven years old I closed my eyes, and that’s when it started I started seeing sounds, whoa..!”

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In some cultures, symbolic language can be a more sophisticated method of communication than written language. Egyptian words often have a symbolic image, and it’s realised that the power behind them is in the Symbolic image and not of the words (or phonetics). 

There are Kabalistic references to categorize different types of connections to esoteric knowledge or information and how they go about getting it. One particular scenario is someone could use a fainting spell and then have an epileptic seizure only to come out of it with the knowledge they didn’t have before. Others use psychedelia, some come to sleep via dreams, and then there are the mystics and practices they use. Sleep and dreams are fascinating, mainly in the dream alchemy work that Jung wrote about. Objects and materials within your view become other images, the moments before sleeping or awakening. You have to be an artist to understand. During those moments of waking up between closed-eyed slumber and wakefulness, you notice symbolic images downloading into your psyche. It is so frequent and fast, and one cannot understand those symbolic images, but it’s there.       

Apollo is the son of Jupiter, and Jupiter is also known as the king of the gods; whether you follow an astro-theological perspective or something more towards Christian orthodoxy about the notions of Apollo, like whether he is the earthly representation of God, God in this perspective is Jupiter. It is a subject that will always be in conflict because it suggests Apollo is Jesus. It is something fundamentalist Christians don’t like to hear because it doesn’t render the collective passive. For them, when unchallenged, a historical linear continuity of their interpretation gives them authority and as a reaction to diminishing the opposed dialectical polarity.     

Apollo is best known for being a Sun god. Still, he is also the god of song, music, and prophecy; the three bee maidens mentioned in the Homeric Hymn to Apollo granted Apollo’s powers of prophecy. He would impart these to people through channelling. The oracles that perceived it were the Sibyls or the Pythia (or the Oracle of Delphi). Delphi, short for Delphiniums, is a sanctuary dedicated to the Greek god Apollo. Pythia was a priestess who channelled prophecies from the gods, mainly Apollo himself, while in a dreamlike trance. The messages delivered by the oracles often were filled with ambiguity and traps. Also, the voices of the oracles expressing his prophecy had to have the allure of a Siren. These Sirens are from Greek mythologies and, at times, depicted as both part woman and part bird/fish – they had unbelievably beautiful voices that no one could resist. The sirens used their songs to lure sailors to the shores of the deep, where the sailors would drown and then eat. Sometimes, the words sung were usually in an incantatory language no one could understand.  

What if Sophia’s original chanting, the Word, is repurposed by her unintended offspring, Yaldabaoth or the Demiurge? He could use his archon creations to mirror the myth of the Three Bee Maidens, who bestowed Apollo with the powers of prophecy. This energy could then be channelled into oracles and artist-prophets, creating a simulacrum of his design, with Hermes as the original prophet. It would be the responsibility of the artist-prophets to distinguish between deceptive traps and the precise design that emanates from the original sound.

In our current modernity, oracles are now artist-prophets, and there is an artist-prophet named Elisabeth Fraser, a singer from the former group Cocteau Twins, whose voice can be angelic, metaphysical, cosmic, etc. Her sound is reminiscent of taking psychedelia, but you don’t need drugs to feel another world; listen to Cocteau Twins. Fraser would channel inspiration from the dramas of ancient mythologies. This is evident through her songs, Persephone, Coatlice, Pandora, Echo, and Lorelei, which had common themes to the spirits, seas, waters, and creatures – all centring on her unique voice that no other artist can match. Although some have tried to simulate her style, her voice and range, coupled with the style in which she wields it – are of the original making. And this gives credence to the synchronistic evidence that she once channelled the god of song and prophecy into her.

The Siren is an incarnation of Inanna, the Sumerian goddess of sex, love, and war. The goddess was central to an Arcadian empire ruled by Sargon the Great at the time, culminating with Ishtar and the Babylonian empire. The Greek version would be the goddess who fell in love with a young shepherd boy, Aphrodite and the shepherd boy, Adonis—inspired by the Syrian archetype of the first mermaids. The story goes: Atargatis was in love with a human shepherd but accidentally killed him. Out of guilt, the goddess flung herself into the ocean, hoping to become a fish. But her beauty was so great that she never could fully become a fish. Instead, she became half goddess, half fish, with a tail below the waist and a human body above the waist.

The implication is that Fraser would channel the god of song and prophecy and invite her body to be a vessel for the Siren (the Siren in this setting is a Demon known as the Whore of Babylon). However, it would not be through her own making but coerced by a group associated with Mk-ultra (although this scenario is entirely theoretical but plausible). Fraser, a broken vessel defined through turmoil and trauma throughout her childhood, would re-emerge as an artist with fantastic imaginings that could call up spirits, which was the right fit for a goddess of the sea to influence her. Through a freaky coincidence, she would later play out those ancient stories and archetypes with her story involving her former partner, Jeff Buckley.

Fraser would cover a song by Jeff Buckley’s father, Tim Buckley, called “Song to the Siren.” The song secretly suggests a spell or a prophecy of death, which becomes evident through the dramatic synchronicity between Fraser and Jeff Buckley. Jeff Buckley tragically drowned in a river near a pyramid in Memphis, which is visible from the site of his drowning. This pyramid is inspired by the ancient city associated with Osiris and, as such, symbolically connects a secret society festival held annually in that city. Buckley passed away on Garland’s Day, which is also the title of the Cocteau Twins’ first album. Garland’s Day in the UK is associated with offerings made to Poseidon; historically, these offerings sometimes included human sacrifices. Buckley’s death is interestingly foreshadowed in some of the Cocteau Twins’ songs, written sixteen years before his passing. Additionally, the surname Buckley, derived from Gaelic, means “shepherd-boy,” a motif that frequently appears in the lore of the Sirens. In mythology, shepherd boys often consort to goddesses and have been known to drown in rivers or the sea—a theme echoed in the mythical death of Osiris.

The siren spell would spill out to others with synchronistic links or associations with Fraser, often leading to death, from Chris Cornell, Chester Bennington, Heath Ledger, and Chi Cheng. This Archetypal dominance is initiated through symbolism, which has become corporate, notably, the mermaid icon depicted in the Starbucks logo. At the same time, given the synchronistic focus, it correlates with a siren spell, which can be a death omen. Case being: before Buckley died in the Memphis River – Buckley almost drowned with his girlfriend Joan Watts in Gold Coast, Australia – after having broken up with Fraser at the time. Fraser, being heartbroken, channelled her feelings into a song [and possibly channelling the Siren] in which the lyrics state; come feel the deep – the effect would lead to a near drowning for Buckley and his girlfriend.

The problem with an overwhelming amount of synchronistic evidence and all its potentialities is that it may point to a single occurrence but has more assumptions with it. The more likely, the more unlikely, and there is the question of when a spell comes true, is it magic? Or is it a coincidence? Could someone have merely found the golden pattern (or synchronicity) among a swirling uncertainty – a prolonged uncertainty we all live in? These synchronicities related to the Siren and its artist-prophets are part of that uncertain swirl. Imagination naturally draws all other qualities together, and when it brings them together, it’s through that prolonged uncertain swirl. 

Tim Buckley had written a song called ‘Song to the Siren’ about a man being entranced by the angelic voice of a Siren, and he knows he’s being led to his death, but he doesn’t care. Several years later, Tim Buckley died of a drug overdose. Imagination inherently protects us from the temptation of premature conclusions, the temptation of certainty, and the fantasy of fixed truth – J.R. Saul. So, it’s within intuition that you sense something transcendental at work, and then the imagination connects these synchronistic clues. I believe magic exists, so I take all the inclusive nature that imagination offers, but for most people, magic is irrational or imagined. Therefore, it’s disconnected from reality. The clues either lead to something truthful or something that leads to fantasy – the protection of imagination lies in the evidence, and besides, it looms ethics and memories – that Tim Buckley died of a drug overdose. Whether it was nefarious or not, who can know? Randy Quaid is telling the public that Star whackers exist to kill celebrities for a sick ritual sacrifice. And this can also apply to all other victims of the Siren spell.  

Imagination always propels us forward by using this prolonged uncertainty to possibly move forward and consolidate other qualities while embracing other means of perception—for a new inclusive vision of the whole. But as soon as we understand it, it leaps further ahead to more uncertainty, so imagination appears to be both inclusive and inconclusive.   

There is a music video called “Alice” featuring Elisabeth Fraser’s melodic vocals; the video is a culmination of clips from the ‘Lovely Bones’ film directed by Peter Jackson. Alice is a play about Alice in Wonderland, with the main theme of breaking through other dimensions. Incidentally, there is a conspiracy theory floating around about Fraser that she traversed through these dimensions when she was younger. However, breaking through dimensions in this setting is about death and what comes after it – and if there is such a thing as soul travel to the divine. Jackson is a big fan of Fraser and even hired her to do a soundtrack for ‘Lovely Bones,’ particularly ‘Song to the Siren’. She also made some tracks for Lord of the Rings films. The clip is fascinating and is centred on the Tree of Life. The music clip entails a character named Suzie Salmon (played by Saoirse Ronan), who had died at the hands of a killer. The film showcases her afterlife as she traverses through stages, and one of those is to help her father catch her killer through spiritual means as she is tethered in purgatory.

It is said that the Svargaloka, also known as Mercury, is a set of the heavenly world where the righteous live in paradise before their next incarnation. Svarga is seen as a transitory (or purgatory) place for righteous souls who have performed good deeds in their lives but are not ready to attain moksha or elevation to Vaikunta, the abode of Lord Vishnu, the Supreme Abode. And this is Suzie’s journey; like Alice in Wonderland, she is lost and has no idea where to go. She soon realizes she must go to the Tree of Life (the earth’s centre). It seems in the music clip that Suzie is following a sound, a siren, or even her intuition – she follows these emanations, and in this meta-fractal setting, Fraser’s melodic voice helps Suzie find her way to the Tree of Life. We would later find out that the Tree or the Center is just a beacon because we see the divine realm behind the Tree.

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Michael Keefe.

… End of part nine… to be continued

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Flat Earth; Enclosed Creationism; Conspiracy (Theory) and Intuition – Part Three:

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The Tree of Life [Originally posted on 24th December 2018]: For most groups, the Tree of Life is a metaphorical (or symbolic) set of images regarding the relationship between human states of consciousness and the external experience of reality in the natural world. For Flat Earthers, however, the Tree of Life used to be literal or tangible before it turned into myth, and perhaps that’s why the symbol is ageless and ubiquitous among creation mythology. This gives new meaning to the Tree alongside its representation of a universal state of eternal aliveness – or fulfilment, rather than the immortality of the body or soul. Within the awareness of states of eternal aliveness, one can interpret death as a direct experience of the perfect divine reality that is both possible and ever-present.

In Sumerian history, they called their Tree the ‘Persian trees of life’ represented by a series of nodes and crisscrossing lines. This significant symbol was often adorned with eagle-headed gods and priests or the king’s immortality. The film title ‘The Fountain;’ [which I talked about in the previous post], if one to finish it would be ‘The Fountain of Youth,’ which is about the search for immortality and so happens the Epic of Gilgamesh has a similar quest for immortality. In Mesopotamian mythology, Etana searches for a “plant of birth” to provide him with a son. These origin stories have links to antiquity found in cylinder seals from Akkad around 2390 BCE.

Isis and Osiris are represented as the original couple in Egyptian mythology from the Ennead system of Heliopolis. They emerged from the acacia tree of Saosis, which, according to Egyptians, is the Tree of Life – referred to as the “tree in which life and death are enclosed.” The Egyptians Holy Sycamore also stood on the threshold of life and death, connecting the two worlds.     

The Tree of Life can be depicted as a phoenix and a dragon in Far East mythology, with the Chinese dragon representing immortality and the Phoenix depicting life after oblivion. There is a story about a tree that produces a peach every three thousand sand years. The one who eats the fruit receives immortality. In Japan, the Lotus flower carries aspects of the Tree of Life. The flower is sacred in many cultures, but more so in Eastern religions as a symbol of purity, enlightenment, self-regeneration, and rebirth. The flower grows deep within the mud, far away from the sun. However, it finds a way to reach the light and become one of the most beautiful and cherished flowers. These characteristics are a perfect analogy for the human condition.

In Norse mythology, the Tree of Life is Yggdrasil, the world tree, and extensive lore surrounds it. It’s in the golden apples from Iounn’s Tree that provide immortality for the gods. Pagan rituals and sacrifices took place under ancient trees.

A pre-Colombia culture in the Americas, the Tree of Life is a prevalent motif in Mesoamerican mythical cosmologies and iconography. Cultures like the Maya, Aztec, Izapan, Mixtec, Olmec, and others all depict universal trees within their art and mythological traditions. The world trees embodied the four cardinal directions, which also represent the fourfold nature of the central world tree, including the four elements of air, earth, fire, and water. This is a symbolic axis Mundi connecting the planes of the Underworld and the sky with that of the terrestrial world. Within the Christian motif, the Tree of Life, which has the potential to grant immortality to Adam and Eve, is mentioned in the Book of Genesis. The biblical Garden of Eden and its variations parallel the Tree of Life mythology; these themes are common among ancient cultures. Man strives for equilibrium in a perfect world where man and nature are united until man gets corrupted. The Tree of Life appears in the Book of Mormon in revelation to Lehi. It symbolises God’s love and salvation toward a post-mortal existence. Kabbalists use the Tree of Life symbolism as a road map, allowing the information to communicate with powerful spirits. 

The Tree of Life represents a symbolic Tree, also known as the Ten Sefirot (Sephiroth). Kabbalah teaches that the Ten Sefirot certain aspects of God’s nature and plan, detailing how His power emanates into the world below:

	Keter		The Crown		Ayn (Ein) Sof
	Chokhmah (Hokma)		Wisdom		Zodiac
	Binah		Intuition, Understanding		Saturn
	Chesed (Hesed) / Gedulah		Mercy, Greatness		Jupiter
	Gevurah		Strength		Mars
	Tiferet		Glory		Sun
	Netzach		Victory		Venus
	Hod		Majesty		Mercury
	Yesod		Foundation		Moon
	Malkut		Sovereignty		Earth

The middle five qualities are mentioned explicitly and in order in Chronicles 29:1: Yours, O L-rd, is the greatness (Beulah), the strength (gevurah), the glory (Tiferet), the power (Netzach), and the splendour (hod).

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Gershom Scholem defines the Sefirot as “spheres, or whole realms of divinity, that underlie the world of our sensory experiences and are present and active in all that exists.” The Sefirot are equally divided into feminine and masculine aspects of God. According to Kabbalah, some qualities of God can be known (represented by the Ten Sefirot), while others cannot (referring to the Ein Sof, or infinite qualities). The Ten Sefirot corresponds to the known characteristics of God, also known as the Godhead. Through these emanations, God radiates into the world. These vessels connect to the universe in ways that God Himself cannot, resulting in every action in the lower world resonating through the Ten Sefirot and, in some manner, influencing the universe, the upper world, and God.

The last sentence makes God seem impersonal. It’s a contention fundamentalist Christians have noted, but that’s not what it means. God’s love is absolute and permeates within worlds (the light is always there). The disconnection or misunderstanding is to assume God functions like how humans function in a material way, which is not the way it works. And this is what it means when God cannot be connected to the universe in ways that vessels can. Another way of looking at the disconnection is through time. That time is God’s invitation to heaven. God asks, are you ready? And people are replying no, not just yet. The creator is interacting with himself alongside their creation; therefore, we should optimize our expression and expression of it. The disconnection, however, comes from a God that’s always at a distance, but somehow, eventually, it makes itself known subtly. 

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According to a Kabbalistic model, Uranus rules the fixed Stars (Zodiac / Chokmah); there is a conflict of truths within the study of fixed stars, whether it might also be the Firmament. The Kabbalah system suggests it is. So it’s either beneath or among the Firmament; it depends on which study you wish to follow. There are 88 fixed constellations, but initially, there were only 48. All stars are transfixed; however, some are exceptions, such as Sirius, Ursa Major, Pleiades, (possibly) Orion, and Canis Major. The Zodiac plane moves in precession, but Stars are fixed onto them except for a handful of constellations. The Stars plane is out of sync with the Sun’s ecliptic cycle [must be viewed through ancient cosmology to understand], so on the 21st of March, the equinox points to Aquarius instead of Aries because of the precession (people call it the Age of Aquarius).

Tropical system astrology is based on the Ecliptic (sine wave) and Hermetic principles. Above the Zodiac-plane (Firmament), there is the Crystalline Sea, which Neptune rules, and above the Crystalline-Sea (Firmament) is Water (Psychic Water), the same waters existing below the Earth. Above the Crystalline Sea is the red Rose (indicating or symbolizing silence and secrecy towards the secret group Rosicrucian) – the Rose once represented purity, passion, heavenly perfection, earthly passion, virginity and fertility, death and life. The Rose is the flower of the Goddess Venus and the blood of Adonis and Christ. The Rose is encased in a yellow pyramid pointing towards the Supernal Emporium. The unconditioned abode creates the first movement on Terra-firma or Earth; from the first movement, it creates other spiritual systems (other abodes). Hyperreal-space believers (or heliocentric believers) call it the solar system. Still, it’s a universe in itself.

These systems are unapproachable physically or materially; it’s a realm for the spirit. In other words, these dimensions are not physical worlds but internal worlds (the kingdom of heaven). Scientists describe types of matter through physical atoms. Still, the universe of heaven, which is composed of many different dimensions, is composed of a different kind of matter – that which we call matter, in itself, or matter without form, is something unknowable to the intellect.

The lower planes (the hellish planets) below the Earth are said to have their own waters, much like Earth and equally large. Life graduates from there and incarnates into our realm, and we take on the heroic nature of Earth. In the Kabbalistic system, we become a Hebrew or a Jew; in the Greek system, we become a Hero; in the Vedic system, we become a Demigod. People are striving or, more precisely, reaching for the divine. Among conspiracy theorists and gnostic researchers, it is said that entities (Aliens, Archons, Annunaki, Demons, and so on) that reside in the lower planes influence or control our world through various means.

To the dismay of the fundamentalist Christians and Jewish scholars, there was a time when Christianity adopted the notion of Cabala in a new interpretation called Christian-Cabala, thought to have originated in Europe, where the migration of Jewish converts to Christianity began. These converts reinterpreted Kabbalistic doctrines from a distinctly Christian perspective, linking Jesus Christ, His atonement, and His resurrection to the Ten Sefirot. Cabalists taught that Jesus Christ, by His atonement and resurrection, replaced the Ten Sefirot to reach the Ein Sof. The three upper Sefirot are now: Keter (Crown) – which represents the Father; Hokma (Wisdom) – which represents the Son; and Binah (Intuition) – which represents the Holy Spirit of God. The Ten Sefirot is open to reinterpretation; therefore, medieval rabbis eventually forbade instruction until the age of forty.

Christian-Cabala did them a favour by diminishing intuition and denying the ascendance of enlightenment by replacing it with Jesus’s atonement and resurrection. So why does the fundamentalist think this action is a misnomer? It’s because fundamentalist Christians and their Churches follow a path of exclusivity (secret societies) and movements of the political kind. Fundamentalists are generalizing all aspects of Kabbalah, and everything has its

Fundamentalists are generalizing all aspects of Kabbalah, and everything has its shadow side within the rule of polarization. Can one call themselves a Christian without honestly acknowledging a non-demoralizing version of Lucifer and Satan? The indoctrination of fear is by the over-focus on the light, but more precisely, a materialistic notion of light. The idea of God as Logos equated to the Sun may have influenced this; therefore, the moon, or the dark being opposed, must be anti-God. The Sun representing the Son of God is a fascinating notion made famous by the documentary “Zeitgeist” This documentary and its notions are something fundamentalist Christians cannot fathom. The logos are also the creator of worlds, who creates worlds through light and sound. When God said let there be light, it’s the supernal light, but what came first is the word, and the word is the sound.

A scientific understanding aligns with cymatic research, which explores the relationship between sound and atomic vibrations within a thought-wave universe. This is where the practical aspects of Kabbalah exert their influence. However, it is less about manipulating matter for malicious purposes through magic and more about comprehending a universe that responds symbolically to our intentions. The adoption of this understanding by elite secret societies has been a recognized aspect of conspiracy theories; these groups often delve into the darker side of Kabbalah by practising the dark arts and worshipping the Tree of Death. Kabbalah itself is well-versed in the concept of the dark side, which weaves into its philosophical framework. This dark aspect refers to the “Tree of Death.”

The Tree of Death is symbolic of the abode of demons, shells, and destructive, chaotic forces, which are the flip side of the acceptable qualities of the bright side of the tree. The (Astral) Shells are also known as Qliphoth, which means empty bodily forms, as opposed to bodily forms that once had souls – an empty shell that once had the divine spark or consciousness. Some Parapsychologists link ghosts to Astral Shells, figments or imprints left behind in the (a)ether after the original occupant has moved on. Wandering souls can take over these shells since they float on the dark side. The spirits that take them over are low-grade entities and demons that can magically persuade to the bidding of Black Magicians.

These be they who be unclean and evil, even the distortion and perversion of the Sephiroth: the fallen Restriction of the universe, the Rays of the coils of the stooping Dragon. Eleven are their classes, yet Ten are they called. Seven are the Heads, yet an Eighth ariseth. Seven are the Infernal Palaces, yet do they include Ten.   In the Tree of Life, by the Waters of the River, in the Garden of Wisdom, is the Serpent of the Paths; it is the Serpent in the Celestial Eden. But the Serpent of the Temptation is that of the Tree of Knowledge of Good and Evil, the antithesis and opposer of the other: the Red coiled Stooping Dragon of the Apocalypse, the Serpent of the Terrestrial Eden. Regard thou therefore the Celestial Serpent, as of Brass, glistening with Green and Gold, the Color of Vegetation and of growth: banish thou therefore the Evil and seek the Good. For as Moses lifted up the Serpent in the Wilderness, even so must the Son of Adam be lifted up, raised through the balance of strife and of trial, through the Pathway of Eternal Life. And when, like our Master, thou art extended on that Tree, through suffering and through pain, let thy countenance be raised up towards the Light of the Holy One to invoke the Divine Brightness, not for thyself, but for those who have not yet attained to the Pathways, even though they be thy tormentors.   Balanced between the Spiritual and the Material, the type of Reconciler, remember the symbol of the Brazen Serpent. Mark thou well the difference between the two serpents, for before the Serpent of Brass of Numbers, the Serpent of Fire could not stand. But at the Fall, the Serpent of Evil arising in the Tree surrounded Malkuth, and linked her thus into the outer and the Qliphoth, for this is the Sin of the Fall, even the separation of the Material Plane from the Sephiroth through the interposition of the Coils of the Stooping Dragon. Thus, therefore, must Malkuth be cleansed, and this is the Redemption to come. For also Christ expiated not Sin till after he had overcome the Temptation. But surely all things in the Creation are necessary, seeing that one existeth not without the other, and the Evil also helpeth the Work, for thus the greater and more intense the Darkness, by so much more doth the Light become bright by Contrast and draweth, as it were, increased force from the Blackness. – (The Qliphoth) The Book Of The Black Serpent

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The “shells,” Qlipoth, are the demons, which are a form of the Sephiroth, distorted and averse. As described, this great dragon is identical to Job’s leviathan. He is the executor of judgment, the centripetal force, and the old serpent seeking to penetrate Paradise. In a more exoteric sense, he is Satan and the devil, the accusing one. – Kabbala Denudata: The Kabbala Unveiled 

The Serpent, aka Dragon and Phoenix, is a dominant symbol in esoterica, more than just an adopted symbol for medical practice (the caduceus). As a medical aspect, the Serpent is closer in association with the Kundalini; the “serpent power” is electricity-like spiralling energy. Universally, it equates with goddess divinities or Shaktis. The force of Kundalini matches Astro-theology’s concept of raising the Oil (Christos) to reach illumination. The Serpent or fire lying coiled at the base of the spine; through means of living spiritually, they can magnetize the Kundalini serpent upwards through the channel of the spine. It finally reaches the masculine-feminine principles of the brain and fires them into coordination, becoming inspired and attuned to the inner world of wisdom. And you can only achieve this with the “kundalini serpent.” Jesus Christ hinted at this when he said: “Be ye wise as serpents.”

The Serpent represents two things: knowledge and sex. The secret aspect is the “creative force” within each of us, but that force is one single force. The choice is about where we direct this force, upwards or downwards (good vs. evil). A.E. Waite’s “The Secret Doctrine in Israel”, a book about Kabbalah, the Tree of Life, and its association with the Zohar, states. “It should be noted further that the Sephiroth are represented as good and evil equally, which seems reasonable in respect of that world of dimensions wherein both principles manifest.” In all esoteric systems, Eastern and Western, the Serpent is the agent symbol of wisdom, also called Sophia. The ripple symbolism of the cosmic Serpent, our DNA activation and Earth’s kundalini awakening stand out in the mythos of creation throughout the ages.  

So for every sphere in the Sefirot, Chesed has a shadow side, ruled by Jupiter, and all the Gods of benevolence, mercy, abundance, and expansion can flip over into excess, greed, compulsion, and cancerous growth. Think of Sagittarius’s good and bad sides: optimistic, fun-loving, active, and philosophical, but they can also be dogmatic, bullying and crude. It’s like that for all of the Sephiroth, whether Netzach (Venus), Hod (Mercury), Geburah (Mars), Binah (Saturn), etc. The Dark Tree houses chaos, disintegration, unbalanced power, or forces out of conscious control — for what is in the dark is unconscious, instinctual, reacting without thought. Furies live on the dark side of the tree and all those beings that we, or society as a whole, reject. Death lives on the dark side, waiting in the shadows.

The latest Netflix show, Sabrina, showcases the Tree of Life and Tree of Death with their duality; we have a Tree underneath a dome as Sabrina enters the maze. Then we see the whole tree in all its glory, symbolically reminiscent of a Jewish candle holder – then Sabrina picks the fruit and has a vision. The tree becomes darkened as Satan emerges from the Tree of Death and approaches Sabrina. The show ticks all the boxes on how fundamentalists see witchcraft – that it’s all Satanic. The reaction between Pagans and Neopaganism would later garner a glamourised satanic and aesthetic viewpoint and many of its misconceptions of witchcraft. 

Some major contentions About the Tree of Life (traditional Christian) fundamentalists can’t get over [students can probably write dissertations on each of these contentions]; some of these are:

Contention	Symbolic interpretation to that of historical interpretation as in mystical over evidential. [This is not singular to just the interpretation of the Tree of Life, but among everything that goes against their militant view of the Bible and its scripture].
Response	Symbolism is inherent in nature (and therefore in the self) truthful interpretation of those symbols has only one progression in relation to human nature. The seed of life sprouts the Tree of Life, the Tree blossoms the Flower of Life, the Flower produces the Fruit of Life, and the Fruit contains the seed of life.   Scripture as an absolute seems inconstant considering its both mythological (mystical / mystery) and factual.
Contention	Kabbalist relies on innumerable commentaries of men and tools Notarikon, Temura, Gematria and the names of God to interpret the Hebrew Bible – in direct contrast to Christian’s instruction to rely upon the Word of God.
Response	The contrast is in the details; many Kabbalists claim their doctrines and methods were brought down from Heaven by Angels to primeval man. They couldn’t accept (according to the Zohar) that the Torah and its tales were just about Angels. Questions started to arise, like, why is it called The Perfect Law? The Law of Truth? and The True Witness of God? and concluded there must be a hidden meaning.     Therefore these commentaries of men are about doing the work to find out why. Compared to just being obedient to religion (not God). These works Notarikon, Temura, and Gematria are in the Practical side of Kabbalah. This is about finding (meaning or) inter-relation between letters and numbers while using modes of divination. This would later become an influence on Mediaeval Magic in Europe.
Contention	Hermetic Qabalah uses the Ten Sefirot as a magical tool to progress from ordinary reality to Ein Sof, the inexpressible infinite divine.
Response	The Ten Sefirot correspond to the known characteristics of God or the Godhead, and through emanations, God radiates to the world.   The idea that the Ten Sefirot is used as a tool is an inaccurate summary, the Ten Sefirot is just a symbol. This is an attempt to classify the Ten Sefirot with the incorrect label, the label of magic. The magic aspect is solely in the practical aspect of Kabbalah.

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A black-and-white approach when mysticism is involved is never in good stead; mystical over evidential leaves any room for the grey area. This assumes the evidential aspect is absolute, but questions stem from reason and logic; where did those evidential notions come from? In other words, some historical interpretations had to go from symbolic to tangible interpretations. It assumes the evidential or historical aspect without referent or reference and that you should rely only on the label or word of God. And this is not to be confused with faith. Fundamentalist views the occult only through means of delegitimizing it through points of reference in Scripture and forgo the understanding of it. Divination is terrible because it’s known as “curious arts” in Acts 19:19. After all, this is the word of God. It’s an abstraction of the highest order, and never mind if it needs the acquired state of consciousness, memory, thought files, function and experience. Therefore, one can assume that it’s merely a warning sign, much like a warning sign in a cigarette pack, but free will is an established aspect of humanity, and therefore people will still have that freedom to smoke.

Kabbalists rely on innumerable commentaries of men and the tools of Kabbalah (Notarikon, Temura, Gematria) to interpret the Hebrew Bible, not just the Bible, but how reality generally works. You can equate this to spiritual researchers of the past and modern researchers of today, such as parapsychologists (Psi research). And this can’t happen without accepting the notion of magic. So you can probably define them as modern-day gnostic researchers as well. Fundamentalist Christians know the three differences in the PSI study between Normal ESP, Occult ESP, and Occult Psychokinesis. To them, Normal ESP is scripture-friendly, has nothing to do with the occult, and can be referred to as a sixth sense or intuition. However, the others deliberately try to trespass willingly into the occult world. However, it’s not simple.

The diagram above indicates a classification of Psi phenomena, although this is a semantic simplification. How can fundamentalists distinguish ‘dreams’? These anomalies can’t be categorised because both go under the Normal ESP and Occult ESP categories. Fundamentalists cleverly identify telepathy as more intuitive (although a materialistic view of intuition rather than a broader version); this attempts to redefine its meaning to match their fundamentalist view.  

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Telepathy Definition:	The ability to know what is in someone else’s mind, or to communicate with someone mentally, without using words or other physical signals
Fundamentalist redefinition:	Normal ESP usually manifests itself in telepathy: the ability to access knowledge of an idea or event while it is in process. This knowledge has no connection whatsoever with the occult or with religion.

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Telepathy is under the Normal heading of ESP, and fundamentalists can’t accept this anomaly. If Psi researchers wanted to use the word intuition rather than telepathy, they would have done so because they know intuition as a whole is far more complex than animal intuition/telepathy. As for dreams and the images manifested in them, they’re known as archetypal symbols. What if these symbols are dark or in the realm of the shadow? Does that mean it’s demonic? According to dream alchemy, it’s not. I don’t know about fundamentalists because they generalise and reclassify. Under Occult ESP, Psi researchers acknowledge Human Demon’s communication but dismiss Human Angels and Fallen Angel’s communication. Why? They know both come from the same realm: Mercury, the heaven of the mind where archangels reside, and according to the Vedic system, Mercury is also the realm of 33 million demigods and demons. I thought these were heavenly planes and demons only resided beneath the earth among the abode of demons.

Fallen angels (bodhisattvas) are said to reside in Mercury along with Cain, the first son of Adam and Eve, alongside human souls that practice black magick. Perhaps these Demons are fallen angels mentioned in the Vedic system. Cain represents the first Intellectual Animal Mind. Abel represents the Human Soul, the consciousness that obeys the Spirit. Cain, the animal mind, has to be dissolved to build a real human (Manas). Both Cain and Abel worship God, but apparently, God is displeased with Cain’s type of worship because Cain, being of a mystical mind, extracts the treasures of the earth from his body, meaning sexual energy. This is how Cain (the animal mind) kills Abel (the consciousness), so to be born again and enter the Kingdom of heaven means Mercury’s parable/literal activities. This means living in Chastity; this is a conflict between one of the steps in reaching true enlightenment – and the notion of Love of a partner and Karma. Perhaps it’s more about the right way to expel sexual energy. Many ancient Egyptian people sublimate their sexual energy with the vibrations of an Ankh to live longer, healthier and stronger.

Maybe Demons residing in Mercury are more in tune with the metaphorical and metaphysical parable found in the film “A Dark Song”, which coincides with the Gnostic notion of the Father being within us, as the eternal inner mind [at least that’s how I saw it as]. ‘A Dark Song’ is a film about a woman named “Sophia Howard who rents a house in the countryside of Wales and hires the occultist Joseph Solomon to contact her son, who was kidnapped and murdered by teenagers practising black magic. Over the days, Sophia follows Solomon’s guidance in rituals to purify her soul. However, Sophia’s hidden agenda jeopardizes their lives.” – IMDB. Once she passes her magical initiations, the film showcases her being in the underworld and depicts her striving to get through all the death; the film depicts the human side of the shadow or Qilpoth (Klipoth).  

Sophia through ritual magic gets to meet an Angelic being who happens to wear ancient Roman attire. – a dark song

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The eternal mind sees in every direction, the all-seeing that sees within and sees the eternal realm, making the intellectual animal mind the dualistic universe. The idea is to get our soul through the Father, through all the death, corruption and dead Aeons (our Father protects the spirit within the mind and soul). Then, you can get through to the Holy Spirit, which is said to be the real Baptism, the water within. Gnostic scripture states: “There is a light within the light, water within the water.” There is the inner mind within the outer mind and inner spirit water within the outer spirit water. There are many ways to enlightenment; perhaps this is one way around it. The film ‘A Dark Song’ portrays this metaphysical concept (or narrative) in the material world.

The target symbol, aka circum-point (circumpunct), is taken from the Centre of the Earth images. The mythical city Atlantis is always depicted topographically in the same way. It’s also a trinity symbol.

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The quest for immortality is like the quest for truth. Jung describes the idea of immortality:  

The idea of immortality is a psychic phenomenon that is disseminated over the whole earth. Every “idea” is, from the psychological point of view, a phenomenon, just as is “philosophy” or “theology.” For modern psychology, ideas are entities, like animals and plants. The scientific method consists in the description of nature. Mythological ideas are essentially real, and far older than any philosophy.   The only question we can profitably discuss is whether they are universal or not. If they are universal, they belong to the natural constituents and normal structure of the psyche. And if by any chance they are not encountered in the conscious mind of a given individual, then they are present in the unconscious and the case is an abnormal one. The fewer of these universal ideas are found in consciousness, the more of them there will be in the unconscious, and the greater will be their influence on the conscious mind. This state of things already bears some resemblance to a neurotic disturbance.   It is normal to think about immortality, and abnormal not to do so or not to bother about it. If everybody eats salt, then that is the normal thing to do, and it is abnormal not to. But this tells us nothing about the “rightness” of eating salt or of the idea of immortality. That is a question which strictly speaking has nothing to do with psychology. Immortality cannot be proved any more than can the existence of God, either philosophically or empirically. – Carl Jung, The Psychology of the Occult

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The idea that the Ten Sefirot is used as a tool [for the occult] is an inaccurate summary; the Ten Sefirot is just a symbol. And this is an attempt to classify the Ten Sefirot with the incorrect label, the label of magic. The magic aspect is solely in the practical aspect of Kabbalah. The Ten Sefirot symbol comes out of the Seed of Life symbol. Terence McKenna has described our reality as built upon a language system; through his many psychedelic interactions with entities, he calls Elfs concluded thoughts manifest images. Therefore, if the universe is structured linguistically, it can be engaged linguistically. Kabballah uses a combination of words and images or symbols to engage in an inherently language-based world. The response entails a feedback loop. Often, these results are subjective; ordinarily, the details are missed because magic can be indistinguishable from coincidence. Language being symbolic suggests words can be spells as well and are more potent with the power of intent behind them, so prayers are also spells.   

Astronomers interpret symbols similarly through star symbols, but constellations are entirely imaginary; they do not exist in reality. Nevertheless, astronomers and astrologers use them to convey meaning. Language and mathematics are also forms of symbols. Do people interpret these practical uses of symbols for nefarious purposes, or is there a clear distinction? Sheldrake suggests that our thoughts originate from a source beyond the brain—sometimes called the […], a place known by many names.

Occultism is a symbolic system that interprets events or reality through various symbols, such as the Zodiac, Terra, Grimoires, Amulets, and Talismans. These complex symbolic systems have been refined over centuries and, in some cases, even millennia. The term “occult” originated during the Middle Ages, when knowledge from the Middle East began to influence Western society. The church disapproved of this knowledge, leading it to be hidden and discussed only in secret societies. Today, the understanding of the occult is often limited to divination and the use of magical symbols.

Fundamentalist Christians and much of the general populace often view occultism in a limited way, primarily focusing on one aspect: divination. However, even this perspective lacks experiential understanding, which undermines its validity—excluding magicians or those who are enlightened. As a result, the labels assigned to occultism are frequently incorrect.

For many Christians, spiritual understanding parallels that of materialists, similar to the perspectives held by (new) atheists; both viewpoints are two sides of the same coin. Valentinus categorised humanity into three types: Pneumatics, Hyletics, and Psychics. These can be likened to materialists, true believers, and spiritual individuals. Within this analogy, atheists represent materialists, and fundamentalists embody true believers. Both groups can shift between these identities but often need more intuitive insights, leading to an incomplete understanding. Consequently, there is a tendency to construct concepts and assign artificial meanings to labels. True believers and psychics frequently confuse the Demiurge with the True God, and this misconception requires ongoing discernment.

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It is safe to say the old Rabbis who were interpreting the Kabballah to book form noticed this fallacy in men. [The Old Testament was not enough to satisfy learned Rabbis, so they supplemented them with two parallel series of works of literature. One, Talmudic, is based on Moses’s Thirteen Rules of Argument to illustrate the Old Testament for teaching the populace. The other is designed to demonstrate their Secret Doctrines and Esoteric views, which resulted in the Sepher Yetzirah and the Zohar or Book splendour, which they describe as “The Secret Knowledge” that God gave to Moses for the use of the priests themselves. 

It is undeniable that the ancient texts Sepher Yetzirah and Zohar present a spiritual philosophy that is systematically designed, deeply intuitive, and rich in cosmological insights. These works deserve recognition alongside the honour of a name specific to them and serve as the foundation for a theological system of doctrine: the Kabalah. – An Introduction to the Study of the Kabalah, William Wynn Westcott

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Flat Earth; Enclosed Creationism; Conspiracy (Theory) and Reason – Part Two:

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Your intuition is telling you something about the world, and if you are ever inclined to question the environment surrounding you – like whether you live in a sphere or a flat dome, your intuition knows the truth. This new paradigm will always be unanswerable, especially towards rational thinkers, but within your inner meaning guided by your intuition. You can come up with the correct conclusion.

Intuition is a spiritual act that resides among the non-rational; therefore, switch your mindset to the right side of the brain for a while. A sphere or a dome are options that seem (or what your intuition tells you) seemingly an antipathy to something else, like all the atrocities in this world, like wars, which, according to conspiracy believers, are orchestrated by world banks – with their depopulation agendas (geoengineering and so forth) that we know to be true given the evidence. Somehow, it is okay for the powers to destroy the world they also live in. And this seems irrational. If the world is an infinite plane, then we realise these levels of antipathy make sense. So, in other words, an enclosed worldview does not make sense within the levels of antipathy they created via end-time programs unless you are among those destined for the breakaway (or underground) cities.  

People know the distinct difference between Science and Scientism, and they should also be clear on who pushes a scientism conspiracy aspect, which is an enclosed creationist. Moreover, they’re in the position of becoming myopic about science itself as something dogmatic, and there is danger in this. There is a sympathetic consideration to be had given that when they use the same scientific method or process, it’s met with scepticism even if it’s valid and has determined their theory might be correct. This ignorance is because science is governmental science, and even scientists, among their groups, must comply with its rigid framework.

The danger comes from forgetting history and what science brought to modern human civilizations. For example, centuries ago, during early medicine, a relationship between the artistic or aesthetic world of autopsies and anatomy drove the scientific world of medicine – medical research and applied medicine. There was a clear understanding of an inseparable link between the arts and sciences. Of course, this notion is far from today’s materialistic worldview, where utilitarian determinism has taken over and attaches most of the science to the knowledge economy.

Henri Bergson argued for the natural marriage between intuition and science, and he was successful at it. He noticed the marginalization of intuition and argued that acknowledging the core of scientific discovery is intuition. To express itself, it must use “a mode of expression and application which conforms to the habits of our thought.” And this includes “exactitude and precision.” Gradually, we mistake “the logical equipment of science for science itself.”

If we acknowledge that intuition exists, there needs to be a space for it to flourish. We achieve this by developing questions that are not designed to favour purely rational or linear answers. While it may be categorised under fields like metascience or Physics, we must recognise it as a holistic concept. At its core, science is about uncovering the inner structure of the universe, which can support animism and vice versa. Additionally, we should remember that science initially emerged from alchemy.

NASA employs creative people (traditional and digital) artists to render a hyperreal space cosmology. They’re working alongside NASA scientists to conjure images to portray a hyperreal space reality. So again, there are links between the arts and sciences here, but the mode of expression here is to propagandize a false simulacrum that doesn’t conform to our habit of thought. Instead, it’s a means of stifling it by ironically promoting a romantic, infinite universe that is vast beyond imagination – when this is an agenda to misalign our centre.

NASA and its hyperreal-space cosmology need their slip-ups, evident in the various footage of their so-called space stations. For example, their Mars Rover observer indicates that Chickens on Mars have all the hallmarks of unrehearsed parody. Such is the parody; there is an array of governmental science icons, such as Brian Cox and others, who at this point are frontmen for the demoralized and consensus-based population, but for people who know better, it is malarkey and so becomes a type of comedy in itself.

NASA resembles sincere science but sometimes forgets that it must uphold the false facade. And sometimes they will miss it, or if it’s something out of their control. For example, NASA’s legitimate 1988 document “Derivation and Definition of a Linear Aircraft Model.” Under the heading Abstract (which coincides with that last statement I conveyed about people not being able to live in the flat-earth-abstract so quickly within the time frame flat-earthers want it to be. It so happens that NASA’s implied flat earth statement is under the heading Abstract); it states, “This report documents the derivation and definition of a linear aircraft model for a rigid aircraft of constant mass flying over a flat, nonrotating earth. The derivation makes no assumptions of reference trajectory or vehicle symmetry. The linear system equations are derived and evaluated along a general trajectory, including aircraft dynamics and observation variables.”

By this very statement, NASA knows the Earth is flat and has always known from the beginning, and they created all the supposed Apollo missions and the 1970s vintage TVs and films. They didn’t think that one day, technology would reach an astronomical feat, technology that was more powerful than what NASA could even conceive of in 1969: computers the size of phones. Apollo was a propaganda circus meant to take people’s minds off all the crazy crap in the country at the time.

Also, NASA’s infrastructure is highly compartmentalized, meaning different people working on the same projects come together. From here on out, nobody knows if it’s going to Mars or wherever it’s supposed to go; at this point, it might as well be sci-fi fantasy pushing the notion of hyperreal space. That same technology is the same robotic achievement used to check for highly suspicious bomb threats.

The notion of reaching the moon (the space race) in a technological sense was probably based on who could back-engineer UFO crash ships the fastest and, in doing so, mould their advanced air-(space)-craft. NASA’s cover made us believe they landed on the moon with tin foil materials and confined capsules. When, in reality, the kind of hardware (advanced beyond people’s knowledge at the time) was getting ready to be rolled out in Area 51, knowing the Earth was flat and going to the moon was a cover as they knew it was unreachable. Operation Fishbowl reinforced this notion, so the next plan would be to travel across the flat-earth-plane.

Stanley Kubrick’s heavily symbolic film The Shining, decoded by a fascinating documentary, Room. 237 suggests throughout the many analyses that the moon landing was a hoax. According to conspiracy researchers, Kubrick was also involved in the project to make a fake moon landing.

This scene is not from The Shining, but from 2001 Space Odyssey, another film by Kubrick which, together with The Shining, has significance. Hollywood special effects people specializing in front screen projection have all confirmed the Apollo footage resulted from front screen projection. They indicate that the bottom of the screen is always hidden, and the set screen separation line is visible.

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Richard Hoagland examined the Apollo imagery and noticed reflecting and refracting lights in the background. He incorrectly concluded that these lights were evidence of giant alien cities made of glass. However, he was observing the reflection of light from tiny beads on the Scotchlight screen, which is used in the front screen projection process.

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In the Shinning, the patterns in the carpeting match Launchpad 39A. Also, the pattern in the Rug changes when Danny stands up. The carpets are reversed when Danny sits back down; the pathway no longer exists. The Hexagon is closed (as it probably means you’re enclosed in).

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Every deviation from Steven King’s book was to implement Kubrick’s own experience surrounding his dealings with the US government while also dealing with his wife upon telling her his situation, depicted in the film. Room 237 was supposed to be 217; Kubrick changed it as it represented the moon landing stage where he worked. Also, the distance from the earth to the moon is 237,000 miles. Also, 2x3x7 equal 42, which is the answer to the universe according to Hitchhiker’s Guide to the Galaxy; it also has many meanings when decoded through gematria. Sometime in the film, Danny would also sit in front of the TV watching summer of 42. Forty-two is significant as it represents a body of light travel. Forty-two can be found in the symbol Triangle Sri Yantra Mandala, which coincides with Noah and the Biblical Rainbow Promise. The Yantra constitutes 42 base triangles.

Jay Weidner also made a documentary called Kubrick’s Odyssey. The documentary suggests NASA commissioned Kubrick to help create a cinematic and photographic simulation of the Apollo missions for public viewership. And 2001: A Space Odyssey was an entertainment project for a bigger-budget production set to be filmed within the gates of Nellis AFB’s Area 51. And his wildly unfaithful adaption of Steven King’s novel ‘The Shining’ was his cinematic mea culpa, confessing to the con. Moreover, Weidner is not arguing that NASA did not land men on the Moon, but that the Apollo missions were a cover for a secret space program. 

In a world of secret space programs exists two missions: one, to convince a hyperreal-space as reality exists that’s made for TV financed by NASA, and two, actual missions using more military severe hardware that’s a lot bigger, heavier and much less telegenic. Of course, the word, secret space has a subversive meaning: an institution in secret developing technological marvels; however, both missions play on the notion that space exists, and both are going in the same direction. The second mission may be another misdirected target for people in the know inside its institution. When, in actuality, only persons high on the echelon of control know which real direction they’re going.

The film “2001: A Space Odyssey” can be compared to “The Holy Mountain.” In one scene, Joe flips a table featuring the enneagram symbol and declares that everything is ‘Maya’ and ‘you’re in a movie.’ This moment emphasizes the presence of cameras and suggests that our lives are scripts written for us, a concept reminiscent of simulacrum or determinism. In this view, our lives appear predetermined, as understood through an infinite array of parallel realities.

A historical example of this predetermination is the events surrounding the foreign war that followed the 9/11 attacks, which many believe was an inside job under the guise of a false flag operation. The public presented their narrative, and many accepted it, implying that people are often reduced to two-dimensional characters within a synthetic and synchronistic world, a reality distinct from the holistic vision intended by the True God.

This notion parallels the Stargate sequence in “2001,” which serves as a metaphor for transcending the superficiality of two-dimensional films. The astronaut travels at light speed to reach a different realm—a journey toward the source and the projector, ultimately accessing a three-dimensional reality. This ascent is like climbing the holy mountain, a symbol of Mount Meru, which mirrors the ascent of the Tree of Life. As one ascends the tree, it is akin to the journey up the mountain.

The diagram above indicates the analogy between spiritual travel to the Stars and literal hyperreal-space travel to the Stars (Celestials / Planets). Spiritual travel to the stars is likened to ascending the mountain (Mt. Meru), which is similar to ascending the Tree of Life. This is in conjunction with some influences from hermetic Qabalah.

In Hermetic, magickal, Qabalah in contrast, the ten sefirot (“sephiroth”) pertain to ten aspects of what could be called the astral or magical world. . . . They are identified with ten grades of magical initiation, the seven planets of traditional astrology (with the lowest sefirah, Malkhut, representing the Earth, and the two highest the fixed stars and the sphere of God) and with a numerological analysis of the numbers one to ten. The twenty-two paths which link the ten sefirot are identified with one of the twenty-two Hebrew letters and twenty-two Major Arcana tarot trumps). Thus, not only each sefirah has a particular archetypal meaning, but each path as well, making thirty-two archetypes altogether. By the proper means therefore it is possible to invoke any of these fundamental essences.

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There are many types of Kabbalah, but the primary focus here is its relation to the cosmos, and Hermetic Qabalah qualifies alongside its association with magic. The clear difference between Judaic Kabbalah and Hermetic Qabalah is in its approach; Judaic uses the Ten Sefirot to study the text of the Torah and its commentaries to progress in the knowledge of God. On the other hand, hermetic Qabalah emphasizes magic and magical tools to unite with the Godhead.

Hermetic Qabalah’s history is complex, tracing its roots from Gnostic and Neoplatonist writings to the wisdom of the Egyptians. This is mentioned in Exodus and alluded to in the Platonic dialogues such as Timaeus, and it has possible links to Hermes Trismegistus. But, its history aside, Hermes Trismegistus was written in many texts and divided into two main parts: the philosophy of occult science and writings on philosophy. Both attempted to explain a worldview rooted in the philosophy of Plato, which eventually remerged in the early Church as a blend of philosophy and mysticism.

In essence, this religious mysticism or Neoplatonism focused on the influence of fate on human existence and the twin or dual nature of reality: The physical plane (a lower form of existence) and the divine reality (a higher form). The higher reality is linked to intelligence, transforming God into a non-personal intellect. The lower level is physical, subject to fate, and thus considered inferior to the higher reality. Humans are separated from this ultimate intellect as part of the physical realm. Still, they can ascend through the different levels by magical means and reincarnation, eventually reuniting with the ultimate intelligence in the higher reality. – Kingdom of the Occult  

There is a fallacy in this verse, “transforming God into non-personal intellect.” It’s an opinion-based statement; it means the link between man and his higher reality, or Binah (intuition and understanding) signifies man as a co-creator and does not diminish God in any way. [Notice] The word ‘Plane’ (to mean a flat plane) describes the contour of your world as something more physical or truthful.

The concept of ascension through analogy, whether a Tree or a Mountain, is fascinating; the more practical journey is always within the spiritual journey. The enlightenment in life or death and the symbol of spirit is the Merkaba. The Merkaba can also be represented as the Kabbalistic Tree of Life. The ancient Judaic Hebrew concept means Chariot (a thing that one rides in), and often, the most popular reference to the spiritual Chariot is the story of Enoch. And Enoch is one of Seth’s sons. The story goes on to Enoch ascending to the seventh heavens (Hekaloth) and conversing with angels and intelligent beings of higher realms of a divine being. People are probably more familiar with the notion of the body of light or Astro-body instead of the spiritual Chariot. In the Merkaba traditions, the Chariots are composed of four different living creatures, often described as part man, part bull, part eagle and part lion. So, these mystics describe travelling through other dimensions using these spiritual Chariots. This archetype is not particular to Hebrew traditions but is often more in tune with Vedanta and Hinduism. In the Egyptian afterlife, spiritual travel is represented by a Duat Boat adorned with spiritual symbols. In this afterlife, the travel of the spirit or soul leads into a Bardo of the duat where the weighing of the heart happens.

Darren Aronofsky’s film ‘The Fountain’ showcases the concept of the Duat Boat as a Tree of Life encased in a spherical organic bubble ship. The Fountain’s premise takes on three parallel timelines: the 16th century, the present day, and the future at around 2500. The 16th-century aspect is a meta-allegorical story within the film, while the present and future are the film’s central narrative. There are two trees in the movie; it’s unclear which Tree is encased in the bubble, the Tree that Tom planted beneath the grave of his wife (Izzy/Izzi) or the Tree of Life in South America that Tom was searching for. The same Tree that present-day Tom, as a doctor, was researching; he had gained some of the Tree’s components for everlasting life. The Future Tom, who is now an astral traveller, whispers to the Tree and says: “Don’t worry, we’re almost there; through that last dark cloud is a dying Star and soon enough […] it will die, and when it explodes, you will be reborn, you will bloom and I will live.” So, present-day Tom and Future Tom may be the same people because, in the present, he has figured out a way to preserve life. Therefore, the Two Trees are probably the same, meaning we all have a Tree of Life in ourselves, as everyone has a Merkaba.

The film is about Tom’s quest to accept death; he spends time trying to fight death at the expense of spending time with his dying wife. Upon his wife’s death, Tom vows to cure death. However, Izzy had already accepted death, and at times, Izzy tried to make Tom realise that death is part of life. Death and life are different sides of the same experience, and you should not fear death. Izzy mentions to Tom that “death is the road to awe.” She also wants Tom to finish her book, but Tom, now travelling in his Tree of Life bubble, speaks to Izzy’s spirit. Izzy still wants Tom to finish her book – but Tom can’t because he fears death. However, when the Tree can no longer sustain Tom throughout the centuries into the future, Tom finally decides to accept death and finish Izzy’s story. The movie begins with the last part of the book that Izzy has written, which we can assume is a dream of Tom’s future. This moment is depicted in the film. However, I interpret it as less of a dream and more of an archetypal symbol because he is not a living material being but a spirit. At the film’s end, Tom’s assertion in the story indicates that Tom has finished Izzy’s book, which took him hundreds of years. Finally, he came to terms with the death and his place in it. Tom is a spirit heading towards Heaven [a dying Star if you wish]; it is less about time and more about time concerning how long it took him to let go of his ego.

While the first theory is fascinating, and I agree with some aspects, my theory is that the 16th-century aspect is a symbolic reference to present-day Tom. For the first theory to make valid sense, it would mean believing that present-day Tom found a way to be immortal. He was studying the Tree of Life and finding its secret component to sustain life for centuries. Answered questions like how he got himself and the Tree of Life encased in a bubble spaceship where he would travel among the astral plane leaves a question unanswered. I agree that future Tom’s assertion in the story indicates that Tom has finished Izzy’s book, but I conclude that future Tom is dead and his spirit is inside a bubble spaceship alongside the Tree of Life. And this is also Izzy in many ways. And his journey started when he drank from the Tree of Life and died. However, just before his death, he had a psychedelic enlightenment experience caused by the blood of the Tree (or sap). The death symbolises present-day Tom finishing Izzy’s story before he died – he may have prolonged his life. However, he still achieves death by his hand with the help of an elixir provided by the Tree [This scenario is not shown in the film but shows through Izzy’s story]. So when his spirit died, he was lifted along with the Tree of Life, and now living inside a bubble spaceship without the concept of time. However, Tom is still deluded by the idea of time, as showcased by his tattoos representing the age of tree growth.

The bubble spaceship refers to the Duat Boat, and boats can also be called ships. So, it can be a bubble spaceship or a Duat boat. Both can represent a chariot; in the ancient concept, chariots could also mean The Tree of Life, which can also be the Merkaba, a symbol of spirit. Therefore, it didn’t take Tom centuries to accept death, perhaps ”yes” in a metaphorical sense, because he left the world without reaching enlightenment first, but enlightenment upon death. This is the opposite of Izzy, who gained enlightenment or was struck by the light and would later pass on to the afterlife. Izzy has been through the journey and passed through the heavens, while Tom still travels along the astral plane. The astral plane can also be known as one of the heavens – heaven before heaven. 

Tom, the astral traveller, is heading towards a dying star within a Nebula (I can’t pronounce or spell the dying star, but it’s) in the Orion’s Belt constellation. Izzy also describes the star as the ancient Mayan underworld, where dead souls go to be reborn. Astral-travelling Tom, having spoken to Izzy’s spirit [aside from being a spirit, she can also represent a guardian angel], Tom finally accepts death after centuries of fearing it. Tom tells Izzy he doesn’t know what to do; he then has a moment of clarity and figures out what he must do. He says, “I’m going to die.” At this very moment, he has let go of his ego, which is difficult for a rational character like Tom. He is only irrational in the Meta allegory and present-day story because Tom also denies his intuition in Izzy’s story and present-day Tom. Izzy replies, “Together, we will live forever.” We are back at present-day Tom, but back in a pivotal moment of the film, where Tom is pushing away from seeing Izzy due to his pursuit to cure death. This time, he has chosen to go with Izzy, and this action showcases acceptance. This is represented by Astral travelling Tom climbing the Tree and emerging from the space bubble. He encases himself with his own Merkaba, ready to face spiritual death, but it weighs on his heart. Christians call it judgment.

When Tom passes through the Tree’s bubble with his own Merkaba, it symbolically suggests passing through the firmament. Behind him, the Tree rotates in a circular motion like a clock, suggesting space and time on Earth. Although it’s more indicative of journeying to Planets / Celestials / Stars before reaching heaven, which is likened to ascending the Tree of Life, it’s also associated with spiritually travelling within.

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As Tom Nears the Dying Star, it collapses to a tiny dot; then it explodes; the celestial fire hits Tom (now the Father), and his essence melts along with the fire, creating a rebirth for the Tree. In the Kabbalah, the heavenly realm is considered the realm of Yetzirah, a realm of spiritual fire. There are a lot of death and rebirth concepts here. In ancient Egyptian Mythology, entering the gateway to dimensions meant encountering the Goddess of 42 principles named Maat. She has 42 principles that one must satisfy in a lifetime to be reborn with a pure heart into the next life. We are to believe that Tom managed to do that. The film does not show the physical encounter with Goddess Maat; perhaps the dying Star represents part of Maat. Maat is a deity that regulates the stars, seasons, and the actions of mortals – and deities who had brought order from chaos at the moment of creation. The film did away with the Goddess and instead played on the hyperreal-space notion of a Star collapsing, rather than exploding, much like the Big Bang Theory.

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Tom exiting the Tree’s Merkaba follows the same concept as Vitvan’s diagram of Orders of Abstraction, which follows the structure of Kabbalah’s Tree of Life. [Illustration is my re-imagining, although it follows the same structure as Vitvan’s original example]

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Flat Earth; Enclosed Creationism; Conspiracy (Theory) and Reason – Part One:

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There is a schism between the Flat-Earth-Movement and Christian-Enclosed-Creationists [Originally posted on 2nd December 2018]: There is a conflict of beliefs concerning whether there is an enclosed dome or an infinite plain, although both agree on the universal constant that the Earth is flat. Both have fascinating historical evidence to prove an enclosed or infinite aspect, and both, in their way, are inducing an anti-stasis movement. However, enclosed creationism and its Christian promoters tend to have all the signs of a psychological operation. The first thing that occurred to me was, why weren’t they preaching enclose-creationism in the past? And why did it only become relevant in the last half-decade? This leads me to believe that flat earth Movement doesn’t manifest organically. Suppose it was something that grew naturally. Then, it took off like wildfire and would have surprised the controlling power systems. It is now playing catch-up, using its state worshippers, enclosed creationists and new fundamentalist Christians as their go-to for damage control.

Some claim it’s a CIA intervention to separate the truth movement. I don’t think the CIA is about promoting an anti-statism movement. They’re the opposite of that. There is also the question of the validity of the truth movement itself.

Disregarding an infinite plain or a dome and concentrating on the flat-earth notion implies a giant conspiracy of all time. Whether the Earth is flat or spherical may seem concerning, but that’s not the most significant hurdle because the Earth being flat or a sphere is just the background. If you realise that the world is flat, a momentary reflection will occur, but eventually, it will pass. Then, you acknowledge that what’s more important than the aesthetic landscape in which you stand is mind control, brainwashing mechanisms that have been implanted to mislead you all your life. Their biggest concern is not whether you’ll find out the truth about the contour of your environment but how that knowledge will inspire you – and with that knowledge, maybe go around and create groups to break down the power of religious control. Religion doesn’t have to be worshipping a personal God or gods, just a particular system of faith and worship. Other forms of religion can be political, like communism, progressiveness, and race, all with their unique utopia scheme. And the Globe as its Church is a religion. 

During the Reformation, the Church had to implement a heliocentric worldview; otherwise, it would have been the end of the Church. So they initiated the Jesuits (a militant order), and the Jesuits did two things concerning gaining state power back: one, they implemented the coming of an anti-Christ, and two, they instilled all the foundation (or hijack) of the educational system for indoctrinating a heliocentric worldview. This epistemology is still in place today.

Slowly take down the alternative media’s source point: This truth is so profound and taboo that no established or alternative media personalities will debate or entertain the idea. Perhaps because it dampens them as managers of an occult personality, they manifest. This includes internet podcasters and bloggers.

Alternative media that promote themselves as leaders in conspiracy radio, such as Alex Jones and Coast to Coast, have a firm right-wing aspect. These radio broadcasters were around way before the internet was about to take off. When the internet did take off, it paved the way for alternative media to shine, and alternative radio broadcasters adopted it well. Thanks to the introduction of YouTube and social media, new sites emerged.

The mainstream media once played a dominant role in setting and changing worldviews, but now it is becoming less significant as a new arrival of communication technology becomes more prevalent. And this brought independent and alternative media into the fold. This allowed more people to voice their opinions. During the decades of Mainstream Media’s dominant run, it allowed them to divide people’s beliefs into groups (Cul-de-sacs). This has disillusioned people, so their interest has moved towards alternative media, and the most significant format is YouTube. YouTube is unique as a platform for people fascinated with esoteric subjects, occult, conspiracy, history, and ufology to showcase their work. However, it comes with a backlash from YouTube to no fault of their own as they found out YouTube were advertising products on the back end of racist hate videos.

This isolated incident would make YouTube target a specific group that uses their platform, targeting truthers or outsiders to demonetize or delete their channels. The number of followers (subscribers) and views from independent channels can be astronomical, and it’s just a fraction of what mainstream media could get. YouTube already has an extensive advertising share; being the most prominent video website on the internet – YouTube is attempting to grab a broader market share by introducing paid television program products. Adhering to advertisers and studios, YouTube channels that do not adhere to a neutral political view will get shut down. 

Channels that are being turned off, deleted, and censored are predominately channels that tend to lean towards the Right, gun rights channels and conspiracy channels – while the notion of free speech is written; rarely through history has it ever been truly initialized. Those particular YouTubers argue that the Left is in league with the Anti-Defamation League and is responsible for censoring channels. Or it could be a reaction from the religious-right racist rants that can’t adhere to policy and blame anyone else except themselves. So they cause their demise, which ruins it for everyone else. 

I see it as a slow, hostile takeover of what seems to be a counter-cultural platform, the antithesis of a Globalist media with its affinity to advance state power (given history, this isn’t surprising). Maybe they were waiting for this very moment as a way to shut down a burgeoning anti-statism movement such as the Flat Earth or any other concept that questions the system – considering that it’s a means of seeking other educational formats instead of the false epistemological institution that’s been firmly set for centuries.

The flat earth movements are simultaneously a revilement of truth and a psy-op. It tends to be less of an ideological movement and more of a scientific movement (a rediscovery). Both schisms are a slow revision of truth, and that underlying reality is the earth is flat. While it may be true, it has all the hallmarks of an orchestration. And who decided it was time for this peace of truth to come out? Or is it reactionary to something that they weren’t prepared for? Either way, it’s managed now.

The New-Christian-Fundamentalist groups are at the forefront of promoting the enclosed-creationist paradigm. They’re now comparatively linking specific segments of scripture with the flat earth – certain parts of this, I believe, but there is an assumption that the sky is shaped like a dome. The notion of a dome within the Bible is a weak one. I also understand tradition always precedes scripture, and it’s never the other way around. Scripture is a product of thought, experience, and doctrine, but a product nonetheless; tradition not only precedes scripture but also forms the context of scripture. And this gives scripture more of an understanding. Unfortunately, in the time of the Reformation, it has fallen victim to a protestant attitude of bibliolatry where scripture has taken precedence over tradition.      

Scripture’s case for Flat Earth and a Dome:  

		Isaiah 11:12	Four Corners of the Earth
		1 Chronicles 16:30	The world also shall be stable, that it be not moved
		1 Samuel 2:8	For the pillars of the earth are the Lord’s, and he hath set the world upon them
		Isaiah 24:18	For the windows of heaven are opened
		Genesis	And God said, let there be a firmament in the midst of the waters, and let it divide the waters from the waters
		Isaiah 44:24	I am the Lord, who made all things, who alone stretched out the heavens, who spread out the earth by myself
		Psalms 18:9	He bowed the heavens also
		Acts 7:49	Heaven is my throne, and earth is my footstool
		Job 26:10	He hath compasses the waters with bounds, until the day and night come to an end
		Isaiah 40:22	It is he that sitteth upon the circle of the earth
		Isaiah 40:22	It is he who sits above the circle of the earth, and its inhabitants are like grasshoppers
		Daniel 7:2	Four winds

Only one reference in scripture describes a dome, and even that needs to be clarified. Psalms 18:9; ‘bowed’ means bend – he also turns the heavens (warped). It’s within tradition that people believed the Earth was flat back then. My theory is that those illustrators commissioned to depict our reality could not express a possible infinite plain as a reaction. They defined it as an enclosed image as part of the demiurge’s religious control systems. I also theorise that the Church had an inkling that there was more land and ensured that an enclosed depiction/message was canonised. Fast forward some centuries later, Admiral Bird was commissioned to confirm more land, and he did confirm more land, according to his testimony.  

An Enclosed Dome certainly looks like a sphere, but we don’t live on the surface of a sphere but within or inside the flat plain. Ultimately, living in a Globe or a Dome is the same because it’s about containment, although one is real and the other hyperreal.

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The controlled opposition claims that Admiral Byrd discovered the outer boundaries of the firmament during Operation Highjump. They state that many planes quickly disappeared, with several crashing into invisible barriers and disintegrating mid-flight. This assertion contradicts his televised testimonial interview. There have also been bizarre reports from Admiral Byrd’s expedition, including claims of giants, UFOs, a hollow Earth, and a Nazi base. It is important to note that Admiral Byrd was a Freemason, which raises questions about the sincerity of his claims. Evidence should always hold more weight than mere testimony. Furthermore, the narrative surrounding these events appears to have been altered after the fact, leading to the implementation of the Antarctic Treaty.

A researcher named Monte Urbano (who lived from 1544 to 1613) published a world map book that depicts more land at the southern edge and northern region. There is also a claim for a magnetic mountain at the centre of the North Pole called Rupes

And this is just one of the many schisms [you decide which to believe]. Believing in a dome or an infinite plain is a divide and conquer scenario, a stalemate debate (Hegelian operation) because neither can be determined at this stage (not by ordinary folks anyway). And it’s set up that way to keep you distracted, misdirection. You’re focusing on competing truths, and they’re pursuing some other agenda, probably something otherworldly. I don’t mean that in a hyperreal-space way, but perhaps a breakaway civilization and whatever that may entail. This could explain why the trillions of dollars are going towards NASA’s black budget [people would be essentially paying for their breakaway project]. Believing in a flat earth is given to anyone up-to-date in their conspiracy. No one can go against observance and empiricism unless you work for the state, managers of occult of personality (often they will entertain the idea, but a cop-out at the end), or if the person is highly demoralized.   

Competing truth theories in the Dome argument: there is a claim that at the North Pole exists a pyramid (or some object), the load-Stone that’s magnetic, located in Mount Meru, and it’s putting out a light or invisible power source. As it goes up, it hits a reflector like a disco ball and then functions as light waves against or in a parabolic manner against the dome. So, looking at the Sun, it’s not a three-dimensional floating object, but light bouncing off the dome and being collected by the dome. This is said to explain the seasons, the light waves having an up-down pattern within the dome, and the corkscrew effect between the Tropic of Capricorn and the Tropic of Cancer – it is about adjusting the height of the beam to make the Sun take a higher or lower position in the sky. Accepting Flat Earther’s premise for the Sun moving around the Flat Earth plain can be observed, which leaves me sceptical, or maybe it’s both parabolic light waves coupled with the rotation of the Sun.  

From Dubai, Las Vegas to New York a beaming representation.

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This theoretical base for a ‘Load-Stone’ being responsible for weather patterns seems reminiscent of Stargate SG1’s episode ‘Touchstone’, which coincidentally functions similarly, where an artefact is responsible for weather patterns. The episode’s premise is about a climate control device stolen from a planet, and SG1 is accused of theft. First, they must find and restore it before the planet freezes. Then, the weather on Earth starts to change unexpectedly, and the team believes that rogue NID agents have stolen the device. 

In Paradise Found by William F. Warren states: [paraphrased]

In this cosmological conception, the upright axis of the world is poetically conceived of as a majestic pillar supporting the heavens and furnishing the pivot in which they revolve. Euripides and Aristotle unmistakably identify the pillar of the Atlas of this World axis. How interesting a feature this pillar became in ancient mythology.      Again, according to this view, the highest part of the Earth, its true summit, would be at the North Pole. And since the whole upper or northern hemisphere would, in this case, be conceived of as rising on all sides from the equatorial ocean toward that summit, nothing would be more natural than to view the entire upper half of the Earth as a vast mountain.   It is extremely easy for the imagination to carry the summit of such a spectacular mountain to and far above the clouds. And even extend it to such a height that the gods of heaven might conceive of having their abode upon the top. This came to pass, hence the cosmology of the ancient Egyptians, Acadians, Assyrians, Babylonians, Persians, Indians, Chinese, and others. We find under various names, but always easily recognizable, this ‘Mountain of the World’ situated at the North Pole of the Earth. Supporting or otherwise connecting with the city of the gods and serving as the axis on which the Sun, Moon and Stars revolve.  Often, we also find evidence that the hemisphere was conceived of as an inverted mountain that was anti-portal to the mountains of the gods and connected to its apex as an abode of demons.

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The enclosed creationist has linked the Garden of Eden to the ‘Mountain of Paradise’ at the North Pole. Other Eden archetypes are Atlantis, Mt Meru, Avalon, Shamballa and Hyperborea (beyond the hyper/aurora bore(alis)). Warren describes the North Pole as the Naval of Earth.

In the “Cave of Treasures”, page 27 specifies God creating paradise in Eden: Moses the prophet said that God planted Paradise in Eden and placed Adam there (Gen. 2: 8).

[Note: Paradise was situated on Mount Eden, beyond the Ocean, and it was filled with fruit-bearing trees. The great river that sprung up was parted into four heads, viz. Pishôn, which flowed through Havilâ, where there were beryls, and gold, and stones of price; Gîhôn, or the Nile of Egypt; Deklath (the Tigris), which flows through Assyria; and Perath (the Euphrates). The keepers of Paradise were Enoch and Elijah, and in it dwelt the souls of the righteous. The souls of sinners dwelt in a deep place outside Eden. The tree of good and evil that was in Paradise did not possess these properties naturally, but only and die the death of sin because they desired and ate of the fig tree’s fruit, but or the date palm, or the vine or the ethrog (citron). Mount Eden is probably the original of Jobal Kaf of Arabs, a mountain range surrounding the world.]

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Eden, aka Mount (Su)Meru, and its surrounding land split into four by its four rivers, are the Church [Fol. 6a, col. 2], which g(G)od was about to extend to men, and Adam being a priest, king and prophet, g(G)od brought him to Paradise (Eden) in which he could minister over the Holy Church. [Even as the blessed man Moses testifieth concerning him, saying, “That he might serve God using priestly ministration with praise, and that he might keep that commandment which had been entrusted to him by the compassion of God (Gen. 2:15,16?). And God made Adam and Eve to dwell in Paradise. Accurate is this word, and it proclaimeth the truth: The Tree of Life in Paradise foreshadowed the Redeeming Cross, which serves as the actual Tree of Life; the earth’s centre lays the Tree of Life. – Cave of Treasures].

Two scenes from The Immortals depict the gods: Zeus and company watching over humanity high in their Mountain, Mount Meru, at the earth’s centre.

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The giant Tree in the centre of the North Pole was said to have been cut down and is now depicted as Mount Meru. Around Mount Meru is another mountain that surrounds it called Mount Negra, with four rivers extending outwards – that is said to be the cause of the tides, contrary to the notion of the moon being the cause of the tides. The four rivers breathe in and out because of a magnetic stone, also described as a Bare Rock, 33 miles long and under the pole, causing the tides. 

Another theory concerning the North Pole, which conflicts with the previous description I outlined, is the belief in a sort of Vortex with specific singularity properties; underneath the Polaris Star is the supposed Vortex and on the other side of this Vortex is a Black Sun called Agatha. This other side (the upside down) is where Hyperborean or Eden is; they describe it as paradise. The big dipper, associated with the North Star and throughout the seasons, depicts the Swastika symbol. [Is it a Vortex or a Mountain?] These cult groups push this notion, whether true or not, as an offset to enclosed-creationism groups that focus more on the esoteric New Age-Flat Earth followers. Another branch of the New-Age-Flat Earth group is similar, but neither accepts an infinite plane or a dome. However, they push a Zionist conspiracy and advocate that the true spiritual diet for the body is Veganism.

This cult group believes that by entering the Vortex, you make an interdimensional flip-flop, entering a world powered by the Black Sun, filled with love and unity more in link with fifth-dimensional nature centred with the heart consciousness. I can’t help but feel that anyone promoting this is setting themselves up as a New Age Priest to mediate between you and an interdimensional unknown. It’s still deductive reasoning with narrative-based research. It has all the hallmarks of New Age mysticism while indicating speculation of an absolute [don’t fall for it]. It’s asking you to die for a place in a promised land with a New Age twist (that New Age twist is sacrifice disguised as salvation and immortality); moreover, the North and South Poles are heavily militarized zones. Therefore, it’s a redundant plan – it’s written in text that no mortal man can approach that paradise, whether it’s inside the supposed Vortex or if it’s the Mountain of the Gods.

The earth is an infinite plain, and our section is encased in a Merkaba field, the field not being made of glass but compressed hydrogen. Or neither compressed hydrogen nor Libyan glass, but rather encased in an invisible magnetic and sound frequency field – and when you get further away from the centre, physics becomes warped until you reach another world closer to another centre. Perhaps some other centre points still have their giant tree. Within this infinite plain, there may exist above us (as likened to the truism of as above so below) are dimensions and entities directly above us on their flat plain looking down/up at us, and we are looking up/down at them. An infinite plane is a reflection of the eternal mind of God that is eternal, in which your spirit is eternal.  

The Star Tetrahedron exists within every human body. Before any Flat Earth notion, it was said to be also around stars, suns, and planets because a hyperreal-space notion is false. The Flat Earthers have adopted it for their Flat Earth paradigm (that Earth is an enclosed flat plain that exists inside a Tetrahedron that acts out the properties of a toroidal field with its magnetic and sound frequencies). The vertical red line through Vitruvian Man represents life force energy; the two apexes connect the third and fourth dimensions. In Alex Grey’s painting, I repeated the image to depict an infinite notion and introduced a red horizontal line representing an infinite Flat Earth Plain.

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There is merit to being sceptical, considering the Tetrahedron field is only evident around the human body. Its being around the Flat-Earth plain could have merit only if invisible, just like the human body. Still, Flat Earthers want to impose a close system – suggesting a Tetrahedron as a Merkaba made of compressed hydrogen or a Dome made of glass (or Libyan Desert glass) that is said to be made evident by chips of the glass had fallen from the Dome. Maybe so, but they must confirm that desert glass is warped around the Earth like a dome. They make it clear that Scientism’s religious dogma is based on assumptions, but somehow, their assumption is more factual.

Michael Tellinger, a predominant researcher on ancient astronauts and sound frequencies, has determined that our reality comprises these infinite amounts of torus-shaped energy fields – that are responsible for everything in our reality (from the sub-atomic to the largest). However, the Torus shape is used as part of the deception to describe the world entirely, but this isn’t necessarily the case. It’s within a double Torus shape that creates energies from both the top, in which the sound goes inwards; when the two Toruses meet at the equatorial plain, we see an explosion of energy and matter. Michael Tellinger determined that electrons are made up of coherent resonance and act as a cloak of invisibility. Nikola Tesla determined that the Earth rings like a bell, and with it comes free energy; it’s all about converting energy to electrical energy. The sound of the Earth also creates a magnetic field that is invisible and shaped like a Torus field.  

In the meantime, the New-Age-Flat-Earth-Cult groups are asking for people to place their blood over intent (a sort of magic ritual spell). What is strange is the Vortex is real, but the location of this Vortex, the North Pole, needs to be confirmed. The blood over intent cults is hermetic understanding, notably vibrations that can often be understood as waves. And each wave is a point of conditioning for solidifying divine intent. Kabbalistic principle is derived from the Kemetic principle and is about the triune god, father, son and Holy Ghost, also known as Aeon. Then, there are the three stages of expressing the mind of god. Finally, when the intention is looking for manifestation – it’s about consolidating intentions to waveforms likened to the ten Sefirot.       

The New-fundamentalist-enclosed-creationist and the New-Age-Flat-Earth-cults believe that a giant Tree once grew in the centre of the Flat Earth (at the North Pole) – a literal giant silicon tree that reached the heavens and also spread out (or interconnected) along the flat plain earth. They believe the giant tree was powered by Aurora Borealis (a powerful light that emanates a green colour); the Aurora Borealis is the result of the tree being cut down. The Sun moves inwards and outwards, bringing the season; when the Sun reaches the North Pole as part of its cycle, it arches. 

This Tree no longer exists; apparently, the silicon world allowed humans to live for centuries as the Tree allowed for a stable environment. Most of what we call mountain stumps are giant cut-off trees. Warren describes it as: “Where stood this tree … were at once the source of all other trees and the giver of immortality.” The film Avatar depicts this tree allegory very well – for example, Eywa represents Mother Earth; Ewya comes from the Celtic word Deiwa, meaning “goddess.” What is left now after the tree has been cut down is the Mountain of Paradise; it’s undetermined whether Mount Meru is still there [I still need to confirm this].

On the other hand, New-Age-Flat-Earth-Cults believe it’s within or inside the Earth, and the Vortex is the entrance. They believe entering the Vortex is akin to entering another dimension, where their bodies will be restored to their original form. Within Eden, the Holy Grail (an elixir, water with magical properties) exists, which gives immortality. (You can see where fact-based research ends and narrative-based research begins.) Adding its inclusiveness, New-Age-Flat-Earth-Cults believe only people who vibrate a high frequency of love can pass through. Wasn’t there a New-Age notion of Earth being on the brink of being invited to an interplanetary galactic federation (akin to Star Trek) only if we can get our collective consciousness into gear? What is that saying; ‘same old shit, different toilet.’

A leap of Faith is required to keep the momentum of the controlling system running; the Globe, the Dome, the Infinite Plain and the North Pole Vortex are various forms of eschatology. I’ll discuss the North Pole Vortex because it’s difficult to pin down. It seems they’re asking us to accept (whether it’s true or not) irrationality as something rationale. Simply put, it’s not about entering a vortex but connecting with it metaphysically. The connection doesn’t have to be literal. New-Age-Flat-Earth-Cults use intuition’s defensive quality; intuition is defensive because it’s how we live, both on the practical and metaphysical levels. Especially on how we view mortality itself – [birth and death are the underpinnings of the collective unconscious. Here is the great source of fear, the fear which makes us deny death so actively]. It is within reason that nobody entered a vortex when the giant Tree was still alive (because it didn’t exist). Only when that Tree ceases to be alive can such a notion be applied. The idea of mortality would have been unheard of in the silicon world; in reality, the encouragement of acceptance of mortality would be their fear. For us, our fear is encouraging the denial of mortality. 

However, the New-Age-Flat-Earth-Cults is asking you to deny your mortality and accept death because once you enter a dimensional Vortex (or enter into speculation of an absolute), you are in paradise. Who is to say you’re not entertaining death, and are you willing to bet your life (and soul/spirit) for a speculative promise of a place in Eden’s paradise? No one can know. And this is why it’s just eschatology with New-Age veneer in this flat earth bubble of irrationality. We are convinced that predestination backed by mythical/narrative history is rational. Predestination, and whatever form it takes, will always have a contradictory effect. And this makes us feel we live inside a large enclosed prison of inevitabilities – and thus relieved of responsibility. And so we feel free to act however we wish within its walls. The Elite Powers who run the world seem to have taken this notion and ran away with the detrimental to our environment and spirit. New-Age-Flat-Earth-Cults have given us a literal way out to protect us from this darkness, but the price is your life. Their reason may be metaphysical, but it’s a reason nonetheless, and there is an attempt to squeeze our reality and individualism within that reason, but it won’t function.  

In Westworld, the last episode of season two strangely synched up nicely with what I’m trying to refer to; it alludes to the centre of the Earth. However, the centre is dry as opposed to the wet sea. The top left corner depicts cult followers (lemmings) ready to enter Paradise, leaving their mortal bodies behind. But, the premise is that they are entering another simulation, not knowing it’s another false reality.

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The Hosts in Westworld (artificial intelligence with souls; this is a fallacy in the narrative telling) depict our reality as Paradise, so it would seem humanity sees itself apart from this world, an Astro-gnostic of separation. So, there is a strange meta-fractal similarity with what appears to be entertainment depicting humanity’s spiritual assumptions. Also, the Guests (Humans) wish to copy their minds (psyche; another fallacy in the narrative telling). They think they can copy their souls/spirits into hosts to be immortal, but the God aspect always thwarts this aspect; He is the greater designer.

New-Age-Flat-Earth-Cults are under the assumption that they will do the same by reaching Paradise and drinking the waters of immortality. They also wish to bring heaven to earth with their magic (blood over intent) while deluded to thinking they can enter Paradise like Westworld, which contradicts their goals.  

I was also watching X-files, and an episode called “The Field Where I Died” synched up nicely with what I’m trying to infer. It’s about how eschatology faith can bring harm and become Cult-like, which is a far cry from what cults were originally centuries ago. Agents Mulder and Scully investigate a doomsday religious cult called the ‘Temple of the Seven Stars,’ which inadvertently draws Mulder into recalling a past life and how Scully and others were there with him in the field where he died during the American Civil War. The episode plays with the traditional belief of “Eastern” philosophies of reincarnation and bonded souls.

‘Holy Heaven’s Gate’

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The cult leader, Vernon Ephesian, and his gathered followers are ready for the group’s ritual suicide, handing each other cups of poison. In doing so, Vernon is preaching: “Blessed are they; that do his commandments; that they may have the right to the tree of life. My little children, let us not love in word, neither in tongue, but in deed and truth. And hereby we know that we are truth, and shall the stewards. And enter in through the gates of the city. For without – are dogs – and sorcerers – and whoremongers – and murders – idolaters. And whomsoever – loveth and maketh a lie. Behold – I am alive forever more.” Mulder came running into the facility where the collective suicide was about to occur, but it was already too late. 

There is a mention of the Tree of Life and that by following commandments; they may have a right to the Tree of Life. Is the Tree of Life the once literal Tree in the Earth’s centre? I am assuming somewhere inside is the gate to the city, to Paradise. The Tree of Life seems to be only a parable to them; therefore, ‘within’ is through death, so the gateway to the city (to Paradise) is revealed. All these mentions of Paradise are different from the notion of heaven.

Humanity has always struggled with the implications of mortality. [Gilgamesh wished to be eternal, just as we do. One of the great experts on this epic puts it that the gods cannot be tragic as they do not die. Gilgamesh’s first hint of tragedy comes with the agonizing death of his great friend, Enkidu. He then makes an impossible journey across the earth to reach the Underworld to gain the secret of eternal life – to defeat death. When he finally reaches the other side, he begins: “I wish to question you concerning the living and the dead, how shall I find the life for which I am searching?” and the reply comes back: “’ There is no permanence.’” Gilgamesh was able to accept that the ultimate choice is to admit that there isn’t one or to live in denial, and so he became our first tragic hero. He is a real hero because he rejected the myth of immortality. He accepted that tragedy is only bearable if we make ourselves conscious of it – John Ralston Saul].     

Inside the Vortex is the unknown: New-Age-Flat-Earthers believe all the notions of the underworld are misrepresented to hide the fact it’s Paradise. This assumption is not made evident with proof, either by myth or fact. They believe that when Paradise/Eden/Atlantis, etc., went underwater or was engulfed amid the underworld by the flood at the North Pole, it may still exist within the Earth. I assume this has links with hollow earth theory as well. The schism between flat earthers, whether the Earth is enclosed or open, has many implications; however, regarding the stakes of our spirit, the schism is also about whether we travel above or below. Of course, this is nonsensical for anyone who is a spiritual pessimist, and focusing on something more tangible should be considered first.

New Age-Flat-Earth-Cults are becoming parallel to New Age-Fundamentalist-Christians, and it is becoming clear that they can only be described as New Age-Fundamentalists. According to them, they were born into sine/sin/time, which can be true; however, they’re advocating that Saturn, an energy body, is the holographic machine that powers our holographic reality into sine waves. Saturn was hacked upon the introduction of the Moon; apparently, the Moon was non-existent before the flood. The Moon is said to be put there by Reptilians; the Moon vibrates square waves and is now working in tandem with Saturn’s sine waves – and the Moon is also a reincarnation machine to keep us in prison for our energies.

In the previous thesis, I outlined a theory that Saturn could be a time regulator and soul depositor, and the Sun could be a Soul Eater. Meanwhile, the New-Age-Flat-Earth-Cults believe Saturn is a holographic machine that powers our holographic simulacra, along with the Moon being a hack station for imprisoning people through square waves. While also a reincarnation machine, all seems slightly wackadoo, even with my assumptions. What is the truth? The truth is nobody knows anything. This cult group could be a variation of the Saturn-death-cults or hollow-earth conspiracy theorists rebooted as New-Age-Flat-Earthers. So far, their proof is through synchronicity via pop-media-entertainment-culture. In contrast, synchronicity is a fascinating tool for conspiracy theorists as it shines a light on the universal mind intelligence trying to tell you something more meaningful than mere coincidence. However, synchronicity can never be empirical because it’s a non-rational function (that’s not to say a rational function holds all the reasons for reality). 

Was Kubrick’s 2001 Space Odyssey trying to reveal something to people? Their synch is as follows: firstly, the Monolith is like the Cube. I think it needs more aesthetic similarities, don’t you? So, no, the Monolith is not like the Cube. Secondly, the Moon is resonating a strong pitch sound to Saturn [in the film, it’s Jupiter, but originally in the book, it was Saturn], suggesting it’s hacking the holographic sine waves of Saturn. I’ve mentioned that the Netflix show OA implied a particular sound resonance emanating from Saturn that correlates to the sound when you die. This means sound waves; however, promoting it to be a sound wave entirely responsible for our reality is theoretical speculation. There (synchronistic) proof is at the beginning of The Matrix as it showcases a reptilian eye within the digital holographic number zero. And this leads to Saturn iconography within the light flare of a torch. And this is a far cry from determining Saturn as a holographic simulator for our reality.   

There is reason to be sceptical because there is no greater designer than the True-God, which the Demiurge wishes he could be; ‘Tron Legacy’ alluded to this when Flynn says, “Clue can’t create programs; he can only destroy them or repurpose them.” However, a Saturn holographic machine suggests the Demiurge is more significant than what he is.

The Moon has been a hotspot for many conspiracy theorists and high-weirdness researchers. David Icke may have started the trend by claiming that the Moon was an alien base for Reptilians. Others claim it’s holographic. The New-Age-Flat-Earthers claim its translucent flat disc. I take comfort in knowing that nobody knows anything. The world’s creation is cymatic; in Genesis, God created the world in six days, and before the light, there was the ‘word,’ which is the sound.

New-Age-Flat-Earth-Cults believe their natural bodies exist somewhere else (Eden/Paradise), and they think they will re-connect with it when they have enough people to follow them and then go through the Vortex entrance. Okay, sometimes when you watch a film, a.k .a. ‘Matrix,’ it doesn’t mean it’s a literal representation. Otherwise, you will fall into another Scientology dogma. During the Golden Age of Saturn, Saturn was bigger without rings. Saturn changed drastically through an energy body battle with Jupiter as they neared each other, resulting in Saturn becoming smaller but now having rings. This explosion caused the Great Rift, also known as the Milky Way, which caused the flood as the Rift was within the Dome/firmament, and Water fell through. I’ve repeatedly mentioned this; it’s just speculation as an absolute, a mixture of historical truths, myths coupled with narrative research, and conspiracy theory with a bit of eschatology. The Great Rift concept is a fascinating one. So, it’s reasonable to argue with eschatology, although I have not argued for the Great Rift yet. Instead, I’ll focus more on the supposed North Pole Vortex.

In the Cave of Treasures, they always reference the Mountains of Paradise, going down from Paradise, and so on. When Adam and Eve were expelled from Paradise (Eden), they went down from the mountain to the slopes and found a cave (Cave of Treasures). They stayed there and had children: Cain, Lebhûdhâ, Habhil (Abel), and Kelimath. Kelimath is often known as the twin sister of Cain. Cain grew jealous of Abel and so killed him. Because of this, he was banished from the mountain and dwelt on the plains below. Adam and Eve had another child, Seth. When Adam died at 930 years old, he was buried in the Cave of Treasures. They made a shrine and prayed to the angels and the Paradise above; Adam asked Seth upon his death. [And when I die, embalm me with myrrh, and cassia, and stakte, and deposit my body in the Cave of Treasures. And whosoever shall be left of your generations in that day, when you are going forth from this country, which is round about Paradise, shall take place, shall carry my body with him, and shall take it and deposit it in the centre of the earth, for the place of redemption be effected for me and all my children. – book of cave of treasures] 

Seth became governor of his people/children and ruled with purity and holiness, glorified in the truism of “the sons of God.” [There they dwelt in peace, nothing to worry or trouble them [Fol. 9b, col. 1], and they had nothing to do except to praise and glorify God with angels. For they heard continually the voices of the angels who were singing praises in Paradise, which was situated at no great height above them—in fact, only about thirty spans—according to the measure of the spirit – book of the cave of treasures]. So there is a clear distinction where Paradise is, and it’s always above, not below. Adam being buried at the centre of the earth doesn’t mean inside the earth, but at the centre of the flat earth plain. It only meant that if Adam decided ever to leave the cave where they dwelt, they would carry his body with them. However, eventually, it will be returned to the centre of the earth, the Cave of Treasures.

There is an assumption that Eden sank and, within the underworld, was taken to another dimension; it’s assumed Atlantis sank and was determined only by deductive reasoning that is always symbolic and mythical. I could say Eden was lifted up before the deluge into the heavens; this is strangely within reason, helped by technologically advanced angelic beings (if there is a Vortex below, there is a Vortex above, made evident by their toroidal notion). It’s reasonable to assume or speculate that going above or below leads to the same place. However, going below would mean going through hell (I mean that literally). As described in Paradise Found [I quoted earlier], an inverted mountain is the anti-portal beneath the earth/ North Pole, where demons reside. Therefore, assuming the Vortex entry is the Abyss entry, it is worthy.   

Atlantis Rising

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As one typically does when listening to music or taking a stroll, I theorize that Vortex’s supposed entry leads to the same place where CERN conducts its portal experiments. This location doesn’t point to Paradise but to everything related to Antimatter. CERN is attempting to discover the fundamental force that holds everything together, mainly what binds Matter, and they have already identified part of it. The Higgs field can be observed, notably in areas devoid of Matter. What’s fascinating is that the Higgs field can alter reality, which could explain phenomena like the Mandela Effect. CERN’s experiments produce Antimatter, which is the opposite of Matter and is precarious. Facilities need to contain Antimatter extensively. If even one gram escapes, it could trigger a catastrophic event equivalent to 45 kilotons of TNT—a mega earthquake. Our world is composed of Matter, but we cannot see Antimatter, even though we interact with it daily. Often, we describe Antimatter as an inconceivable yet inherently hostile other dimension.

A group that has studied paranormal activities since the 1930s tried to define it scientifically and concluded that our reality is a dimensional slip. Where other things can interact with this world, therefore, the interaction of antimatter, any realm of paranormal activity can absorb that antimatter. It then gets neutralized. Demonic entities are attracted to antimatter, and Cern produces it. Antimatter is invisible and, therefore, resides nowhere but everywhere. Every life form is connected to that realm while also existing in the realm where we reside. They are determined by how people’s thoughts determine what energy to draw from, positive or negative. In this world, we have to light a flint to catch fire; in that realm, it’s already on fire (10,000 times over) that needs to be contained.      

The flat earth paradigm asks people to question the foundation of their beliefs to redefine everything they know, resulting in our imagination running wild, predominately in the realm of reason for thought. The infinite plain believers are convinced of a conspiracy in which the old religion (Roman Empire) never died and just went underground, then, when it was ready, redistributed a new belief system in the guise of science. This science introduced heliocentrism because, during the Reformation, the Church was losing its power, and this was the means of gaining that power back. Heliocentrism became the new state religion; then, it would become a global dominance for cultural imperialism. 

Is this speculation an absolute? It’s undetermined; is it a reason as thought? Its reason tends to lean towards history, and history and myth are always coupled. There also seems to be a constraining of history and attempts to isolate animism. Thoughts lead to the human, and the infinite plain paradigm’s conceptualisations are linear and non-linear. It’s non-linear because it asks, what if there is more land beyond the reaches of the ice wall? However, it has a linearly determined history and is incomplete. A non-linear aspect doesn’t have to be entirely surreal, just enough to fit into society. History and myth, in its essence, can be pure and instrumental and, in a way, a form of truth (applied ideology). History can also be chaotic, like an overgrown tree with semantic historical branches having their own stories. You can go for pure irrationality disconnected from reality or the messy version. Still, you can somehow approximate the sensible confusion of reality, the balance of reality, and the full force of intelligence – not thought – of animism.   

What is scary is that the latter is how the world functions. There is no realization that everything is related to everything else. The effect will rarely be a measurable spin-off of the cause. That’s why a new anti-statism or new-reformation movement will always vary from the ones before. Instrumental reason is irrational because its devotion is to a mechanical solution conceived in a limited time and space as if the matter is unrestricted. Instrumental reason exists because we believe it to be a form of thought when we all deal with a narrow logic built from within.

Of course, the same can be said with the fundamentalist Christians with their new enclosed-creationists paradigm; its reasoning comes from its deductive approach. The Christian approach transcribed in scripture and religion comforts every upheaval and future event, which requires conversion exercises. If you don’t convert, you’re essentially going to hell. Religion sells you on the idea that it has all the answers. It makes you believe somebody has all the answers, and you need to listen to that person. Every religion at the core has a utopia scheme; Christianity’s notion of ‘sin’ needs to be removed, and when this happens, the world becomes perfect.

The Anti-Science Aspect Is the notion brought about by scientism’s icons who insist on Flat-Earth science (the scientific method used to conclude the earth is flat), not science? And this is no surprise considering most of these scientism front-men have made science their religion. Most of the demoralized are consensus-based, people who only believe the scientist’s opinion. It’s beside them that most scientists listen to our non-scientists. Scientism is government science that adheres to government power.  

In medieval times, the Church has always been a patron of science; extreme cases such as Hypatia and Giordano Bruno had more to do with political issues than theological disputes. Therefore, the reputation of the Churches, who had smashed science down wherever they found it, was a myth.

According to the infinite plain believers, who have a humanist quality that wishes to disregard god and spirits altogether, only value all things human. Claims, Heliocentrism and the worship of the Globe and Planets are just symbolic references to the worship of those gods. It would then be used as a blueprint for controlling minds, a system of myths to brainwash people into worshipping them. In which the Church cleverly hid a polytheistic system within a monotheistic framework that parallels a heliocentric view. There is a conflict of interest in this; they will advocate religious people’s cultural pessimism and their gullibility to fall for Christian-biblical-futurists and, at the same time, are spiritual pessimists themselves. And this is an incomplete process if one is to encompass true enlightenment.

Believing in a Flat Earth means disbelieving in Global programs such as Global Warming based on debunked science. Just like the notion of Earth’s Moon leaving Earth’s orbit every centimetre each year is a lie, the implication is global warming is a lie as well. Global warming (aka, climate change), just like religious doomsayers, is a variation of end time’s eschatology based on fear. If environmentalists are about saving the world, they would have read the data and concluded that there hasn’t been any appreciable warming in decades and, therefore, re-consider implementing a carbon tax. Instead, they doubled down on the scam. How did it get to this point where you’re being taxed for the natural air you breathe? Global warming is a religion, and its most prominent priest is Al Gore. Unlike the global warming scam, the environmental aspect, including pollution, deforestation, etc., is very real.

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The conspiracy theory now is about the Globe being used as a unification tool for cultural imperialism. It is a religion with the most power to define everyone, with the main contention being that heliocentrism is religiously based on Helios (the Sun/son) being their god. This implies every heliocentric is a Catholic, and every atheist, including those proponents of scientism, is a Christian without knowing it because they have a scientific veneer over the Judaist-polytheistic template.  

This is evident considering the proponents of NASA, an institution sometimes granted heavy governmental salaries, to the government’s dismay. Their whole purpose is not to explore space; it’s to stop human exploration, to mislead you, and to say that the only way out is up. They don’t want us to know that a way out is possible through the side – with possibilities of more land, and they’re holding us hostage. The debate is about open versus closed. NASA is also an enigma of an institution playing a double game. There is the false narrative, and then there is the secret narrative; NASA is trying to tell you something between the two.

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NASA started as a military intelligence operation; it has morphed into something else entirely since then. That something else leads to conspiracy theories. Therefore, NASA pushes false public relations to the people while secretly being one of the many institutions that are financing a breakaway civilization with your tax dollars. This leads to another conclusion or theory: Ancient astronaut cults (or alien cargo cults) that work in tandem with Hollywood exist within NASA and parts of the military. Furthering the theory, I speculate with the consideration of the new Flat-Earth paradigm that it’s less about an ancient astronaut cult because it implies ancient human astronauts (which is fascinating but not within my theory) but an ancient Archon (alien)-worship cult.    

Infinite plain proponents believe enclosed creationists are essentially half a globe, meaning if Flat Earth ever becomes more than just an abstract, but something that becomes more dominant throughout the decade to something like new feudalism. The State’s contingency plan is the dome; this has merit, considering that people who awake to the Flat-Earth paradigm become believers in God. And who is there ready and waiting to convert you? Biblical-Flat-Earthers and New-Age-Flat-Earth-Cults who are controlled oppositions. One is teaching Jesuit Futurism, and the other is something similar to the Heaven’s Gate Cult scenario, but both preach eschatology. Before a Globe worldview, Christianity ruled and so will rule again, this time by theocrats, which is just another controlling system to restrict your movement.

In closing, the Flat Earth Movement and the people that push it see the movement as more than a new rebellion, maybe because it’s probably the last anti-statism ß hope. I’ve noticed that the Flat-Earth-Movement pushers are under the assumption that people switch their worldview instantly – there is pacing within the groups. There is also in-house fighting within the groups, from truthers who are distinctly managers of perception to sincere truthers. Expressly set in place to stifle the collective whole, reject shared knowledge, and slow down the movement. And this is a healthy phenomenon. Flat-Earth believers are marginal for now, and it’s a healthy label, and the collective needs the outsiders. The whole would collapse if the collective suddenly believed the structural stage truth of a Flat-Earth paradigm. Society can’t exist in the abstract; even if it’s absolute truth, it can not be at the speed level they wish.  

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Michael Keefe.

… End of part six… to be continued

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Conspiracy Theory and Reason:

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Regarding conspiracy-(theory), it doesn’t allow human achievements to be their own. Throughout modern history, anything related to events and achievements doesn’t grow organically but is orchestrated; this is a complex notion to grasp. Given human qualities, they associate themselves with society, no more than our capacity to imagine, invent, create, etc. So, every time a conspiracy theory is acknowledged, it turns out to be true. It only reinforces a unifying world plan, and this unification is not ideological. And this impedes any notion of hope and idealism, or even creativity. 

When our human qualities are summed up in this way or explained in this reduced manner, it weakens our thoughts and imagination. Therefore, our intuition is nothing but superstition. [This tends to think itself into isolation and delusion from this self-referential world. This weakness is a characteristic that caught Plato and Descartes’s attention. Of our six qualities, reason has the most significant difficulty working with others. What seems to be missing is the mechanism to reach out quickly to find what other qualities offer. Plato and Descartes misinterpreted this weakness as strength – a splendid isolation of superiority. They, therefore, set about interpreting delusions as reality. – John Ralston Saul] 

So, we must not confuse weakness in reason as strength. Conspiracies at the forefront of people’s radar may very well be true. Still, within it, Like a filter, we must determine how to separate other qualities within the conspiracy (orchestrated or not). To determine what truth is and what is not because human qualities have shaped history and society regardless of being run by an Elite Order, for any commoner, the highest elitist will see is their bosses and managers at work. Otherwise, it becomes an isolated delusion. People are unaware of a higher conspirator power and, therefore, go about their days unaware of the background. The matrix (as a metaphorical concept of control) is an illusion, but people still have to live in it, awaken or not. People are still driven by their fears and happier in their weakness (akin to the Cypher effect); it offers them/us the illusion of certainty. 

A theory is a system of ideas intended to explain something, especially one based on general principles independent of the thing to be explained. A hypothesis, but there has to be thought before all of that. And within thought, there is the fallacy of the unattributed end made clear by French philosopher Descartes; “I think therefore I am” a Parisian quip; if one were to finish the sentence, it becomes meaningless. What if the reason was thought: [“I think therefore I am” because I think in the context of others who have thought before me, now think all around me, and will go thinking after me? We may be the only creatures capable of thought, but that can be said of all our qualities. However, it only takes on significance because “we are” part of something beyond us. Call it society. Our ability to extend our considerations beyond ourselves makes them think. Otherwise, what we are engaged in is just something more sophisticated than a normal animal activity – a quantitative difference, not a qualitative one. I would call this self-interest, not thought. Put another way: what is the implication of believing there is an underlying rational truth, a rational godhead? Well, since we have never come up with such a truth, despite having tried over the centuries, we are left with the ultimate meaning of ideology. That is, we insist upon treating speculation as a statement of absolute. – John Ralston Saul] 

We do have some resemblance of what Godhead might be, but nothing to describe it as rational that’s impossible; that’s like trying to define the unknowable or putting a name on the unnamable Dao. Our disconnection from the Godhead stems from a spiritual loop, experiencing the shadows of our collective innermost until we can remember the centre again. And so parallels the story of Babylon and the Garden of Eden. Where humankind lost its connection to the Godhead, this loss of connection is perhaps the reactionary reason for the human attempt, with all its qualities, to reach God. The first is the Tower of Babel, followed by modern-day rockets. [But thwarted by the firmament, which is why rockets don’t go straight up, but in an arch].

In the film X-Men Apocalypse, there is a scene where Apocalypse takes over Xavier’s mind. Upon taking over Cerebro, he releases nukes through psychic power. This is a re-invention of the allegory of the fall of the Babel tower, trying to reach God’s realm but not succeeding. Apocalypse says: [after disarming the world of nuclear weapons by launching them] “You can fire your arrows from the Tower of Babel, but you can never strike god!”  The image of rockets unable to reach outer space is a truth hidden in narrative storytelling. But, of course, it was Havoc that destroyed it.

Apocalypse represents the sun god Ra, Yahweh (Jehovah), etc. It was the sun’s rays that woke him up. Another Apocalypse quote: “You are all my children, and you’re lost because you follow blind leaders. No more false gods. I’m here now.” They showed elite governments and Corporations (globalists) a representation of a false steward worldwide. …notice the three crosses representing the three kings/sisters, an astrological marker for Orion. It does show a curved Earth, but what he says about not reaching God implies a closed system.

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A BBC documentary titled “How Art Made the World” specifies the unique human quality of creating and understanding symbolic imagery throughout human history. That started from early cave paintings – unlike “Ancient Aliens”, the show doesn’t give reason from its everyday societal imagery of hunting and gathering depictions. However, what prompted or inspired those activities? Could it be from witnessing a phenomenon we call UFOs, and from that, they became our new gods?

The beginning of Star Trek-Into Darkness depicts Planet Nibiru (a prominent link to Zecharia Sitchin’s Nibiru or planet-X, now called planet 9. I’m still trying to figure out why they changed the name and position of the supposed hidden planet). The planet’s inhabitants, the Niburans, instantly changed their belief system (their religion) once they witnessed a spacecraft rising out of the seawater. So it’s a cargo-cult and new Watchers motif. The new Watchers are what I call humanity’s affinity to be like the Watchers (spiritual-angelic-technological beings) to simulate the old Watchers of old. And this has been a prominent motif throughout the Star Trek Series.  

JJ Abrams’s Star Trek-Into Darkness depicts the class M. Nibiru planet, which is a testament to the Adams calendar found in South Africa. Abram always depicts the Hexagon; it was also in ‘Star Wars Force Awakens’.  Adam’s Calendar is said to be where the human species were created by […]. In ‘Rogue One’, a symbol depicts the megalith structure associated with Orion’s Belt. The Hexagon is a sacred symbol linked to our creation in the form of the human embryo egg cells. Nibiru’s landscape is reminiscent of vein-like blood cells.

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One episode from the Star Trek series that comes to mind is “Blink of an Eye” from the Voyager series, a play on the title of an old episode called “Wink of an Eye”. The Starship Voyager, stranded in a sector of the galaxy tens of thousands of light-years from Earth, enters the orbit of a strange planet, only to find itself stuck in a “tachyon field” unable to escape. The crew then discovers that the presence of Voyager in the planet’s upper atmosphere is causing continual seismic activity on the surface and that the planet is inhabited by intelligent life at an early Neolithic stage of technological and social evolution. The planet’s unique feature is a time dilation component; time passes much more rapidly there than in the rest of the galaxy, including the Voyager ship itself: a second of general time corresponds to almost a day on the planet. 

The show’s narrative showcases a vignette of the planet’s inhabitant’s growth as a civilization throughout the ages, from Neolithic to a futuristic civilization. Each vignette shows an archetypal quality. Overall, it’s about history and time and what it’s like to sit outside of time and watch as history unfolds. So, they’re Watchers by accident or curiosity, a play on how humans can better play the role of Watchers. However, the inhabitant’s whole premise is the inspiration that took the form of intuition, allowing imagination to prosper without interference, aside from the first appearance of a Star, i.e., Sky-ship, which is in dichotomy to Watchers of Human myth, which possibly played a role as Watchers that influenced human’s stair step evolution in the Sumerian civilization. What the show implies is a thought experiment that, even without interference, human achievements can still be their own. The reason is actual knowledge is pre-symbolic.

Notice that the second panel depicts a planet with its magnetic/tachyon field, but the planet itself depicts a toroidal field.

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Voyager upholds their prime directive, initiates the doctor (EMH) to live among the people, and affirms this inspiration; Voyager’s presence encouraged invention, religion, science, art, and even children’s toys. It even inspired a space race among the inhabitants of various states. Who can get to the starship first with a rocket (which coincides with our space race to get to the moon first with a rocket)? However, there are shades of religion in the relationship between the inhabitants of that planet and the ship in their orbit. Blink of an Eye suggests that their interest is more spiritual. More on the notion of the New Watchers doing it better is within all the inspiration; it never inspired an inquisition or human sacrifice. 

Genesis explains how the sons of God (Beni Elohim / Fallen Angels) found the daughters of men attractive, took them as wives, and had offspring that became Nephilim (giants). During this time of the deluge, God found all men’s flesh corrupt and their thoughts continuously evil. However, God found favour in Noah; he was righteous in his generation, meaning there was nothing wrong with his genetics. The new fundamentalist Christian ideal (inspired by non-canon texts) is that Lucifer campaigned with the Angels to do great sin. This deception is believed to be repeating itself in modern times as the new fundamentalist is ensuring the aspect of our human quality that embarks on ignoring morality, ethics, and reason by adhering to immoral programs like gene manipulation, Cern-activity and so forth. To strangely link it with a verse from Mathew 24:37;

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As it was in the days of Noah, so it will be at the coming of the Son of Man.

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This is an attempt to link something that has happened in the past and to compare the similarity of our human qualities in the present. And this is a bold claim, considering they weren’t there to make any significant comparison. It’s a doomsday or scaremonger mentality and has all the tropes of fundamentalism in it. You can say anything about the human quality until now; it would still fit under the banner of ‘son of man’ because it’s ambiguous.

The Epic of Gilgamesh is at least five thousand years old, and the translation of ancient cuneiform tablets confirms the Mesopotamian flood myth as an antecedent of the Noah story in the Bible. The Old Testament gave us formal elements of modern mythology and archetypes. The fundamentalist outlook on the flood is to make you focus on a linear, material, short version that leads to extinction, as opposed to a more timeless and synchronistic position. And that is death, or more precisely, we must die. The material goods keep us in denial – the boat is life, and all that matters is to keep our souls living. The message received by Noah and that of Gilgamesh’s epic in a dream: “Tear down your house and build a boat, abandon possessions and look for life despise worldly goods and save your soul alive.” And this is the timelessness of life, the essence of it.

For now, I don’t have any response to programs manipulating genes to create chimera other than agreeing it exists. Nor do I have a response to the concept of Lucifer campaigning to do great sin made evident by non-canon biblical records [I have to research more on it]. However, I do have some views on reason as thought. That Lucifer campaigned among other Watchers to do great sin is solely based on the assumption that Satan is Lucifer. The fundamentalist reasoning is entirely based on a standard religious doctrine of an all-inclusive quality – because Satan is not Lucifer, and it’s just a merging of two different archetypes, and their qualities have equal value, which makes it irrational. Irrationality has a habit of specializing in truth and giving it an absolute, which implies special access or privilege to the truth. [If you accept that reason is thought, then neither the universe nor nature is rational. They do not think or argue. Nor are they irrational since they make sense. Instead, they are non-rational. A better word might be that they are animists. – John Ralston Saul]  

Lucifer is less of a deity than a conceptual representation of various ideas. “Lucifer” means “light-bearer,” symbolizing rebellion, the quest for godhood, the pursuit of enlightenment, and the mastery of knowledge. This notion of rebellion is intended to be cosmic; it involves challenging or profoundly altering the cosmic order. The demonization of the sacred feminine is rooted in the story of the Serpent, Lucifer, who tempts Eve to eat the apple in the Garden of Eden. This event represents the occult knowledge related to the origins of Genesis—the beginnings of creation. Our so-called “forked tongue” or Serpent DNA creates a magnetism that keeps us in a state of servitude, forever quarantined from the light of Lucifer, the light of knowledge, which has led to his being cast down into the abyss.

What separates Watchers from other angelic beings is that the ‘fall’ is the cornerstone myth of Western tradition and kingship. The Fall in Genesis depicts giants and the megalithic landscapes they were in, but having no records as to who built them suggests that the great flood explained why that evidence no longer exists. Coupled with that is the origin myth of man, which has been embodied with the divine spark, and in addition to that is the idea of descending beings and teaching spirits (Watchers), which is central to Western magic and witchcraft as well. Spirits that fell are spirits that teach the skills of civilizations, and they also teach the secrets of magic.  

The powers ensure everything is played out to match a linear fundamentalist perspective. For example, 9/11 was an event; it’s also a bold statement to the world that it has begun. 9/11 seems to also coincide with revelation 9:11;

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And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.

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Artist-Prophets, from Jack Kirby to the creators of the Simpsons, predicated the Twin Tower event and injected it through their work way before the event occurred. Does that mean they were part of the conspiracy? Not necessarily because we must acknowledge that mortality and timelessness exist and that our dreams link us to the collective unconscious. There are many access points to the unconscious, but dreams are the most common – and there are many versions of synchronicity. Art, stories, music, sounds, myths, actions, courage, fear, and ß the physical nature of our relationship to the non-human – Kirby used animism creatively to reach within the synchronistic whole and inject his awareness through comic book panels. This is an intuitive act and is the most practical of our human qualities. Imagination and intuition allow for the existence of a synchronistic timelessness whole. And to deny it sets you up for utilitarian mysticism and hero worship. And this is what the new/traditional fundamentalist- Christians love to do.     

There should be enough shared knowledge now to convince people that the 9/11 event was a planned demolition – with all infrastructures, from media to major utilities, working in unison to create what was an elaborate hoax but a hoax with dire consequences. There is no need to rely on synchronicity or the intuitive act to determine the event’s truth for this particular event. Or even to point out an angelic destroyer responsible, a sense of scapegoating for the ones responsible. Enough logical evidence (thanks to the work of Dr Wood) has been gathered as shared knowledge, so common sense is enough for the truth to be revealed. 

The conspiracy theory link is the elite powers that rule have built a Stargate where the Twin Towers fell. The Twin Tower event was said to be initiated precisely as part of a plan for a super occult ritual – so they could manipulate its power grid to build a freedom tower, ‘Uber Stargate’. It’s also a time-gate, a time-travelling device that will allow them to defeat the will of the universe. To delay the spiritual evolution and liberation of the human species – they can maintain control of the matrix they created, even at the price of being prisoners of a time loop.

And this is ripe with speculation as an absolute; I can’t help but feel conspiracy theorists are failed sci-fi storytellers using what successful writers do by adopting myths and events of the human experience/qualities. The only difference is they can code it better. It’s entirely too overt.

Lucifer’s campaigning among angels for great sin aside; the notion of ‘sin’ is somewhat different according to high physics, which is strangely Kabala. The word sin comes from the word sine. The word sine in physics is abbreviated sin (y=sin x); in the diagram, the straight line represents linear time (as in life and death), and the wavy line represents the wavelength. Another wavelength closely follows the sine wave, co-sine (y=cos x), each represented as red and blue and interacting with time; one is time, and the other is space; both interact as time and space.

Red and blue incidentally represent the planet Saturn (Celestial), so why is sin evil? Because sin is the abbreviation of sin, you’re sinful (or born into natural sin) because you were born into a time, and when you’re born into time, you’re born into sin. Why does sin keep you away from the creator? Because here is ruled by time, the circle and space, the square, and the creator are timeless; there is no time where the creator exists; it’s a loop. And this is what you have to rise above it. In Romans 6:23  

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For the wages of sin is death; but the gift of God is eternal life through Jesus Christ our lord.

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In the third dimension, time exists and also its container, the Cube (represented as a Hexagon—which is a Cube in two-dimensional form). Given enough time, time destroys everything: metals rust, vegetation decay, and so on. This is why, in revelation, the Beast is Saturn, and Saturn regulates time.

The green wave is the Serpent, and the three axis: x,y,t represent the Cube: why The green wave is the Serpent, and the three axes, x,y, and t, represent the Cube: why am I going to hell when I die? In this scenario, hell is time and space, and what is written in parentheses answers it (cos + i sin); where were you before that? Many belief systems indicate where you are before the next incarnation: Samsara-Wheel / source-point / void/heaven / Dao, and so on.

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This explanation is another way to understand other human qualities as strengths. In contrast, an eschatological explanation, while seemingly interesting, is bound by manipulation. Still, we have theatre and moving pictures to inject man’s most remarkable stories, a more sophisticated telling unbound by manipulation, albeit the occasional propaganda. The Tree of Life is akin to the Kabalistic Tree of Life. The Old Testament is allegorical and a coded manuscript related to high physics, and its words coincide with the Fibonacci sequence – its stories are about reflections, light waves, atomic weights, gates, vibrations, and mathematics codes. Light waves can be the process of spirals, cavitation, and sonoluminescence (the state of light coming from sound) known as ‘Star in the Jar’. Genesis is coded science. All of this is an attempt to explain that thing in the sky that creates the reality we live in – most believe it’s g(G)od, but the Gnostics believe in a True God, and it’s not that.

The debate about whether there is a divine being between a man and the creator continues. The scripture states, “The gift of God is eternal life through Jesus Christ, our lord.” Throughout history, Christ has always been associated with the Sun; in an astro-theological sense, Christ is the Sun. Perhaps Christ is a doorway/password upon death. And those that have reached Christ-consciousness have gained their password. And this makes the Sun a sort of soul-eater, Saturn the depositor, and a time regulator. The soul-eater is somewhat reminiscent of Pac-Man as it aesthetically matches the progression of time like an analog clock.

The supposed Voyager spacecraft showed a hexagonal vortex feature in Saturn’s North Pole. It seems an artificial depiction of whether the Hexagonal Vortex is real or rendered (I leave that to you). It could have been put there as a hex on you or as a symbolic hint that what you perceive is real is nothing but simulation. The hexagon symbol in Saturn’s North Pole is a cymatic response and an electromagnetic fourth-dimensional intelligence. It can be seen in the representation of the Atom, snowflake, and honeybee hives, and it can be found in monatomic silver when magnetized. The hexagonal vortex can be re-created through cymatic frequencies. Saturn’s Moon’s supposed heat signature depicts a Pac-Man, another symbolic hint for the Sun as a Soul-Eater, i.e., Pac-Man, although I don’t know why they chose Saturn’s moons. Saturn’s Moon Mima is similar to Star War’s Death Star; I don’t know which came first, the film or the render. Another name for a Star is the Sun; Death-Sun – the Sun is said to have no fusion; it’s only in the flares you get fusion (alongside x-rays and microwaves). The Sun is a transformer and converter; it takes in/out energy from another dimension (counter-space). The Sun is also known as the Black Sun because, within the cosmic plain in which the Sun resides, it’s not visible.           

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Alex Proyas’s Dark City is a film about a race of aliens called the Strangers who have mastered time and the physical world but are dying because they don’t have souls. They need the vital essence of spirit and created a simulacrum world to imprison and study the human soul so they can become one with it.   

The strangers are worm-like creatures afraid of water and light. They parasitically use the dead as vessels. However, they’re one-dimensional, as they only choose Male corpses. The Strangers have the power to create worlds but cannot save themselves because they lack the feminine and natural virtues of balance.   

Mr. Hand resembles Da Vinci’s Vitruvian Man and is a crucifixion pose. After his insertion, he has John Murdoch in mind, as does mine. The image outlined in red seems to be a three-dimensional version of the Pac-Man, the yellow Clock diagram on the left.

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John Murdoch is the man who would bring the sun to the Dark City; Murdoch (Oannes Marduk) is the Sun-God and solar Redeemer – he is awake while the whole city is asleep (at the Stranger’s command). The Strangers is akin to the Archons of Gnostic mythology, prison wardens of an imaginary world dressed like the Men in Black. The Strangers regularly assemble in their lair to perform the ‘Tuning,’ the telepathic ritual that maintains their control over this world. Mr. Hand is like Agent Smith in the ‘Matrix’; he is part of a collective but strangely has his own individuality. Mr Hand volunteers to insert memories that were supposed to be for John. When Scherber tried to inject those memories when John and everyone were asleep, John telepathically stopped him. Now, those old and new memories belong to Mr Hand, who uses them to try to find John.

Towards the end of the film, John Murdoch is taken underground to the realm of the Strangers, who attempt to merge their collective memories with his. However, John steps down from his cross and rises as the Sun god. With the assistance of Scherber and an alchemical elixir, he remembers his full divinity. Fueled by this realisation and power, John defeats the Strangers and their leader, Mr. Book, through psychological means. After winning the battle of the spirit, he creates an ocean and a beach, restoring the damage caused by the fight.

Mr. Hand and Agent Smith from The Matrix exemplify the theme of being cast out of a realm upon completing their missions. Mr Hand casts himself out to experience what it means to be human but fails to grasp it fully. Mr. Hand and John Murdoch face crucifixion at the cross, represented by the clock circle and the Pac-Man imagery. Mr Hand, an archetype similar to the Archons, exists outside of time, unlike humans confined by it. In a sense, Mr. Hand and John Murdoch represent aspects of time. Mr. Hand desires to understand humanity through memories shaped by linear time, only to discover that this approach still needs to be completed. John Murdoch enlightens him before opening a door filled with light that he has created for himself—symbolising his apotheosis and the creation of the Sun and Ocean. He reveals that being human cannot be found in the mind but in the heart.

The Pac-Man imagery is The Matrix-Reloaded (the Pie in the Matrix); it’s less of a Pac-Man and more of Pi/Pie imagery; it is Pac-Man covertly. Matrix’s many premises are we live in a simulacrum of ones and zeros. The Pie signifies Pi – and according to Pythagoras, all is a number. Languages use a numbering system, especially ancient languages, which use sacred geometry hidden inside the language, where the sounds of the words carry enormous power and can be decoded using numbers. Numbers are at the root of the language in the form of letters. So, a mathematical expression can also be written as words. 

There is the London Eye and the Netflix show ‘The OA’ with its Saturn connection. The show is about a bunch of near-death survivors being kidnapped by a scientist trying to unlock the mystery of the other side by killing them through drowning and then reviving them again. Their resistance soon turned into acceptance when they realised they were given clues within each death. They scribe the messages on their skin to hide them from the scientists and act them out through interpretive dance. In particular, seen from the main character, Prairie, manages to unlock herself from her shackles to find clues and the experiment results. It’s later revealed by her capture (Dr Hunter), who has taken a fondness for her, and Prairie has Stockholm syndrome to her capture. She noticed a weird sound upon her death, a resonance. He determined that sound has the same resonance as the Saturn Ring makes.

[The OA has all the usual secret society tropes like death and rebirth, piercing the veil between dimensions, revelation within a cavern, an elite vanguard separated from society, super powers, transcendence through ordeal and a lord of the Underworld kidnapping a virtuous maiden. – Knowles C] 

New-(traditional)-fundamentalists have a romanticism to end times, not towards the gradual ending, but an ending Hollywood perpetuates. Seeking such things is equal to believing in an alien invasion reminiscent of the film Independence Day, where UFO ships are coming down to destroy cities. It’s beside them that end times are slow, and Alien invasions are insidious. They want the end to be quick, the quicker, the better – this kind of romanticism is not good. A linear perspective in faith is somewhat similar to Scientism’s rigid belief in materialism. A more precise look at it is a Faustian perspective, an unbridled ego or faith in the intellect, but in their religion, in the Christian-fundamentalist’s case.   

The Christian perspective on humankind’s fall portrays it as a significant mistake early in history, resulting in our diminished status within the cosmic order. Consequently, we are in a state of penance, bearing the burden of a curse that has affected us for generations, all stemming from the actions of our first parents. Although Christ has the power to redeem us, this notion often brings about feelings of guilt—one might wonder whether they truly deserve salvation. However, if you follow Christ, all your past misdeeds will be forgiven, granting you a place in eternity.

Being saved is depicted as receiving a helping hand from a merciful God willing to overlook your life’s journey. This idea resonates with many and reflects a natural inclination toward belief. There is an unspoken relationship between humans and the divine, whom many Christians intuitively recognise yet may not openly discuss. Interestingly, this understanding forms the foundation of magic.

This is why Christians consider magic heresy: it suggests that humanity can command God to act or that magicians can compel nature to behave according to their will. According to design, 90 per cent of nature is completed, leaving the remaining 10 per cent in the hands of humanity. This implies a relationship in which we are co-creators with God. The Hermetica describes humanity as God’s sibling. From the magical and occult perspective, human beings are not burdened by original sin, and guilt is no longer a prevalent concern.

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Michael Keefe.

… End of part five… to be continued

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Christianity as a Doomsday Cult:

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The Conspiracy-Theory Doomsday [Originally posted on 13th May 2018]: With the early inception of YouTube, I realised how great this platform was for showcasing videos. I took in everything that was UFO-related; it fascinated me to the core. I felt like I was going through a revelation; from an early age, I had always thought aliens were real and had a genuine fondness for mystery. Then, this compelling Grey Alien Autopsy video seemed to get mainstream play on television when X-files were popular. That video reinforced my beliefs, and then another video showcasing the same video of an Alien Autopsy making a case that it was an elaborate hoax. I would then believe aliens weren’t real; this is how powerful media suggestions are fake. Whether the Alien Autopsy was real or not, at that point, it was irrelevant; being brainwashed is far more concerning.

On YouTube, I realised that Alien Greys were real and that I had been brainwashed into believing it wasn’t. It would reaffirm my subconscious that mainstream media does not fully tell the truth; I watched as many as I could find upon this revelation. I felt like I had missed a lot in the comfort of ignorance. There was an apocalypse in my head; of course, most of the myths regarding UFOs were transcribed cleverly through a storytelling narrative. In Chris Carter’s X-files, but back then, we viewed it as entertainment, not realising Aliens had a literal origin set in reality. It would also seem from the very genesis of humanity.

Within Ufology comes many extra-terrestrial hypotheses concerning messianic/rapture, and like a consciousness awakening, it comes in waves in many repeated cycles. The show X-files outlines those concerns in narrative form and our synchronicities, unexplained UFO observations, UFO-related dreams, symbology, spiritual entities, etc. X-files’ first revival episode makes clear the importance of 2012 (apparently, “the countdown” began in that year) and, of course, alien abductions and Roswell (being the CenterPoint in Ufology).

I had pre-2012 paranoia; this contemplative feeling was so strong I had to find out if the 2012 Mayan prophecies (of the end of the world) had any truth to them. But, of course, some argue that the 2012 prophecies were not incorrect but simply premature. Or we are too conditioned to think that an apocalyptic end is similar to the film ‘Knowing’ where a massive solar flare would hit the earth. Destroying everything in sight would only reaffirm fundamentalist Christians’ right about an end-time scenario that entails fire. (And if such a truth occurred, no one would be around to hear them criticize it).

Back then, there were different claims about 2012: one popular claim proposed our solar system would align with the galaxy’s galaxy’s centre, which could cause upheaval for the planet. There are two versions of the theory. One suggests the sun will rise above the horizon on December 21st 2012, on the winter solstice. It will also rise in the middle of the Milky Way Galaxy, thus causing an alignment with the Earth, the Sun, and the galactic centre. However, this is only significant from the Earth’s point of view. The precession cycle is accurate; however, the wobble is not – the hyperreal notion of a 26,000-year wobble of the Earth causes the effect of stars changing position on the horizon and, therefore, only the effect of a galactic alignment. If this were viewed anywhere else in the hyperreal universe, it would be insignificant – it’s only a visual effect and only from the Earth’s perspective.

Furthermore, no gravitational force or radiation can be expected to cause any change. Such a theory, when considered, must take this into account. In doing so, we will realise we are further away from the galactic centre, as suggested. The Mayans considered this date significant; unfortunately, it’s not a galactic centre alignment theory. Therefore, the Mayans’ reason for the significance of 2012 has to be something else.

The second version of the theory is about the solar system’s actual location in relation to the galactic centre. Our solar system moves around the Galaxy’s centre every 225 to 250 million years. While doing this, it’s also moving up and down the cycle, crossing the middle plain every 33 million years. Are we going to cross that galactic plain in 2012? We didn’t. We didn’t even come close (because, in truth, the Earth is transfixed. Nevertheless, let’s continue with the hyperreal-space notion). According to the Journal of Nature, evidence has crossed the plain by 3 million years, which means we’re moving away from the Galactic plane and are not due to cross for another 30 million years. There is also a margin of error in calculating about 2.1 parsecs (6.5 light-years).

Conspiracy-(theory) and truth are two sides of the same coin. Still, when you become an ideological game changer, you’re ultimately faced with questioning reason, logic, and common sense. So, you cannot deny your observations and personal investigations – because it confirms the truth. The whole concept of a heliocentric world began with a guy deeply in a psychedelic high – in this moment of clarity, he determined: what if stars were suns? Soon, throughout the centuries, this innocent thought experiment started to lean toward empirical truth; people knew the world was flat, and the stars and constellations moved around the Earth. Observations, logic, reason, ancient texts, etc proved this. Yet, at that very moment, we forgo empiricism and adopt fantasy. And that’s not the concerning part; the scary part is Men’s perpetual brainwashing mechanisms – from a false idea that grew like a parasite to demoralize you and deny your intuition and the truth. This makes all the hyperreal-space notions, such as galactic alignment, polar shifts, space travel, and so on, not true, but within the layers of propaganda, coded truths can start to appear; you have to find it and determine which truth you lean towards.

In the show Legion, in episode five of season two, the guy from Mad Men (Jon Hamm) narrates a portion of ‘conspiracy’ – on his last notion, he says: “When we encounter coincidence, we often see a conspiracy.” Often, the conspiracy is accurate, made evident by a new notion of synchronicity, a mixture of mysticism and meaningful coincidences (synchro-mysticism). This method is usually used to find patterns in everything. When it’s found, trying to define or explain how this occurs can only be described as something more significant than them and alive with its type of consciousness alongside natural entropy. To determine the heliocentric universe is false. You don’t need synchronicity or mysticism; you need observation, logic, and reason.

The illustration example for galaxy centre alignment is similar to Barden’s Codons example of illustrating a digital link between emotion and genetics. The higher your frequency, which is the emotion ‘love,’ the higher the available antenna, and it’s the opposite of the emotion ‘fear’. DNA acts as an antenna for cellular-up regulation – DNA is primarily a receiver and transceiver of photons of light and phonon sound. I can’t help but feel that Astro-scientism used the same example to showcase an infinite hyperreal-space universe by throwing arbitrary numbers around. Ultimately, space is you. Two opposing theories, but only one is true – incidentally, the New Age circles where Barden is a fixture tend to be open to hyperreal-space universe – so it is truth with a sprinkle of Astro-scientism’s science fiction narrative.

Then there is this theory of Pole shifts; theorists don’t know whether it’s a magnetic or a physical shift – the physical shift entails changes within the crust of the Earth. All these were the effects of a world-ending cause, either by planetary alignment, Planet-X’s (Nibiru) arrival with its comet’s tail, or a tremendous Sun flare. It would seem planetary alignment is a dud [as explained]. If I were to entertain that thought experiment of a physical pole shift existing, the event would require tremendous energy. Pole shifts are a false theory and do not exist in the real world.

The imminent arrival of ‘Nibiru’ (Planet-X) is traced back to Zecharia Sitchin’s translation of the Sumerian text and his interpretation of the VA243 cylinder seal. According to him and repeated many times in the ancient astronaut, there is a 12th planet minus the Sun and Moon. His observation of symbols is lacking as he confused the Sun-symbol with the Star-symbol. The symbol used in the Seal is a bright Star symbol.

Anyone preaching this has the hallmarks of a scaremonger, no different from a religious person with a sign around their neck preaching the end is nigh. The only difference is that Planet-X scaremongers tend to be more sophisticated and most likely are commissioned to create fantastical theories. There is no evidence to support a hidden planet X. The planet is supposed to be within the solar system in less than a decade; even at a billion kilometres, it should be the brightest star in the skies. Pluto is supposed to be five billion kilometres away and can be visible using modern equipment. Some claim it’s behind the Sun. That’s why we can’t detect it – if it were, it should be moving at its fastest point considering its projected orbit, and it would be behind the Sun for a very short time.

Zecharia Sitchin authored the book “The 12th Planet,” I haven’t read the book, so I presume Sitchin has much more to say other than his misrepresentation of the Sun symbol. And I suspect it’s more fictional-based while trying to morph itself into non-fiction telling. It also impacted the neo-Gnostic groups of the nineties – influencing the works of William Bramly, Jim Marrs and David Icke. But, then, it eventually tricked down to YouTube, where Christian fundamentalists propagandised Collin’s Elite “fallen angel” angle to try to coincide with Genesis 6:4 to explain any strange phenomena.

The Collins Elite is a group described by Nick Redfern in his book “Final Events.” This group, funded by the CIA, DIA, and Air Force Intelligence, was established to investigate the UFO phenomenon after Project Blue Book was dismantled. Unlike traditional views that consider extraterrestrial visitors, the Collins Elite believes that these entities are demonic forces attempting to lure humanity with false promises of alien technology while seeking to steal and harvest our souls.

And this is no more fantastical than an advanced civilization living in Nibiru coming to Earth and establishing the history of what we know as Atlantis. Earth, a giant planet, was closely clipped by Nibiru, giving us the size of Earth we have now; within this partial cataclysmic, some of those advanced civilizations made their way to Earth – the civilization in Nibiru is the supposed beings the Annunaki. And the next Nibiru’s solar circulation towards Earth will hit Earth fully, resulting in a doomsday or apocalyptic scenario. It will destroy Earth, but Nibiru is more extensive and will survive. Enlightened people are chosen and invited to stay on planet Nibiru.

Plane-X, a wondering planet about to hit Earth, is portrayed like the anti-Christ shaped as a sphere. To promote fear, although less towards Christians, more so for the New Age demographic. The return of the Saviour, being a Jesuit doctrine, comes with the inevitable rapture – why not create a narrative story for the New Age as well (a clever Tavistock experiment), the supposed inevitable coming of a hyperreal planet coming to destroy Earth? And only a few chosen groups, as in the enlightened ones, are saved. It is no different from the world becoming desolate or destroyed by God and his Giants for the apparent coming Saviour. Only by believing in him (or fundamentalist ideals) will you be saved; there is a case to be made that both notions are all Futurism.

Futurism doesn’t have to be just the progression of technology; we can use it to define business and country – it’s also about finding meaning and fulfilment in the future rather than in the past or present. And that future can also be an idea. Still, an idea of the future is often used as a negative (a parasite). It starts innocently as a thought experiment but grows until it dominates and soon becomes a false truth. In Nolan’s Inception, the film has many psychological concepts, including the thought of an ‘idea’ taking possession. Cobb implanted a thought in Mal’s mind in their shared dream landscape that our world wasn’t real – that thought spilled over into the real world, that she needed to wake up from her false reality and to get back home, we had to kill ourselves. Astro-Gnostics often feel they’re not of this world that they incarnated here on this planet but feel an overwhelming disconnect that they’re from somewhere else – this romantic indifference, however, pulls on the heartstrings of a hyperreal-space notion. It could simply be a remembrance (or a feeling) of once being in the source point or heaven, whichever you’re inclined to believe.

Mister Shadow – Fifth Element

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The film The Fifth Element outlines the notion of an anti-Christ (aka Lucifer/Satan) as a planet through a narrative Sci-Fi concept. In addition, the film outlines the struggle between the forces of good – between an ancient alien, Mondoshawns and their human accomplices. The forces of evil are represented by a malevolent planet known as “Mister Shadow”, which influences a weapons manufacturer named Zorg to help bring the destruction of the Earth by acquiring ritual stones symbolizing the four alchemical elements.

The film showcased a supreme being named LeeLoo coming to life from the DNA of a Mondoshawns survivor. The synopsis is that LeeLoo and friends (Korben, etc.) acquired the ritual stones, and the fifth element is ‘Love’, which was inside LeeLoo. LeeLoo’s unfamiliarity with the notion was apparent as Korben showed how he felt about her. And this, of course, is just not about romantic love, but love in a grander spiritual sense. So she developed a light beam inside her that destroyed the satanic planet “Mister Shadow.” (Mister Shadow can also be known as the Black Sun or Saturn, in some traditions, a burning orb that gives no light or heat). Mister Shadow plays on the notion of the Jungian’ Shadow’. If the shadow is not maintained through healthy individuation – this spiritual force within you starts to manifest neurosis. This shadow only exists to serve its own needs and possesses neither love nor compassion (narcissism/egoism).

All I see with both the anti-Christ and Nibiru doomsday notions is a mingling of truth with fiction and myth – with an underlying similarity, which is to be fearful and obey your rulers. Some attached to Collin’s Group believe that to save the US from what they perceive as a satanic threat. They should place the US near-marital law, where an iron fist rules the nation that adheres to Old Testament-style teachings and beliefs. The only way to be saved is a deep belief in and acceptance of the Christian God. Forcefully changing the entire US mindset to an Old Testament nature will save our souls.

This misguided concept is possibly a thought experiment by a psyop group assigned to create pretexts for overthrowing any governance; the same group certainly fits the overall secret war against the New Age meme. Why do they exist? – Because it’s not about creating agencies to be the front line of some enemy from another world (a type of X-File romanticism) because they’re afraid of UFOs as demons. No, that’s just a cover. Perhaps it’s about uploading a fear in people’s minds, a thought parasite to either be afraid or not afraid of UFOs as demons because it’s really about halting something that might challenge their religious programming and authority. Fundamentalists work hard to hide anything that showcases doubt and will always paint it with demonic colours.

It’s safe to say now that the world didn’t end—that the Mayan calendar did not predict the end of the world and has never referenced that concept throughout its history. When the Mayans created their calendar, Western society had already discovered the precision of the equinoxes 100 years before them. It is less about prophetic predictions and more about mathematical and astronomical observations. The Mayans noted that the stars shifted one degree during their time. When they multiplied that shift by 360, they arrived at a precise cycle of 26,000 years. This calculation assumes the Earth is in motion, but it’s also possible that the star’s Earth is stationary, and the stars’ rotation within the sky is what has shifted one degree. The Mayans restarted their calendar, the only difference being that they didn’t do it on a solstice.

The New Age movement promoted the idea that the cataclysmic upheavals and changes occurring on Earth were part of a natural process leading to a promised enlightenment, especially as we approached 2012. This narrative gave people a sense of pride, suggesting that science can explain these significant events—or the potential theory of science, often based on speculation or fiction. According to New Age beliefs, 2012 marked a pivotal moment: at exactly 11:11 AM Universal Time, the completion of the 5,125-year Great Cycle of the Mayan calendar would occur. Additionally, 2012 also signified the conclusion of the precession of the equinoxes. While this year marked the end of an era, it also promised a transition into something new.

That something new has probable potential because 2012 signifies a crossroads. The galactic alignment diagram can be seen as a DNA strain within the Vesica Piscis. Each time we pass the galactic centre or contract back to a centre point signifies a change of possible infinite cycles and expansion, possibly moving towards a higher frequency. A possible potential is that we all ‘wake up’ (awaken), and we can then raise the collective frequency to a level of love, cooperation, and peace among all human beings. If this happens, its ascension, where everyone experiences a dimensional shift and imaginable possibilities can occur.      

The New Age as a whole, on paper, is amorphous; still, it never really crosses over into true religion or even mainstream science but is more flexible on mystery teachings. But mainstream science will always deem the New Age’s alignment with meta-science as pseudo-science and will always be on the fringe. I guess the ace in the hole for the spiritually inclined is that awakenings/enlightenment is real, just as consciousness is absolute – and I think having personal experiences with cosmic consciousness is a sure way to confirm it. The potentiality of the New Age, such as meta-science coupled with all things spiritual, must provide the desirable aspects of religion without succumbing to it. If it does lean towards religious sentimentality, then it breaks the spell. That being said, it’s 2018, and things seem to worsen.

The Christian fundamentalist will advocate that all upheavals were all written down as prophecies within the Bible – and are solely the birth pains before the return of Jesus, alongside being convinced that all the focus on scientism and New Age meta-science explanations to a fictional cause. So the doomsday scenario (a galaxy alignment/pole shifts/transition to ascension) is nothing more than a distraction to take your focus away from the Bible and the pending return of Christ. Furthermore, they like to give themselves (fundamentalist-Christian) legitimacy because all prophecies from the Bible have come true. Or perhaps the Oligarchy controllers 6000 years ago to the present moment have made sure those prophecies came true.

The rapture or doomsday is supposed to hit on April 23/2018 – I guess what you have to realise is when it comes to end times; ask yourself, when was it not the end times?

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Evangelical Protestantism and their foot soldiers fundamentalists are the closest things to a one-world religion. Billions of corporate dollars have been spent towards Evangelical Protestantism worldwide – and fundamentalist conspirators do the work for them, often for free. While doing the work, they often do not realize or come clear in their research that they do not understand what the anti-Christ means every time they discuss end times and prophecies. In the prophecies, Titus had made it clear who would follow after Jesus – and of course, it’s the anti-Christ whose number is 666. The anti-Christ was never meant to be the opposition to Jesus; anti-Christ means after Christ (replacement Christ). That’s where you get apostolic succession from. So, every Pope is known as the anti-Christ god-(Jehovah)-proxy. Flashing three sixes as a hand signal is a sign they work for the head state (the Elites).

Evangelical Protestantism and their foot soldiers fundamentalists are the closest things to a one-world religion. Billions of corporate dollars have been spent towards Evangelical Protestantism worldwide – and fundamentalist conspirators do the work for them, often for free. While doing the job, they usually do not realise or come clear in their research that they do not understand what the anti-Christ means every time they discuss end times and prophecies. In the prophecies, Titus made it clear who would follow after Jesus – and of course, it’s the anti-Christ, whose number is 666. The anti-Christ was never meant to be the opposition to Jesus; anti-Christ means after Christ (replacement Christ). That’s where you get apostolic succession from. So, every Pope is known as the anti-Christ god-(Jehovah)-proxy. Flashing three sixes as a hand signal is a sign they work for the head state (the Elites).

Media entertainment often transcribes conspiracy-theory whether consciously or subconsciously, Why? This can entail more research; for now, I can give one assumption – as a joke from one artist to another. So, for example, a penis is embedded in a Disney movie because the artist thought it would be funny among their entertainment peers. Or you can go on a conspiracy tangent about the occult worship of the phallus, or it can be some brainwashing mechanism to manipulate children’s minds, which are all valid conclusions. However, the Artist-Prophet (from the likes of Jack Kirby and such) seems to have a higher calling. Artists with greater imaginings (can often call up spirits); they can peer through or hack into that […] something and then return to depict something prophetic that mirrors our collective whole, breaking all concepts of what we call reality. And no perception managers can halt such revelation; they can only do damage control. The short-lived British TV serious Utopia (a show about conspiracy, but not really about conspiracy) is about a group of accidental rebels trying to survive while being pursued by a pair of grandiose and excessively violent hitmen searching for the unpublished sequel to a cult graphic novel called Utopia and a mysterious woman named Jessica Hyde. When the nature of the conspiracy is revealed, first, make weapons-grade substances hidden in food to make people sick via flu. Second, sterilize most of the world using flu vaccines, but would only target specific genetic markers for the cure, leaving the world with only 500 million people in the world.

This coding is very transparent. Firstly, it references a specific number—500 million—which also appears on Masonic stone statues outlining a particular plan. It touches on themes like poisoned GMO foods and tampered vaccines. The show draws viewers in with notorious conspiracy topics but simultaneously evokes a sense of hopelessness. It suggests that any attempt at resistance would be futile, implying a subtle acceptance of nihilism or annihilation.

In 2011, a film called Melancholia was released before December 21-2012. It’s a wandering planet called Melancholia (aka Nibiru/planet-x) in a direct orbit towards Earth, which would cause destruction. It’s worth noting that the director of Melancholia directed another film called Antichrist, and just like Fifth Element, Melancholia is like Mister Shadow, the anti-Christ represented as a planet.

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Another entertainment piece on nihilism is Melancholia: With my little decoding of Melancholia, either of two things results when the image is mirrored. One – beings with funny-looking eyes rule over us. The diamond image and the planet background represent that (the film’s meta-subconscious symbolic reminder of who your rulers are), and two, a representation of a birth opening, a symbolic suggestion to a new incarnation. The two planets represent the Vesica Piscis. So it’s less about hyperreal notions of colliding planets and more about the self-reflection of the microcosm universe.

There is no such thing as space as a hyperreal-space notion. Therefore, the film is really about nihilism. Justine (Kirsten Dunst), Claire, and John portray the structures of this nihilism differently. This nihilism can be seen as a knowledge model; Justine’s Nihilism is far more apt than Claire’s neurotic position and John’s economic-rational mode. Perhaps it’s Justine’s romantic understanding of death that her depression may fuel, but people’s understanding of death is often incomplete. John’s rationale mode by saying, “You have to trust the scientist,” he is giving his faith in a religion disguised as empirical (sure belief in NASA if you wish). His God is the ultimate ‘chance’ – out of touch with his spirit, he commits suicide before the destruction.

Meanwhile, Justine’s “knowledge” (i.e., Gnosis) borders on the mystical – she knows there are 678 beans in the wedding jar. She states, “The Earth is evil; we don’t need to grieve for it. Nobody would miss it.” To those who follow conspiracy theory, Justine hints the world is evil because it’s ruled by an evil parasite (or is that just me). Or you can safely say if such a wondering world exists; in this possibility, the old world must die before the new can flourish. This is nihilism, but the film title suggests melancholic (negative); this depends on the term – there was a whole romantic movement centuries ago. They would probably see it differently, similar to “objective depression.”

Justine’s gnosis is exemplified in her action; she inhabits Millais’s Ophelia, drowning in her wedding dress and clutching the bouquet. She also lies by the riverbank naked like a mythical- oracular that resembles a beautiful mermaid or a virginal girl that steals beauty in a chaotic wasteland. Finally, she listens to the planet’s magnetic siren sound and communes with it like its own herald figure (or gnostic saviour of self).

Michael Keefe.

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… End of part four… to be continued

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